Sentences with phrase «often see those paint»

We often see painted representations of sexualized female figures the artist photographed in his studio as well as depictions of objects and interiors he copied from various sources.

I often see those paint pens in the store and I wondered how easy or difficult they were to use.

Not exact matches

So in some of the paintings you can see that I tried to draw in something of the beauty of Islamic art and often poetry, and I think this is kind of motivated by a real desire to somehow express and celebrate the really rich cultural heritage there is in the Middle East.

«For me I fundamentally believe that faith is the basis of good work and faith communities can be used to be part of the solution rather than to be painted as part of the problem which we tragically see too often.»

Interestingly, Hartshorne's illustrations of actualization and purposive action often refer to persons — the painter about to paint a picture, the man whose motive is to insult someone, etc. (see CSPM 65 - 67).

Even in those paintings in which the emphasis is on the psyche of the woman, the mystery is often in Picasso's own mystification: his realization that in understanding another person, one can go only so far; his realization that in understanding oneself, one can see only «through a glass darkly» This is reflected profoundly in his famous 1932 painting Girl Before the Mirror,

The thing that often amuses me about infant painting is the way that the sky never reaches the ground, to them it's way above their heads and as they can't see the blue around them why would they paint it down there?

Nuwa is often painted and sculpted in a regal posture wearing an emperor's headset (the beaded curtain like headset that makes it impossible for anyone to see properly.

«Madder dye extracted from roots was often used to color textiles and leather in ancient Egypt, and we see from the chemical mapping of the portrait that the artist chose to paint the noblewoman's dress with madder lake pigment, thus imitating contemporary practices.»

Often times I don't paint my nails just because I don't want to deal with the hassle of removing the nail polish so would be really interested to see if this works.

Last time I shared my bird paintings by her on this blog, including the peacock painting often seen in my outfit posts.

The loudest voices are often those who paint the idea of a singles» table as dire, seeing it as awkward or synonymous with the «misfits table» — and this is certainly the case in pop culture, with everything from Sex and the City to The Wedding Singer showing the singles» table as the last place you want to be.

This includes some of the best digital matte paintings I've ever seen, and whilst the titular creatures are often hidden in darkness, the end result is spectacular.

Admittedly, this does give the game a new coat of paint, we don't see games dealing with Spanish beasts that often do we?

But a new report based largely on interviews with 30 local union presidents who each have spent less than eight years in office paints an evolved picture of leaders who are often involved in collaborative relationships with their school superintendents; who have to work constantly to balance the needs of a new generation of teachers with the needs of older members; and who see the importance...

Grades: Pre-K-2 This is the Web site for the exhibit (January 28 - May 7, 2006) at the National Gallery of Art and includes images of more than thirty paintings and drawings by Paul Cezanne, often seen as the father of modern art.

Titanium Silver is a paint finish you don't see often on BMWs.

Updates often included special paints from the Desgino palette, custom wheels, two - tone leather schemes, microfiber inserts, and even LED headlamps with Swarovski crystals, like seen on the 2015 Mercedes - AMG S63 Coupe.

Farnsworth's oil paintings remind me of the formal portraits we often see hung in businesses or schools to honor past presidents and principals.

If you take a look at ancient cave paintings, you will see that human hunters are often accompanied by dogs.

This spaniel takes its name from King Charles II of Britain, who was often depicted in paintings and tapestries in the company of a small spaniel and was reportedly «seldom seen without his little dogs.»

Mendocino's dramatic location is a natural magnet for artists, and you can often see them, easels propped and paint palettes out, capturing the scene on their canvases.

Third visit during the full day ubud tours is visit Batuan village to see process making the traditional painting and see their collection, Batuan village is always become magnet for those like the fine art, the style of traditional painting in Batuan were often dark, crowded representations of either legendary scenes or themes from daily life, freakish animal monsters, and witches accosted people.

Child of Light's narrative is painted in broad but effective strokes, following a simplistic, predictable path that is actually somewhat surprising in its lack of darker contrasts so often seen in classic children's tales.

Calandra writes: «Wooden pillars that break up the room reminded me of the stretchers that are often visible in Lauren's paintings by either holding a partially translucent canvas or by being seen when her work shown in the round.

Raiselis comments:» I often say that I paint what I see.

I have started using the giclees more often because it was a way of getting my best work seen by an audience as promotion rather than a mediocre painting.

The museum often seems to resent good abstract painting and they resist showing it to the public - a public that I suspect really wants to see it if only they knew it existed.

I often wonder why this particular visual experience continues to surface and why it spontaneously began to appear as a dominant form in my painting twenty - three years after the original experience and ten years after I'd last seen the snapshot.

People see his paintings at a show, and it makes them very angry very often.

This painting, which Chase made in 1892, shows her in a pose more often seen in portraits of men.

Give them the time and attention they demand, and they turn back into paintings: they are what Clement Greenberg (discussing Mondrian in 1948) described as a «scene of forms,» even if those forms are often hard to see.

Like many others, I have often repeated the orthodoxy that the early 1980s saw a return to painting, a rediscovery of figuration, an embrace of dramatic content and an explicit engagement with art history.

Polke was particularly interested in testing the limits of his materials, often mixing unusual chemicals into his photographs and paintings to see what might occur.

Surely a Pollock survey would do at least as well as Alice Neel: Painted Truths, which lured just 102 fewer daily visitors than Tut to see a still underappreciated painter's unsparing, often disturbing portraits.

Fans often see Amy Sillman as the second coming of Philip Guston, and her paintings still have his spiky feet, along with unidentifiable or unspeakable body parts.

While embracing traditional photographic material (photo paper, chemical developers, etc.), Robertson creates photographs that are often seen as doppelgängers for paintings.

The museum has borrowed classics not often seen in New York, such as four paintings from the Albright - Knox in Buffalo and three of Gorky's greatest.

Extending the post-painterly abstract techniques of pouring and staining, Saccoccio creates skeins of crisscrossing drip lines, often adding pure dry pigment to the wet paint, imbuing them with colors not normally seen in daily life.

His early paintings and reliefs, inspired by cave paintings he saw while traveling in Europe, were often exhibited with the group of Chicago artists who were nicknamed the «Monster Roster» because of their fascination with morbid or mythological imagery.

The paintings I had created were a surface lacking the quality of illumination which the slides possessed, a lack of illumination which often diminishes the paintings I see today in comparison to their on - screen «reproductions».

Novels are inspired by music, fashion designers and chefs are inspired by paintings (if you haven't seen Dior and I, you simply must watch it), and visual artists are often inspired by music and literature.

This book documents Bridget Riley's current exhibition at New York's Dia Center for the Arts, Reconnaissance, which brings together seminal paintings from the early 1960s, landmark works esteemed via word - of - mouth but not often seen.

BRIDGET DONAHUE The scroll - like, free - hanging paintings of the Chicago - based artist Lisa Alvarado have been most often seen as backdrops for the music group Natural Information Society, for which she plays harmonium.

Visitors will be able to see a broad selection ranging from often witty early conceptual works to vibrantly colored and lushly executed recent paintings.

Anderson paints primarily from photographs, but also drawings and recollections of what he has seen, often executing multiple canvases considering various perspectives and meaning in the same image.

He turned to painting carefully posed, snapshot - like views, often of rural Ontario seen in a strong light.

Hurvin Anderson paints from photographs, drawings, and recollections of what he has seen, often executing multiple canvases considering various perspectives and meaning in the same image.

With a lifelong interest in film, often returning to the work of filmmakers such as Derek Jarman and Rainer Werner Fassbinder, Eisler's paintings range in subject matter from representational (as seen in «Margit» (2013), depicting an isolated facial crop of German actress Margit Carstensen in Fassbinder's 1973 TV - movie World on a Wire) to abstract (as in «Headlights» (2015), sourced from Amos Poe's 1984 film Alphabet City, in which a car is almost completely obscured by the shine of its high beams).

A multiple installation — often referred to as «white paintings» (1991) and so far rarely shown — can be seen on the main building's first floor: eleven white canvases that are embedded into the wall, virtually becoming one with it.