Sentences with phrase «often subjects in his work»

Desire and the body are often subjects in his work because our ideas around them are rife with conflict.

Not exact matches

These interactions often relate to subjects that are not, strictly speaking, work - related, which in turn «relaxes work environments» and makes the job more fun, even when tasks get stressful, Backstrand adds.

Near the close of the book, Barr again seems to despair of his subject and calls for works in the «Christian doctrine of the Old Testament,» since «traditional Old Testament theology... has often tried to solve questions which, properly speaking, can not be solved within the horizon of the Hebrew Bible itself and within the boundaries of its resources» (this last is a very valid point).

Compared with other professions, having a Ph.D. in a scientific subject enables you to work abroad with relative ease, a welcome compensation for the personal sacrifices often made during graduate studies.

The concerns are often focused on shortages of workers with skills in STEM subjects but increasingly also on «soft skills» like problem solving, team working and communication.

Scientists often study working memory in the lab by training subjects to make a response based on information from a few seconds in the past.

I live in a hot / dry climate and at work, I'm subject to very drying air conditioning; and despite being oily - skinned, my makeup, just after mid-day, will often look a little dry and tired, (esp.

Tackling difficult subject matter head on in a clinical style that recalls the works of Michael Haneke, writer / director Carmel Winters» debut feature Snap is an often impressively mounted though rather dour and over determined examination of the far reaching psychological effects of abuse.

Although religious symbols and themes have often found their way into Schrader's film work, First Reformed marks the first time in which he has applied elements of transcendental style — defined by Bresson as extolled in his seminal book on the subject Transcendental Style in Film — to his own filmmaking.

Eschewing narration and on - screen text in favor of interviews that serve to keep the story propelled ever - forward — and often taking up residence right beside, or over the shoulder of, its Autodefensas subjects — Cartel Land is the rare non-fiction work that routinely keeps one's nerves on edge.

The «Snowpiercer» story often deals with the subject of class, mainly how the rich passengers at the front of the train don't pay attention to the working class and poverty - stricken ones in the back.

Eschewing narration and on - screen text in favor of interviews that serve to keep the story propelled ever - forward — and often taking up residence right beside, or over the shoulder of, its Autodefensas subjects — Cartel Land is the rare nonfiction work that routinely keeps one's nerves on edge.

There's often confusion between «small d» direct instruction — shorthand for any teacher - driven, explicit instruction — and the various curriculum products associated with the work of Siegfried «Zig» Engelmann across subjects, but most famously in reading.

Computing is also a highly collaborative subject, as working in teams will often provide multiple solutions to the same problem, allowing all students to work out the logic of the language.

That's not how it worked in the one - room schoolhouses of yesteryear, and it's oblivious to the many ways that children differ from each other, the ways their modes and rates of learning differ, how widely their starting achievement levels differ, and how their interests, brains, and outside circumstances often cause them to learn different subjects at unequal speeds — and to move faster and slower, deeper or shallower, at different points in their lives, even at different points within a «school year.»

Since our school works in a transdisciplinary manner, teachers across subject areas often collaborate.

Because - and especially in their assessments - they tend to reflect familiar categories: The sharp and often distorting distinctions among and between «subjects»; age grading; the value placed on quick recall; the dumbing down of the quality and grace of expository prose to make it fit into some sort of rating scheme; the overload of material to be covered, usually the inevitable result of intracommittee ideological logrolling, which leads to a bit of this and a dollop of that; the almost absolute denial of a value placed on individual ingenuity, craggy but provocative thinking, sustained work, and desirable variety; the lack of interest, signaled by the assessment apparatus, of the virtues of fairness, good character, and imagination.

After all, reformers (along with traditionalists) go on an on about the importance of «teacher's voice» in shaping the transformation of American public education — even though the reality of how teachers work (in silos, out of sight of one another, often without the strong subject - matter competency needed to help kids succeed) makes them far less expert on education than they may think.

In middle school, teachers of different academic subjects often work as a team with the same group of students.

In contrast to traditional teacher preparation programs, which often do not recruit and place candidates in specific districts to fulfill the districts» particular needs, residents are recruited to work for the partner district (or charter management organization) and fulfill its hiring needs (e.g., filling shortage subject areas and / or teaching in specific schoolsIn contrast to traditional teacher preparation programs, which often do not recruit and place candidates in specific districts to fulfill the districts» particular needs, residents are recruited to work for the partner district (or charter management organization) and fulfill its hiring needs (e.g., filling shortage subject areas and / or teaching in specific schoolsin specific districts to fulfill the districts» particular needs, residents are recruited to work for the partner district (or charter management organization) and fulfill its hiring needs (e.g., filling shortage subject areas and / or teaching in specific schoolsin specific schools).

Starting with one - room classrooms where teachers spent the entire day with the same set of students, teaching now involves specializing in one subject and often working with several groups of students throughout each workday.

The high schools often require students to present and defend their work in a number of subject areas to earn a diploma.

Instead, according to John G. Gunderson, a psychiatrist at Harvard, they tend «to engage in solitary activities which often involve mechanical, scientific, futuristic and other non-human subjects... [and] are likely to appear increasingly comfortable over a period of time by forming a stable but distant network of relationships with people around work tasks.»

The research I do is varied but can and often includes; target audience, relevant imagery, possible artists, typefaces that may work, the subject matter, author brand and successful covers in that genre.

Like the work of other recent Nobel winners, Llosa's writing often has a political angle — not surprising, considering his interest in the subject ran deep enough for him to launch an unsuccessful bid for the Peruvian presidency in 1990.

Students (Bachelor's, Master's and Ph.D. degree level) studying this subject often find themselves in academic writing stress whenever they get too many agroecology assignments to work on, and thus they take agroecology assignment help from us.

I'd been working as the Money Saving Expert on TV and writing a newspaper column since 2000 — and during my research I'd often stumble across short - lived ways to save money — so I'd pop them in an email to friends with the tongue - in - cheek subject line «Martin's Money Tips».

With work that is deeply personal, often autobiographical, and open to talking about subjects rarely covered in this medium, Freeman has garnered a reputation for disruptive ideas that examine our digital existence.

Diana is one of Art Tutor's most prolific Members, producing some stunning work, often in depicting mundane subject matter, that nevertheless results in paintings of outstanding quality.

Unlike the endless linking of hypertext or excessive piling of imagery and data often associated with «the age of information,» the work exhibited will consist of studied and specific subject matter both in concept and execution.

His work in photography began with his pioneering AutoPolaroid and Photo - Transformation self - portraits, made between 1969 and 1976, which feature his costumed or disguised self as the subject and were often manipulated with added colors or abstracted renditions of his own body.

Playing on personal subject matter in this way differs from Johns's earlier work, in which the creative powers of the artist were subordinate to the motif, often using a found or pre-existing object without any apparent connection to the artist himself.

Her work is conceptually organized around the construction of image, language, narrative, and space, and she has often probed individual identity and the boundaries of the subject in relation to the external world.

Unafraid to draw on her own personal tragedies, she often exposed both her own and the vulnerability of her subjects in her work.

This format suits the project well as it invites the viewer to approach the work closely in order to discern the details that distinguish what are often quite similar photographs, both in subject and aesthetically.

The Guatemalan Civil War (1960 - 96) is a recurring subject in his work, which — although often softened by an absurd and humorous approach — fails to conceal the force of history that precedes it.

The exhibition presents a body of work (sculptures, photographs, and drawings) that address several themes dear to the artist: Confrontation between cultures, unfortunately often taking place in the form of violence, the subject of language and knowledge, and even the relationship between said knowledge and so - called ignorance.

Genzken, who has often dedicated particular art works to specific people, naming sculptures after friends, artists, or people whom she admires, focuses in this exhibition on her own image, thematizing the idea of portraiture and self - portraiture, being at once the artist and the subject.

His early 1950s works, painted in a European Modernist style, often show originally «American» subject matters such as scenes of western expansion.

Bearden's relationship with abstract expressionism was an uneasy one, in part because of his figurative work, which often took up mythic subjects, was seen by some as out of step with the trajectory of art at the time.

Women had many obstacles to face in terms of recognition: their artwork was often relegated to merely «craft» or «handiwork» status; they had difficulty getting the schooling and training they needed for fine arts; they often did not receive credit for the work they did, with much of it attributed to their husbands or male counterparts, as in the case of Judith Leyster; and there were social restrictions as to what was accepted as women's subject matter.

Hefuna's personal encounters and experiences often surface as an influence in or as the subject of her work.

Many in the mainstream may know Odutola's work from the set of Empire, but for the past several years she has carved out her own lane with her larger than life portraits that beautifully render her often anonymous subjects with style and grace.

In his early works of the 1960s and «70s, Nice focused on single representations while his more recent works have been enlarged to several subjects, which are often perplexing juxtapositions that inform his specimen - like approach.

These works were often devastating not only in subject matter, but also in their combination of brutality of form and beauty of execution.

Hatoum first became known in the early 1980s for her performance and video works, for which she repeatedly subjected her body to various physical ordeals — often interpreted as an examination of a life impacted by war.

The varying subject matter, often reprises of earlier work, do not recedeto a single vanishing point but instead are all depicted in reverse perspective.

The profound nature of the subject matter, paired with the masterly technique on display in the works, may overwhelm, disturb, or thrill the viewer — reactions that affirm the enduring ability of painting to communicate nascent and often unnamable ideas, emotions, and sensations.

Highly influenced by memories of growing up in the Midwest, her work often showcases imagery from nature; animals are reoccurring subjects, as are children.

The subjects of Halvorson's works are often singular, overlooked objects — masked - over windows, weathered walls, defunct mechanical devices — that she paints in their original environments.