In addition, Fischli and Weiss gave each work a poetic,
often ironic title based on its appearance: a vertical assemblage involving a bottle, a carrot, and a spatula, all held together by a piece of cord, is called The Roped Mountaineers; a bottle and metal vice form the base of an almost impossibly cantilevered construction, with a tea kettle, a trowel, and a feather duster reaching end - to - end out into space, in As Far As It Goes.
Not exact matches
Together, they paint a puckish portrait of the auteur, from Bale's discovery that Malick would
often shoot him surreptitiously — at last justifying his Method posturing between takes — to Chief Stephen R. Adkins of the Chickahominy Tribe revealing that «Terry» (always «Terry») told him to consider the
title ironic after Adkins expressed his displeasure with a 5,000 - year - old civilization being Eurocentrically referred to as «new.»
The
titles of the artworks, which
often refer to the artist as the «Negress,» stress her
ironic position, exaggerating the stereotypical expectations thrust upon minority artists.