Forks over knives quite literally discusses why you should be using your fork more
often than your knife.
Not exact matches
Contemporary warfare has in fact taken the form of local conflicts, more
often than not civil wars, in which no great alliances of nations are involved; these have been wars fought for reasons based in local rivalries, typically inflamed by historical animosities, ethnic disparity, or religious difference, rather
than for reasons of global Realpolitik; they have been fought not with nuclear weapons (or, indeed, other types of weapons of mass - destructive capability) or the latest in military technology, but instead with conventional weaponry,
often of old design, and
often limited to rifles,
knives, grenades, and light, crew - served weapons which individual soldiers can carry on their persons.
Yes, good quality
knives are
often more expensive
than their flimsy counterparts but will be 100 % worth it as soon as you start using them.
It doesn't matter too much if your batter is slightly thicker or thinner
than mine, just check
often towards the end of cooking — the bars are done when a toothpick or
knife inserted in the center comes out slightly dirty.
The Halloween franchise has been rebooted so
often that many hardcore horror fans would rather jab butcher
knives through their skulls
than watch another.
I'm sure my techniques are
often ineffective, my knowledge still lacking, my
knife skills still weaker
than my brother's.
Kote's trademarks are his bold brushwork, and sweeping strokes of vibrant colours applied - more
often than not - with a pallet
knife while other areas of the canvas are left monochromatic and devoid of detail creating a negative space that lets the eye drift to infinity.
Often he squirted the pigment at his figures without touching a brush - «my tube is like a rocket, which describes its own space» - or laid it on thickly with a palette
knife: Reclining Nude of 1966 (in a private collection) is less concerned with the female body
than with the «tangible sensuous experience» of painting.
I
often go into a case right on the
knife's edge, and persuasive counsel can persuade me that I ought to flip to this side rather
than the other side.»