I found myself shaking my head more
often than laughing, whether in reaction to the obvious physical jokes, gratuitous situations, or sudden bursts of violence.
Not exact matches
We
laugh 30 times more
often when we're around other people
than when we're alone.
I think it's
often better to
laugh about the impossibility of it all
than to be morose.
I always look forward to your posts for so many reasons, but mostly to read the story behind the recipe or the process — more
often than not, I find myself nodding in agreement or
laughing and always smiling!
Or
laugh - more
often than not, doubled over, and filling us up with happiness.
While most gamers would have
laughed a few years ago if you suggested using a laptop, some of todays models are powerful enough to handle your intense graphic rich games at a price that is
often more affordable
than a desktop computer.
Speakers, it turned out, were 46 percent more likely to
laugh than listeners — and what they were
laughing at, more
often than not, wasn't remotely funny.
Let's face it, while the movies portray images of happy families
laughing around the kitchen table or in front of the fireplace during the Christmas season,
often moms end up more stressed out and busier
than ever.
That's Danisha, no wonder why I was automatically drawn to seat by her and obviously had endless belly
laughs and more
often than not it was hard to concentrate in some of the classes we had together.
There was one weird phrase, which made me
laugh; O'Neill writes: ``... people tended to die more
often, and younger...» I'm sure it wasn't the intent, but I read that as people dying more
than once, and I can't un-read it now.
Besides, healthiness is so
often linked to happiness — and what better way to celebrate happiness
than joyously
laughing with someone?
There is a lot of predictability and crassness involved but I did find myself
laughing more
often than not.
There is more talking
than sex, and that talk's comic content is
often dry as dust, mostly without the easy
laughs and obvious comic beats of, say, Woody Allen or Noah Baumbach or Agnès Jaoui.
We're not necessarily saying the Academy of Motion Picture Arts and Sciences doesn't honor the greatest performances in film, but getting an audience to
laugh can
often be more difficult
than getting them to cry.
It certainly doesn't help that the
laughs are mostly absent, although first - time writer - director Michael Clancy does aim for the funny bone much more
often than he tries to tug on our heartstrings.
I did
laugh a couple of times, but these were more
often at random comedic moments, rather
than any of the parodies.
It's to the credit of director Stuart Blumberg (who also co-wrote with Matt Winston) that the situations are more
often played for drama
than for cheap
laughs.
The actors aren't all well cast (I counted only about three I'd consider to be above average for their respective roles — Acker as Beatrice, Fillion (Waitress, White Noise 2) in the supporting role of Dogberry - the only time the audience I viewed the film with
laughed at anything in the film that came from actual dialogue, rather
than the injected slapstick and actors occasionally comical facial expressions, came from Fillion's delivery - and British actor Paul Meston in the minuscule part of Friar Francis) The rest
often appear as though they're reciting lines without any sense of meaning in the words they are saying, and when one of those happens to be the male romantic lead, that's one hell of a liability.
However, this is more
than a performance, it's a very humorous (and I mean
laugh - out - loud funny) and
often very touching story, adapted from Louis Begley's novel.
We may not always agree (more
often than not), but that doesn't mean we can't be friends, or we can't grab drinks and chat about the crazy shit we just saw, or
laugh about how wacky Tokyo Tribe is, or just admire the Drafthouse and all its glory.
Delivering lines like only he can and bringing a swagger to proceedings, Reynolds is the films MVP and while not everything that spews out of his mouth lays a comedic smack down, more
often than not you can't help but
laugh at how far Reynolds takes the character.
Again like «Guardians of the Galaxy,» Thor: Ragnarok is very funny,
often playing like a comedy with action rather
than action with
laughs.
This might be the most playful Anderson has ever been with his writing and directing, with the film
often being
laugh - out - loud funny with its dialogue and visual gags; Inherent Vice is darkly comedic, but more goofy
than edgy in most of the comedic setups.
However, there was a little more called for
than I could muster, and more
often than not, I found myself
laughing at one - dimensional characters do the dumbest things for little or no reason
than for titillation meant to please undiscriminating audiences.
More
often than not, Payne's preferred method of trying to squeeze
laughs and tears from the same moment — or rather, following a lump - in - the - throat moment with a carefully timed comic jab — simply cancels itself out.
Unlike Four Lions, Chris Morris's empathetic and genuinely funny comedy about suicide bombers, Top Floor, Left Wing pivots around the serious notion that there's such a thing as defensible or simply respectable terrorist actions while
laughing at the concept that the terrorist you don't know is
often more dangerous
than the one you do.
I
laughed more
often during this
than I have during most recent out - and - out comedies — and you can't say much fairer
than that.
In fact, he's
often better in comedic roles (Pain & Gain)
than in his more serious fare (San Andreas), as the seeming disconnect between his hulking form and perfect delivery of bon mots makes the
laughs that follow doubly special.
Employing as much adult oriented humor as kid - aimed cracks, Hotel Transylvania «s script includes some smart one - liners, funny sight gags and rude jokes (
often about fecal matter), most of which are more chuckle - worthy
than laugh - out - loud.
More
often than not, though, the
laugh - out - loud scenes are orchestrated by young Robbie (Jonah Bobo), playing a teenager refusing to give up on love despite his parents break - up.
I
laughed harder and more
often at it
than any other film I've seen so far this year.
Writer Kim Fuller (the person responsible for another, rather infamous «girl power» comedy, Spice World)
often strains to come up with convincing reasons for the women to stick to their
often - failing plan, and while there are more
than a few grin - worthy moments, there is a clear dearth of any that induce audible
laughs.
Jane Campion's
laugh comes as a rather lovely surprise: full, throaty and
often directed at herself, it betrays a personality more robust, mischievous even,
than one might surmise from her fragile,
often solemn films.
Coming as it does from an expert parodist, the film is
often funnier around its edges
than most full - blown comedies are at center, even as Peele largely resists playing his scenario — a kind of town - with - a-secret spin on Guess Who's Coming To Dinner — strictly for
laughs.
Driven correctly the 420 is a much faster car
than the 270 and 360 and there is an enduring joy in that challenge — but you'll probably
laugh out loud more
often in the «lesser» cars.
Arnold Spirit, a goofy - looking dork with a decent jumpshot, spends his time lamenting life on the «poor - ass» Spokane Indian reservation, drawing cartoons (which accompany, and
often provide more insight
than, the narrative), and, along with his aptly named pal Rowdy,
laughing those
laughs over anything and nothing that affix best friends so intricately together.
Arnold Spirit, a goofy - looking dork with a decent jump shot, spends his time lamenting life on the «poor - ass» Spokane Indian reservation, drawing cartoons (which accompany, and
often provide more insight
than, the narrative), and, along with his aptly named pal Rowdy,
laughing those
laughs over anything and nothing that affix best friends so intricately together.
It's very rare that a game can be «
laugh out loud funny» I find more
often than not the attempts to inspire laughter in videogames fall flat and more
often then not are pretty cringe worthy.
... studies of happy marriages, especially those lasting more
than a half century, find spouses
often ascribe their marital bliss in part to
laughing together.