Houseago creates monumental,
often figurative sculptures that have a striking ability to simultaneous convey states of power and vulnerability.
Not exact matches
Balkenhol, when shrinking the scale of his works, playfully disrupts the history of
figurative sculpture by subverting the monumentality so
often associated with it.
In media, he was all over the map: painting (abstract and
figurative), drawing, photography, collage,
sculpture, film, installation, performance, sound art; he did them all,
often messy, counterintuitive combinations.
The exhibition, which opens at Tate Modern in November and will run till spring 2016, will include a wide selection of Calder's motorised constructions and
figurative wire portraits,
often inspired by the circus or cabaret, alongside his suspended kinetic
sculptures of vividly coloured shapes.
He draws inspiration from public fountains and the
figurative sculpture that
often accompanies them.
These works, as with so much of Gormley's oeuvre, show the artist revitalizing the practice of
figurative sculpture through his investigation of the body (
often his own) as the locus of memory and transformation.
Jana Euler
often works in overlaid
figurative paintings, presented at times amidst
sculptures and architectural alterations.
One of the most original sculptors, Robert Arneson (1930 — 1992) reinvented American
figurative ceramics through the integration of
sculpture and painting in his large - scale,
often satirical, and even iconoclastic pieces.
Altmejd's work
often draws a corollary between the body and architecture with architectural landscape punctuated by
figurative elements or
figurative sculptures blown up to gigantic scale or infected with inorganic material.
In his previous work, the 29 - year - old artist created
figurative and highly personal paintings and
sculptures,
often using tropes from the Spanish Baroque style.
The
sculptures have
often been constructed from readymades but sculpted out of their original forms and combined to resemble
figurative sculpture.
For the exhibition, which first opens at Yorkshire
Sculpture Park before touring to other venues around the UK, Gander has selected works from 30 different artists featured in the Collection, pairing
figurative sculptures with other artworks containing the colour blue, which to Gander represents the abstract ideas
often found in modern and contemporary art.
The photographs exhibited by Daniel Gordon (b. 1980) represent the final stage of a process that starts with the construction of life - size
figurative sculptures made from cut paper and other images,
often culled from the internet.
Produced entirely within his Dumbo, Brooklyn studio, the crude
figurative sculptures (
often female) depict bizarre and sometimes unsettling situations; detached objects and anatomical parts mingle and merge with one other to form grotesquely appealing images, such as Red Headed Woman (2008).
But over the past 15 years public
sculpture — that is, static,
often figurative objects of varying sizes in outdoor public spaces — has become one of contemporary art's more exciting areas of endeavor and certainly its most dramatically improved one.
The backgrounds of his
figurative paintings, such as Untitled (
Sculpture) are
often abstract, almost mystical atmospheres that highlight an omnipresent solitude.
Schütte makes familiar forms of expression, like memorial portraiture and
figurative sculpture, strange through evocative,
often disturbing alterations, such as in his treatment of the female nude in his «Bronzefrauen» series (Bronze Women, 1999 - ongoing) where
figurative shapes morph into abstract or mutant forms, or his «Alte Freunde» series, in which the subjects» despondent expressions highlight the vulnerability of the individual against the cruelty and complexity of the vast world.
Artist: Michael Ross Exhibition title: Selected Works 1991 — 2015 Venue: Ellis King, Dublin, Ireland Date: January 29 — March 5, 2016 Photography: images copyright and courtesy the artist and Ellis King, Dublin The story is
often told of Alberto Giacometti's exile from occupied Paris in the early 1940's, as he whiled away the time in his native Switzerland working on a series of
figurative sculptures of literally diminishing returns.
In his
sculptures, the artist's body is
often substituted with
figurative elements.