Sentences with phrase «often painted on paper»

Torey Thornton creates raw and crudely rendered abstracted forms often painted on paper, found wood and slatted panels, using a mix media of spray and acrylic paint, as well as collaged objects.

At the start of his career he often painted on paper stained with walnut juice, petrol or oil.

Rail: Another set of paintings that you do — well, they are often paintings on paper — focuses on paperback books.

Not exact matches

Relying on hundreds of interviews and unprecedented access to the writer's papers and letters, Max paints a picture of a complicated, often - flawed man.

His late 1950s - early 1960s paintings, often done on mulberry paper, but also sometimes on cotton fabric, are speculative, «weak» and provisional; they anticipate the radical deconstruction of painting that would only get underway some years later in the U.S. and Europe.

She makes large paintings on paper that often symbolize psychics and spirit guides.

Though fairly small and executed on paper, these loosely brushed tempera and oil paint - ings demonstrate an awareness of Abstract Expressionism while often asserting cruciform shapes in vivid reds, golds and purples.

Works on paper most often have the texture of spray paint and a horizon line, much as drawings collected by Dan Flavin connect his fluorescent tubes to Hudson River light.

Focusing on elements of chance, play and the marvelous in DeFeo's work, the exhibition brings together paintings, photographs, collages and works on paper to reveal how DeFeo's art often aligns with Surrealist attitudes.

Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of paintings, acrylics on paper, collage, studies for larger paintings or prints, groups of etchings, silkscreen prints and woodcuts.

Perhaps she would have been frustrated by recent coverage of art world gender imbalance — which often discusses the issue in those terms — as Web of Dreams, a selection of her paintings and works on paper, opened at Alison Jacques Gallery.

Exhibiting internationally since the early 1990s, Suzanne McClelland's practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources and exploring the symbolic and material possibilities that reside within language.

One of the most critically acclaimed artists of the 1970s, Jennifer Bartlett developed a signature grid - based approach to creating monumental modular paintings — often built out of graph - paper - gridded steel - and - enamel plates that she would then compose on in enamel — that achieved The Clock - like success in the form of Rhapsody, a nearly 1,000 - plate piece that debuted at Paula Cooper in 1976.

Her practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources and exploring the symbolic and material possibilities that reside within language.

Although often associated with both Pop Art and Abstract Expressionism, Jim Dine did not identify with a specific movement, producing a vast oeuvre of paintings, drawings, works on paper, sculpture, poetry, and performances.

In paintings, works on paper and ceramics, pop culture, art historical references and icons from the East and West collide, often fusing into hybrid symbols.

Drawing on inspirations ranging from Buddhism and American modernist painting to psychedelia and Amy Winehouse, Brooklyn - based painter Chris Martin (born 1954) «lets the paintings make themselves,» with often generously scaled canvases characterized by flat yet textured planes of bright, saturated color, frequently incorporating found materials and highly personal paper ephemera.

Perhaps most legible are his works on paper, often whole sheets of newspaper worked over with collage or paint.

This exhibition will include important paintings, sculpture, photography and works on paper by more than thirty artists, offering a rare opportunity to examine the significance of an artistic tradition that, outside of the African - American community, was too often ignored during much of the twentieth century.

Working in oil on canvas, ink on paper, and mixed - media collage, Krasner produced works characterized by a sensuous painterly style, her large - scales collages often formed from the artist's own cut - up paintings and drawings.

The array of media in this exhibition was rather startling: two videos and a photograph, all rather large (each took up a wall of its own); sculptures of bronze and plastic, or bronze alone, most small, often serially arranged; and works on paper, variously sized, sometimes watercolors, sometimes subtly mixing watercolor and automotive paint.

April Gornik often uses color in her landscape paintings, again as separation, but here she shows the advantage of black and white alone with her theatrical charcoal on paper landscapes.

Often, multiple sheets of paper are taped or pinned together with notations in the margins and on the reverse, allowing us to feel Thomas» process of thinking through a painting's structure.

Eugene Martin is best known for his imaginative, complex mixed media collages on paper, his often gently humorous pencil and pen and ink drawings, and his paintings on paper and canvas that may incorporate whimsical allusions to animal, machine and structural imagery among areas of «pure», constructed, biomorphic, or disciplined lyrical abstraction.

Anna Kunz makes works on paper, paintings, sculptures, installations and projects that seep out of the rectangle, often using painted and dyed fabrics that function like nets to capture and manipulate light and color.

The artist often did small studies on paper in both watercolor and acrylic before making a much larger version of the painting on 8 or 9 foot canvas.

Beyond a visible diversity, these pieces of art explore the mechanisms from where we give a meaning to the objects we believe we know: blew up press images reproducing well - known paintings, reworked old movies» extracts thought abstraction; rebuilt disseminated fragments... These large scales works on paper often participate in her installation's scenography.

In New York, Andrews lived on Suffolk Street, befriended other Lower East Side figurative expressionists that included Red Grooms, Bob Thompson, Lester Johnson and Nam June Paik, and continued to develop his «rough collage» technique that often combined rugged scraps of paper and cloth with paint on canvas.

Precisionism typically characterizes American paintings and works on paper produced between the two World Wars that employ a linear aesthetic, pronounced contours and localized colors to depict architectural, infrastructural, mechanical and often urban imagery.

Numbering more than eight thousand works, our holdings include paintings, sculptures, and works on paper, yet often expand beyond these categories to follow artists and their interests.

Lara's paintings and drawings often incorporate handmade paper, found objects and mixed media including traditional Navajo beadwork that has been sewn on to the canvas.

Using traditional Song Dynasty landscape painting techniques, with mineral - based inks and watercolors on handmade paper, his paintings and scrolls often explore the effects of environmental engineering and the resulting social upheaval, as well as the repercussions of natural disasters: from the U.S. government's ineffectual response to Hurricane Katrina to the Three Gorges Dam project on the Yangtze River.

Her carefully plotted gouache on paper paintings often result in scenes saturated with tension.

David's process of conceiving an image is rooted in the line and he retains the impulsive and ephemeral nature of drawing as he transitions from sketches on paper to painting, sculpture, and other media often reverting to drawing — in ways that he refers to as «following instructions in order to formalize the feeling of bodily presence and absence, assembling and dissolving in equal measures.»

Many are working traditionally — paint on fabric or paper — and often abstractly, in many cases with an attention to materials and process.

Often Herrera has made use of a single color against the raw white paper to create special tension, but in many of the works on view, Herrera fills each of the dimensions with acrylic paint to create bold geometrical structures.

Exhibiting internationally since the early 1990s, Suzanne McClelland's practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources, exploring the symbolic and material possibilities that reside within language.

A large selection of muscular, often chromatically brilliant paintings on canvas and paper show why.

Made on paper and often shown alongside sculptural stretcher - like frames, they are installed as part of an interrogation or deconstruction of the materials of painting.

She works on burlap, often combining oil paint, charcoal, resin, hair, paper, tar and ash in heavily textured compositions.

Iris Schomaker, born in 1973 in Stade in Germany, is known for her originally unframed, often large - scale paintings on paper of landscapes and figures.

We're showing a group of key paintings and a wide - ranging selection of works on paper detailing recurring subjects from throughout the artist's oeuvre, which often drew on Poland's sociopolitical atmosphere in the wake of the Second World War.

Rosenberg & Co.'s solo exhibition and its accompanying catalogue offer a rare focus on Jean Lurçat's works on paper and paintings, highlighting an often - overlooked aspect of his oeuvre.

These paintings on paper, which often include notations by the artist in graphite, provide a unique window into his working process, allowing the viewer to think, along with Albers, through color.

Her new paintings and works on paper present a single, animated rectangle, often thicker on the top and bottom and narrower on the sides, which sits slightly off - center at the bottom edge of the canvas or paper support.

Often times the constraints of the print are ignored and the artist takes a variety of liberties including extending the edges of the image by adding on paper, drawing or painting, collaging with other materials or creating a new, subtly transformed image by combining two or more photographs.

Often drawing and painting on paper bags, his puppet - like works evoke the raw absurdity of Dada.

His potent paintings of images that are often intentionally difficult to see — sometimes light chalk on dark paper, or faint or dark paint on black canvas — both embody the spirit of that moment and its embrace of controversial images taken from popular culture, and have a timeless mastery that may send you as far back as Vélazquez for affinity of touch.

Each of his paintings since re-engaging with fine art in 1982, whether on paper or canvas, has a spontaneous and gestural quality and often, a hint of figuration.

Often expansive in scale, her paintings on canvas, paper, and wood primarily feature a lone figure isolated within a minimal field of pastel color.