Sentences with phrase «often explores the spaces»

Predominantly an installation artist, he often explores the spaces we inhabit.

Not exact matches

I was exploring as I wrote, as I often find myself doing in this space.

His willingness to be vulnerable and to speak passionately and truthfully set an example for his classmates; Jimmy's class comments often moved us to a new and provocative space as we explored issues of equity and fairness.»

This enables learners to explore the gray spaces rather than the strict black and white or right and wrong spaces eLearning has often limited itself to in the past.

Simmons has been producing set - up photography since the late 1970s, depicting mannequins, dolls, and dummies in dreamlike, often eerie staged worlds to explore domesticity, gender roles, objectification, and the increasingly questionable space between animate and inanimate.

[7] Most of his output was in freestanding «specific objects» (the name of his seminal essay of 1965 published in Arts Yearbook 8, 1965), that used simple, often repeated forms to explore space and the use of space.

Her iconic structures often reference scientific tools, such as pendulums and built models, that attempt to trace space and time, exploring the edge of human perception.

Her work explores the politics and poetics of the built environment, engaging and transforming the architecture of the exhibition space, often in implausible ways.

Tallerås investigates urban space, exploring hidden and often non-used areas of the city.

Painted on canvas or wood supports these paintings explore an illusionary space, their seductive often highly tactile surface enhances the experience.

rosalux presents Julia Riddiough A British artist with an active interest in exploring and investigating the archive, looking at the space between fact and fiction, meaning and perception often referencing the representation and portrayal of women.

The artwork produced by this group was often shocking and experimental, exploring new mediums and spaces.

A Los Angeles - based artist, Pearl C. Hsiung explores the space between representation and abstraction, often a site for humorous commentary.

The minimalist designs often recall familiar figures and explore literal and metaphorical aspects of space and architecture.

Nova Jiang's artistic practice explores the expanding definition of public space, often through interaction and community collaboration.

ARTIST STATEMENT My work explores the space of video installation through the use of often large scale projections that incorporate the physical space, creating immersive environments that trigger an experiential relationship between the viewer and the piece.

Modeling her CG animations on the allegorical paintings of Casper David Fredrich, Fu continues her aspirations in the sublime from her painting background into experimental digital media, exploring the nature of physical and metaphysical limits, as the work also mirrors the fundamental aspect of Chinese Traditional Landscape Painting, which often presents a type of virtual space where the significance of the individual and linear perspective is blurred into a voluminous landscape.

Believing that art is often best experienced in a curated space, Gallery Weekend Beijing will enable collectors and art lovers to explore art in a relaxing atmosphere and in rewarding and meaningful ways.

Strachan specifically explores often - invisible shifts in cultures, physical environments, and recounted histories over both space and time, in the wake of globalization and narratives of progress.

His work explores representation of everyday space through computer - based processes, often appearing in the form of animated GIFs.

Price's artwork often recreates environments or draws from historical archives and for this residency Price worked with Dr Mortimer; exploring his research and video footage and photographs in the Rutherford Appleton Space archive.

His work, framed in large - scale installations in galleries and museums, or as unannounced interventions in public spaces, often makes use of ellipsis, displacement and détournement to explore the nature of belief and the dynamics of communication in our contemporary world.

Leegte considers the Internet as an «online public studio and exhibition space» and often, albeit slightly tongue - in - cheekly, describes himself as an «Internet - based conceptual sculptor exploring the time - based, performative nature of the Internet in net installations».

Since the 1990s his work has explored the relationship between language and space, temporality and a critique of the «phenomenology of perception» characterized by a formal precision and clarity often developed in relation to the context of a particular exhibition site.

Most of his output was in freestanding «specific objects» (the name of his seminal essay of 1965 published in Arts Yearbook 8, 1965), that used simple, often repeated forms to explore space and the use of space.

In addition, awards such as this, with direct financial support to artists, which is critically needed and often overlooked, allow artists to explore new materials, invest in studio spaces, provide solo exhibition opportunities, and connect their work to curators from other cities.»

Exploring the notions of impermanence and the immateriality of art, LeWitt's work demystifies the artwork as a physical — and often fetishised — object while merging with the exhibition space that embraces it.

Delgado is concerned with minimising and reducing his work to its smallest expression, often employing the use of negative space, light and shadow to explore absence.

Often employing a large format camera, Struth began exploring industrial spaces, attempting to reflect the ever - evolving urban conditions of contemporary society.

Recent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and confound.

People are often separated by distance, and these connected lines represent the roads that are either explored to bring these figures together, or left untraveled, further symbolizing not only their physical distance but also psychological and emotional space.

His work explores the use of new technologies and is often conceived as public space Projects.

Her work since — dipping between installation, sculpture, video and drawing — has been influenced by architecture, exploring both public and private spaces, and is often noted to have sprung from the sex clubs that the artist found herself frequenting during the 90s.

Exploring the conceptual relationships between sound and space, Mostafa's work often draws on his interests in the phenomenological experience of the individual in the city and the nostalgia of outmoded technologies.

Creating interactive virtual worlds, the audience can freely explore Lek's digital spaces, often based on real places.

Her work often explores that interplay between the confinement of built environments and the freedom of open spaces.

Her projects often explore specific sites, public spaces or particular communities in order to locate notions of individual and collective identities.

His work explores ways that private and public spaces are used to promote and sustain injustice, often taking the form of archival research, writing, public programming, participatory workshops, ephemeral interventions, and performances within the built environment.

Exploring the nature of human relationships and the inherent struggle involved in maintaining balance, Bourgeois conjures a sense of tension through her «ladder» pieces, which often show literal and abstract ladders leading to nothing but empty space.

The exhibition will also feature pieces by John Baldessari, whose works would often draw viewer's attention to minor details, absences or the spaces between things; Alfredo Jaar, multidisciplinary artists best known for his installation works; John McCracken, whose monochromatic sculptures explore the relationship between objects and their surrounding spaces; Bruce Nauman, whose conceptual works conceptual works that explore space, language, and the body; Lorna Simpson, whose photo - conceptualist works investigate the relationship between image and text; and Vassilakis Takis, a kinetic artist who uses electromagnetism to suspend human beings and objects in space.

You and artists Doug Wheeler, Craig Kauffman, and Larry Bell are often associated with the «Light and Space» movement, which developed in Southern California the 1960s and explored the environment, sensory perception, and time through industrial materials.

Her projects often explore specific sites and public spaces in order to locate notions of individual and collective identities.

Her work often features rearrangements of popular folk songs and melodies, which are played in both gallery and public spaces and frequently explore the themes of loss, longing, hope, and mourning.

The later, more abstract figures are often penetrated by spaces directly through the body, by which means Moore explores and alternates concave and convex shapes.

Rather than abstracting reality, the Minimalists manifested the shapes, colors, forms and lines often explored in abstract art, inhabiting them in physical space in a representational way.

Born in Canada in 1978, Kapwani Kiwanga has explored subjects as far reaching as space travel, anti-colonial struggles and geology in an expansive practice often rooted in her training in anthropology.

Though Caldicott often incorporates geometric shapes and lines into his work, it's the way that color inhabits his created spaces that invites us to explore the deeper conceptual levels of the work.

Marcelle often uses film to explore how experiences in public spaces — a traffic light, an isolated dirt road, a construction site — can turn from everyday occurrences into joyful and poetic events.

As the press release states, the work seeks to «invite the beholder to enter into a corporeal relationship with [the paintings], to push off from them, to plunge into them, and so to explore the often enigmatic - seeming illusory space that painterly means have created.»

Bernard has long been a promoter of technology and innovation in the law, and her understanding approach to the often slower decision making processes within traditional law firm, and passionate belief in new innovations and ideas has enabled her to create successful «co-innovation partnerships», allowing lawyers to explore and experiment with pilots and give them the space to adapt and change their thinking for themselves.