The artist's ability to convey subtle and uncanny effects through the presentation of seemingly simple objects has
often led critics to compare his work to that of Surrealist - inspired artists such as Joseph Cornell.
The lush colors and formalized shapes in Avery's paintings have
often led critics to compare his works with those of Matisse.
Solzhenitsyn's views of Russian political history have
often led critics to suppose that he is a virulent nationalist.
Not exact matches
Critics of religion
often claim that its adherents grovellingly obey moral laws, not for the sake of
leading a good life or behaving altruistically, but for fear of eternal punishment at the hands of a vindictive God.
Critics of the standard incline bench
often complain that the high angle
leads to unwanted delt involvement, and they are right about that.
But groupthink
often leads to organizations picking more high - profile films, and
often the same film will slowly turn into a runaway train collecting dozens of wins among
critics groups.
Therein lies the biggest hurdle that Latino
critics face right now, stuck, as is
often the case, in between two groups which aren't as mutually exclusive as we're
often led to believe.
Examining the photographs of these events, many snapped by Harry Shunk, we might find Saint Phalle's partner, Tinguely; art
critic Pierre Restany; gallerist Jeannine de Goldschmidt; poet John Ashbery; her estranged husband, Harry Mathews, and their two children; various neighbors; and artists Daniel and Vera Spoerri, Hugh Weiss, Robert Rauschenberg, Jasper Johns, Ad Reinhardt, and Edward Kienholz, among others.16 Since Saint Phalle considered the sessions to be performance events, or «spectacles,» she amplified their theatricality by arranging for their media - documentation in photographs and short films that painstakingly disclose her methods.17 In addition to the before - and - after images of the firings, where Saint Phalle is
often pictured striking defiant or bemused poses, other scenes reveal the creative process
leading up to the event.
This work
often provoked outright scandal — a racy print ad in Artforum for a 1974 Benglis exhibition caused enough controversy among the staff that it soon
led to the departure of
critics Annette Michelson and Rosalind Krauss, who founded the journal October shortly thereafter.
Documents contextualises the Works with original artists» statements and interviews,
often reproduced in book form for the first time, plus writings on art and photography by
leading critics, writers and theorists of the late twentieth century.
Those who establish gallery connections are able to work as studio artists, but the paths people choose
often lead to other creative work as curators,
critics, performance artists, arts administrators, gallery owners, event planners, set designers, illustrators and much more...
In his paintings of the late 1930s, Cavallon
often employed a loose grid structure, which
led critics to suggest an interest in Mondrian; yet Cavallon was more concerned with light and evocations of landscape than with the strict formal structure of the Dutch master.
Vitter, a
leading critic of the EPA's machinations —
often justified using what he calls «secret science» — said the latest scandal was typical of the agency and its operations.
While China argued that this would be an effective and legal way to maintain precious supplies of ivory —
often used in traditional arts — many
critics point out that the sale will only exacerbate the problem, driving up demand and
leading to more poaching.
Additionally,
critics often point the variation in the process and execution of scenario planning as a foundational weakness that
leads to inconsistent results.
Too
often do companies create a CSR program due to pressure to do so from consumers and
critics,
leading to shallower promises and