Sentences with phrase «often than the characters»

The original film turned suspense levels to 11 by playing with dramatic irony, showing the audience the location of the three strangers far more often than the characters are aware of it.

Not exact matches

For better or for worse, people often possess «less than ideal» character qualities or behaviors that make working with or for them intensely challenging.

The fact that coal production was punctiform, that coal was bulky and heavy, and that its transport to market was often linear rather than dendritic in character, created a powerful incentive to invest in transport improvements.

In fact, his character often gives guests discussing such questions wider berth than his more political guests.

It seems that the Church tends to fall into two extremes when we consider how we might fulfill this call: On one hand, we attempt to make the Gospel message palatable to our culture, and more often than we would like to admit, it has resulted in a weak message that tells half - truths about God's character.

By presenting a collection worldwide and 20 centuries long in scope, they also remind us of the often parochial character of our own debates and the church's enduring ability to continue confessing faithfully through crises much greater than our own.

Being observed is often too great a temptation to imitate the style of characters we want to be rather than investing in the hard work of mindfully becoming our unique selves.

This principle of discontinuity, as it is often called, does not presuppose that Jesus was never in agreement with the Jews of his day or that his character and doctrine were generally out of phase with the teaching of the early Church, but simply that it is more difficult to account for dissimilar statements as originating from sources other than Jesus himself.

Because of the individualistic character of our culture, the language that engages the heart often tends to be solitary rather than communal.

Joining a club of arsenal s stature has its ups and downs.There is a requirement of how our players should perform when on the pitch.The following is a list of players who were wrong to choose arsenal.Aaron ramsey - Even though he is the most favoured of all players at the club now.I cant help but think how it would have gone for Him if he decided to search for other greener pastures.He was a clear talented footballer during his time at cardiff but he hasnt been raised with the discipline at arsenal.You can always see ramseys all round strengths but sadly Its not helping him or the club with his foward moving pleasurr.He is so Over used and its sometimes difficult for him to get used to the rythm of the game.With time you realise he gets low ib confidence and his engine gets wasted.He needed somebody who would have managed him properly and with care and that person is certainpy not wenger.You would have been better off at Manu mate.Calum chambers - Came us a very talented player from southampton with raw talent.He was very good at first but wenger found a way to reduce his level of confidence.His inexperience was left exposed and wenger did nt do anything to resolve that problem and instead He looked for other talented players.Alex oxlade chamberlain - Another very talented player who needed only his skilled sharpened and his character modelled.That and he was ready to become a world beater.But wenger decided to let him run and run like a headless chicken causing him to be often injured and damaging his confidence.Who knows what would have happened to him gad he decided to look for more greener pasture.He is surely a much better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibility

Hasty and aggressive protest (ie Wenger Out banners, booing, character assassination) is the equivalent of the bloodshed of which you speak, eg French revolution, which always ends up with a new and often worse monarchal structure than before.

Because the solid - colored fleece often comes in wider bolts than the character prints.

But the farthest I got was playing characters in the school play, who more often than not had numbers after their names (ie.

In the next place, as each representative will be chosen by a greater number of citizens in the large than in the small republic, it will be more difficult for unworthy candidates to practice with success the vicious arts by which elections are too often carried; and the suffrages of the people being more free, will be more likely to centre in men who possess the most attractive merit and the most diffusive and established characters.

This project suggests that the character and foundation of that Marxian hostility has often been misunderstood, and demonstrates that Marxian hostility is both more muted, and more clearly defended, than is typically appreciated.

We're often creeped out by human - like robots or animated characters, but what they do to our minds is more complex than you might think

I'm talking grand 19th century neo-classical homes all with unique character that I'm sure more often than not, cause anyone passing by to stop and stare.

For those of you who don't know, Valent Chamber is a pretty cool site that features fan fiction and original fiction with black women as the main characters and more often than not in interracial relationships.

The love he has for the tale and his efforts to try and do it justice too often come off as overdone; rather than letting the characters tell the tale, he introduces a new character: the camera.

John Toll, who also shot Braveheart and The Thin Red Line, has a really good eye for breath - taking, forbidding landscapes, and his choice of colours is crisp and eye - catching (often more so than the characters).

And although the pervasive atmosphere of quirkiness often threatens to become overwhelming, it does become increasingly clear that Satrapi intends for the film's style to represent the central character's less - than - sane mindset - with the heightened reality of the movie's environment going a long way towards fleshing out the protagonist and his deranged psyche.

For as much as I hate the racial attitudes of the 1930s and 1940s, I more often find myself relating better to the characters of the movies made back then than many of the male characters of today's movies.

Denis's films often end with a reveal, a character learning something previously withheld, or the viewer learning that a character knew more than we expected.

It isn't often in the summer that you enjoy the intense pleasure of a certain kind of old - fashioned cinema experience, the sort that sweeps you up in sheer spectacle with bigger - than - life images and yet holds you close with intimately observed characters and the details that keep your eyes and mind busy.

The film is limiting potential enough by conceptually simply studying on Oscar Wilde's sexual revelations and their subsequent consequences, rather than the whole of his brilliant life and tragic downfall, but when it comes to the execution, not enough studying is done in this often inspired, and just as often undercooked character drama which at least finds superficiality in its resonance.

If you were to choose an actor to play an imperious, severe, and often malicious character, you could find no one better than the legendary Charles Laughton.

Traces of character substance and sly, playful humor are more than welcome when sprinkled in between the fights and explosions, which are functional but often staged with a numbing, unimaginative sameness.

The film's cool, sober texture and its clever characters are often more interesting than the larger plot.

A prolific filmmaker who is more concerned with the drive of her characters rather than the plot that weaves them together, she has been dubbed by one critic as one of the only current French directors who «has been able to reconcile the lyricism of French cinema with the impulse to capture the often harsh face of contemporary France.

It feels like a slapdash collection of scenes rather than a balloon sent smoothly aloft, with jokes often falling as flat as Cena's buzz cut (a running gag centers on his tough - guy character's propensity for crying, a go - to bit that ages fast).

This is a family, and a movie, where everyone talks at once — and more often than you'd think, its characters actually come up with something worth saying.

These characters are far more than the usual one - note performances that women are often boxed into.

And though I'm often reticent to watch movies more than once or twice, Tully is the kind of cinematic treat — a cult classic well in the making — that you'll want to rewatch again the second it's over, not just to help piece together various narrative clues but to revisit the rib - tickling jokes and hang out with these characters for a little longer.

The plot begins near the latter years of the Han period, and each character has their own storylines which often intersect, but the writing is pretty weak and the plot isn't much more than just an excuse to funnel players into various battles with various bosses.

Both of the roles could have been tired retreads of similar characters in recent film history, but Gosling and Pitt serve their characters with more devotion than is often seen in actors of their age.

The prematurely balding, intelligent, fast - talking Chase created a couple classic characters, notably Irwin M. Fletcher (aka Fletch) and Vacation's Clark Griswold, but his career is often thought of as plagued by misfires and missed opportunities, rather than touched by comic brilliance.Born on October 8, 1943, in New York City, Cornelius Crane Chase became known as «Chevy» when his grandmother nicknamed him after Chevy Chase, the wealthy Maryland community.

Clearly, the fault isn't in the stars but in a storyline that focuses on Greg at the expense of two equally interesting characters who often feel more like moons circling Greg's planet than fully defined people in their own right.

The movie often looks more like a watercolor painting than a film, especially as characters move in and out of the moonlight or the fog.»

Still, Pipe Dream is - more often than not - an engaging little comedy that undoubtedly stands as a testament to Donovan's ample talent and charisma (it goes without saying that, in lesser hands, his character surely would've come off as a sleazy scumbag).

While it can miss at times, it hits more often than not with a dry comment about the setting you're in, poking fun at first person shooters in general, or just the main character, Athena, being witty in reaction to an NPC or situation.

There have been similar films about young men traveling home to find themselves of late, perhaps most successfully in a similarly themed vehicle, Garden State, but Buscemi's knack for drawing out well - rounded eccentric characters that are believable allows Jim to work more often than not.

And rich visuals actually often contribute way more to character depth and my ability to empathise with a protagonist than does traditionally economical storytelling - which can sometimes actually get in the way (e.g. the very good but not quite great Brooklyn).

In a cinematic field that often struggles with exposition, overacting, and clumsy voiceovers in an attempt to communicate what characters are feeling, it's hard to imagine an approach better suited for the big screen than externalizing the internal, and making it thrilling at the same time.

Rather than tell the story in a straightforward fashion, the movie is set in a theater, where sets and backdrops are flown in as scenes shift and characters often move to choreography that feels like it's out of a musical number.

These one - on - ones all follow the same pattern: Garlin arrives at a character's house or workplace, stands around awkwardly while they do weekday improv workshop material, and then learns some kind of secret about the character; more often than not, the secret involves a controlling woman.

In this very respect he is a genuine character and not just a caricature or cardboard entity, as is the case more often than not in post 1960s films, for instance.

This was more of a characters study and intimate portrait than a caricature that she often played.

Throughout the story, we're often only told of seemingly vital plot points through second hand accounts, characters tend to change their outlooks without reason merely to fit in the story's trajectory and our main antagonist is a cookie - cutter villain who simply confronts Hope with little reason other than he's on set to be a contemptible dude.

Characters will talk into the camera about their dreams and aspirations, often lying and almost always revealing far more than they intend.

The 2.0 soundtrack isn't too hot - the two native characters are often tough to understand, and a number of other characters are as well - the audio just hasn't been mixed very well and while it probably wasn't the most high - tech audio tracks to begin with, it should be more distinguishable than this.