Sentences with phrase «often felt the pieces»

I have always thought gingham was cute, but I often felt the pieces represented in this pattern generally crossed over to too...

Not exact matches

The best way to get samples of their pieces, and also to get a feel for how often they mail and what kind of offers they advertise, is to get on their mailing list.

If someone gets «flagged» by security, and gets asked to remove a piece of garment, or hat / turban, then they often feel that they have been singled out, and complain of racial or religious profiling.

Not that God wasn't part of my life then... He was... and I always thanked Him when I finished a piece... but I did miss Mass often due to traveling and now I feel like I really have a Church family.

my take is also is to not concentrate wholely on the diet, while not paying attention to the «move slowly and often» piece... if you are moving your body the natural appetite and feeling of wellbeing at the end of the day is almost as important.

As Frances Crook wrote in the piece which sparked the row: «Prison libraries are supplied and funded by local authorities and have often been surprisingly good, but so many libraries are now closing and cutting costs that inevitably the first service to feel the pinch is in prison.»

Because the pieces of the body are all connected, you'll often see benefits in other areas that feel stiff or hurt.

Often I felt like I was just opening my lid and random pieces of my experience and musings would erupt and pile themselves all over the table in a heap.

It's a fraction of the cost and you can often find pieces that have almost the same look / feel as real leather.

Watches are a timeless piece, but one I feel is often overlooked.

I often find it's the simple outfits like this (just a couple of pieces) that make me feel great, so I try wear them or variations of them as much as possible!

Partly because I get more bang for my buck (I have gotten amazing quality clothes at bargain prices, and «junk» for cents), partly because if I am lucky, I can get unique pieces, and also because of the way I live (travel full - time, often in remote Australia, working ind grubby / isolated conditions), I often can not get in to physically shop — I am a tactile shopper, online purchasing does not do it for me, I need to feel the clothes.

Decorating often feels like a waiting game — waiting for certain pieces to arrive, waiting for different projects to be tackled — but I live for the moment when everything starts to come together.

I often feel like a piece of meat being tenderized as my therapist tries to stop my muscles from clenching and overcompensating to protect my shoulder.

I, too, often feel inspired by a piece in a thrift store, and her photos give me ideas for how to develop one piece into an outfit.

I often want to tell more stories behind the pieces that I buy, the way that I feel when wearing them, or just what's going on with me that day, but sometimes it just seems that I'm trying to write... «fashiony.»

I have a few 40s / 50s pieces that I'm afraid to wear too often because I feel like they're too fragile.

I often wonder if some of the girls that purchased the piece when it first came out feel the same way.

:D On the other hand, I do understand you and I also have quite a few of these kind of pieces in my closet which I don't want to wear as often as I could because they're too pretty, too delicate and also too expensive so I feel so «responsible» in keeping them as impeccable as possible.

Often, I will seek out new pieces with a hue in mind, or because I feel a certain color is underrepresented in my wardrobe.

I'd like to really invest in quality, unique pieces because I truly feel that you can wear them more often, and for longer than cheaper, trendy alternatives.

Being that details are often what makes me love pieces, I find myself avoiding buying black because i feel i can not do it photographic justice.

The design of the gems also had a slightly western feel to them, and reminds me of some of the gorgeous pieces I often see at the booths in the shopping section of the rodeo.

I too feel that way and often feel like a walking ad for them, I guess the thing with their pieces is reasonably priced, long lasting, chic and effortless....

I often take jaunts to Napa as an excuse to get a little fancy, but it felt right to just wear easy pieces to enjoy the final days of the holiday before the new year.

Scoring a one - of - a-kind piece like this while thrifting often makes me feel like dancing.

I adore wicker bags but I'm always concerned about damaging vintage wicker bags as I can be quite hard on my purses, so more often than not I tend to opt for modern reproductions so I don't have to feel guilty about destroying a piece of history if I eventually do some accidental damage.

I missing a few favourite pieces that I usually wear often (My Mars Boots, Vintage Jeans, T - shirts) and I'm feeling a little (read: a lot) limited in my options.

Great pieces and I hope your co-workers are silent if they feel they are seeing them too often.

Let's just say I've often been made to feel more like a generic piece of meat than the fine lady I am, and that makes me sad.

Before it morphs into a disappointingly interminable chase picture, In Time comes off as a sporadically baffling yet persistently watchable sci - fi thriller that often feels like a companion piece to Niccol's (far superior) debut, Gattaca.

It often feels more like an ensemble piece that the story of a single hero, and with a cast like this, that proves to be a very good thing.

Quite often, Hollywood «period pieces» feel dated and somewhat irrelevant to our world today — as if they were a snapshot from an old magazine.

Daniel Mecca, The Film Stage Too often the filmmakers rely on lowest - common - denominator prison rape jokes and lazy plotting to allow for action - comedy set pieces, resulting in a poorly - constructed scene at a White Supremacist stronghold and a sloppy third act that feels like an afterthought.

What keeps them all feeling of a piece is Dick's obsessive reworking of his central theme: what it means to be human in a reality that often seems doggedly persistent in breaking down that definition.

Thirty - year - old Dane Annika Berg's film — which just played at the Sydney Mardi Gras film festival — is an art - film rough diamond that often feels only a step or two beyond a video art piece.

A Quiet Place further brings to mind Spielberg's War of the Worlds; not only in the way that it taps into the fears of being a parent with children in a troubled political climate and modern world that often feels dystopian, but even down to its set pieces where freaky creatures hunt people hiding in basements and desperately trying to not draw their attention.

The jokes and set pieces come at you so often that there's barely a moment for you to feel anything else.

I'll often buy cheaper sets than I would if buying individual tools (not just for cars, but for computers and other projects)... if I buy a 60 - piece set at harbor freight for less than $ 20 on sale, I don't feel bad if one piece breaks under heavy / careless use and I replace that individual one with a more - heavy duty one to replace it.

DIGITAL EDITOR ANDREW STOY: Switching cars as often as we do, you could be excused for assuming it would take a really spectacular piece of machinery to cause feelings of loss — mourning, really — when the keys were returned to the communal box.

When it comes to defending your face against the incoming sharp pieces of metal, though, I think Wulverblade has some issues due to its often heavy and slow feeling controls.

But as the series grew the developers somehow felt that if Killstreaks were so good then having more of them was obviously the correct way to make a superior game, the very same attitude they had toward massive set - pieces, and so modern Call of Duty multiplayer matches often feel like nothing more than an endless barrage of Killstreaks, each seemingly more powerful than the last.

It feels so satisfying and so crunchy that I employed it as often as possible, launching myself into enemy mobs and rending them to pieces.

After that, I decided to forego the often forlorn - feeling search for additional pieces.

The desire to make sure every piece of dialogue rhymes often feels forced, and comes at the expense of developing characters or painting more detail into the world.

But too often the worlds feel empty, hollow, the pieces are there, but they loop too obviously, there's no real sense of discovery.

As a result, Minion Quest often feels like a chore, as opposed to a new piece of fully - fleshed out content.

Likewise, melee combat can often feel like cinematic action sequences, sending opponents into environmental pieces which shatter and splinter with greater frequency.

She's certainly succeeded; and even more so, has made a densely hung show of varied and often wildly vivacious pieces of work somehow feel ordered, even calm.

Heddaya writes: «From the outside, Weathersby's pieces straddle the clinical geometry of Op art and the organic architectural character of traditional room dividers and panels, like the Arab mashrabeya or the Japanese screen, and are unobtrusive, orderly, suggestive even of a painterly monasticism... Ken Weathersby is certainly not the first artist to have manipulated painting and denotation, or desecrated the ever - cooling corpse of canvas — the project has a distinctly vintage, Black Mountain College feel to it — but there is a focused and exploratory energy at work in his pieces, a maturity of purpose that stands at ascetic remove from the cloying color and sloppy corporeality that too often comes to the fore in Bushwick.»