The influential, provocative and
often radical art - making practices of Vito Acconci have earned him international recognition.
Not exact matches
So - called «late work» is
often the most
radical and the most mysterious
art of its time, quite at odds with contemporary voices, and we have come to relish it for just this intransigence and non-conformity.
Often cited as the father of contemporary
art in the United Arab Emirates, Sharif began making
art in the 1970s, but soon departed from his region's dominant
art form of calligraphic abstraction and embraced the
radical approaches of avant - garde movements such as Fluxism and British Constructivism.
Brooklyn Museum's «We Wanted a Revolution: Black
Radical Women, 1965 - 85» reorients the conversation around race, feminism, political activism and
art during the emergence of second - wave feminism by highlighting the
often dismissed work of women artists of color.
And yet, though the early decades of 20th - century Russia have been firmly registered in today's
art history as a time of
radical social and artistic change, the uncompromising and
often absurd ideas in Avant - Garde Museology appear alien to a contemporary
art history that explains suprematism and constructivism in terms of formal abstraction.
But since he is not
radical now, the ways to appreciate his
art are
often in danger of becoming «historical».
It is a simple, yet
radical, move that upends the
often closed systems within which the public encounters
art within the context of the museum.
The built environment was
often a field in which inquiries about the marriage of
art and technology in the»60s found expression, and was accordingly high on the agenda for
radical practices in that decade.
It brought a
radical freedom to
art and design, through gestures that were
often funny, sometimes confrontational and occasionally absurd.
Their performance has taken place as a gesture calling to mind notorious artists of earlier
radical art movements but the historical, linguistic and political context of their practice is
often related specifically to their origins: China.
Their performances have taken place as
radical gesture calling to mind notorious artists of earlier
radical art movements but the historical, linguistic and political context of their practice is
often related specifically to their origins: China.
Although Nam June Paik trained as a classical pianist, his
radical aesthetic tendencies soon led him to start experimenting with performance and installation
art, which
often incorporated new technologies such as lasers, robots, and satellite transmissions.
The Bolted Book brought together the brilliance and depth of Depero's work, which
often blurred the lines between fine
art and advertising, and demonstrated his
radical approach to typography and book design.
The Harrisons»
art practice is fundamentally and uniquely interdisciplinary; they are historians, diplomats, ecologists, investigators, emissaries and
art activists, proposing
radical solutions and instigating public discourse, and
often producing elaborate documentation of their proposals.
In fact, the present apotheosis of Broodthaers as an artist is a
radical cultural transformation, just not the liberatory one that people of the
arts so
often talk of in vague and longing terms.
Time spent on a painting has
often been seen as the concern of people who don't know anything about
art, who can't see the ideas in
art, but in 2006, when there are so many demands on our time, time spent making each painting makes Charles's studio practice into a kind of extremely
radical solitary performance.