All these subjects she rendered with a modernist's flair for heightened color, vigorous brushwork, and simplified,
often flattened spaces.
Not exact matches
The subject matter fell roughly into two buckets: interiors with the
flattened perspective of a fish - eye lens, and panoramic,
often equally distorted views of desolate or ruined landscapes — Kobaslija's «
spaces» and «places.»
Her dedication to working from images...
often results in gaps or omissions and a
flattening of
space and time.