If a Ferrari V - 12 is a banshee, this engine is
an ogre with an appetite for super-unleaded.
Mike Myers strikes post-Austin Powers gold with his Scottish lilt as the eponymous fearless
ogre with repressed yearnings for Princess Fiona (Cameron Diaz), an enlightened damsel in distress, a nighttime secret, and a voice that will strike fear into any bluebird (in a bit that had a dozen critics rolling in the aisles at an early press screening).
The green
ogre with the Scottish accent will be with us into the next decade.
«Shrek,» based on a well - loved children's book by William Steig, has plenty going for it: The story of a fat, cranky, green
ogre with no social skills, it has a rough - and - tumble jauntiness that's often hard to resist.
A hulking
ogre with blue skin.
«I guess I've gotten the reputation of an old
ogre with a lot of the coaches, but some days I have to take the receiver off the hook to get my housework done and some evenings I wonder when Tom does his homework.
Not exact matches
The clouds became my own being, and depending on my disposition I peopled my sky
with elves or
ogres, birds or beasts.
The lovable green
ogre and all sorts of fairytale creatures are cast members along
with the scheming Lord Farquaad and the mysterious Princess Fiona.
Even if we parents manage to resist their rhetorical efforts, it generally winds up
with children feeling denied, and parents feeling — at least a little — like mean - spirited
ogres.
Of course, the human rights army has also weighed in
with the
ogre of looming dictatorship, claiming humiliating judges was tantamount to endangering democracy.
With all due respect to Prof. Achebe's golden memory, among family, friends, loved ones and even the huge colony of literary offspring, across races worldwide, that swan song, by its one - sided rendition of the Biafra tragedy, created the
ogre that birthed the Kanu IPOB menace.
Take the reclusive
ogre - faced spider,
with its large fangs and bulging, oversized middle eyes.
Ha haa haa hee hee... I love what you did
with the
ogre's back hair.
We are incredibly close and honest
with each other and talk constantly, we're a very chatty, conversational couple who shares everything and so his passing of comment on this outfit wasn't him being horrible it was just banter that had us both rolling around the floor laughing... just thought i'd better clear that up before you all started thinking he was an
ogre haha!)
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Whenever Shrek (Mike Myers) is sent away on a quest — be it to rescue a princess, find a potion or, in the case of this movie, seek out a royal heir — it's never more than a case of brief, breezy there - and - back - again,
with one or two minor diversions (usually some kind of ambush in a forest), plus perhaps a campfire - side heart - to - heart, during which the irascible
ogre will at least partially come to terms
with whichever self - doubt that's plaguing him — this time his confidence in himself as a father.
Shrek's really dealing
with his fears of becoming a father himself, and there's a very funny dream sequence that starts off
with him trying to handle a swarm of baby
ogres and ends
with him naked on graduation day (a Freudian slip within a Freudian dream?).
► An
ogre complains of being itchy and asks a servant to scratch him (we see the servant scratching his clothed buttocks using a stick) while many other people watch
with alarm.
The death of the king leaves Shrek as the reluctant heir to the throne, and the
ogre sails off to find a replacement in the person of Artie, a prep - school bully magnet
with the voice of Justin Timberlake.
Mike Myers once again voices Shrek, who has gone from an entirely evil and happy
with it
ogre to a full fledged family man, married to the princess daughter of the king of Far Far Away.
As for Shrekâ $ ™ s surreal nightmare about being swamped
with a mass of baby
ogres â $ «genius.
The factor of
ogre - dom, combined
with Shrek's overwhelming sense of insecurity, lead him to pursue alternative persons to fill in the role of king.
Lampooning tired stereotypes, Hollywood movies and conventional fairytales, this odorous monster from the swamp fell in love
with a cursed princess who chose to remain an
ogre herself.
Shrek the Third is perhaps the most subdued of the trilogy, and the softest, probably in keeping
with the sentimental vibe brought forth through the injection of family values to the series now that
ogre babies are on the way.
The
ogre Shrek (Mike Myers) lives alone, quite happily, in his own private swamp, until his solitude is shattered by a noisy, restless troupe of fairy - tale and nursery - rhyme characters who've been forced from their homes by the nasty Lord Farquaad (John Lithgow), who,
with his Prince Valiant haircut and long, squared - off jaw, resembles nothing so much as a cartoon - world version of Laurence Olivier's Richard III.
The Ai is coded intentionally terribly makin the
ogre (Majin) fall over nothing
with an audible «ouch!»
You are followed constantly by a large
ogre - like creature
with the IQ of a lifeless rock.
► A man
with a sword slashes another man in an
ogre costume, and he falls back and onto the ground; another man in a costume is struck in the same way, and also falls to the ground and remains motionless.
Shrek insists that there is no way an
ogre can rule the kingdom and
with his final breath the king informs Shrek that there is only one other person that can take the throne; Arthur Pendragon (Justin Timberlake).
It's a great fantasy science fiction setting
with rockers, a demon, heavy
ogre guards, a beautiful singer and her devoted band.
This time around our lovable
ogre Shrek (Mike Myers) sets course
with his trusty sidekicks Donkey (Eddie Murphy, «Norbit») and Puss In Boots (Antonio Banderas) to find the heir to the throne of Far Far Away, Arthur (Justin Timberlake, «Alpha Dog»).
Shrek, an
ogre, has his swamp suddenly populated
with fairy - tale characters.
None of that matters very much because Ella is content
with simply being light - hearted entertainment and it easily earns that label
with its fun, gently subversive depictions of olden lifestyles (as a parallel to our time), fantastic creatures (
ogres, elves, giants, and a guy stuck in a book), and Cinderella equivalents.
Shrek (Mike Myers, Austin Powers) is a mean, green
ogre; he takes mud showers, gives new meaning to the term «bathroom reading,» converts his own earwax into candles, and cuts farts so potent they kill the fish
with which he bathes.
Instead, Dreamworks did something quite smart and decided to go the time paradox route
with Shrek accidentally wishing himself into an alternate reality where he was never born and consequently never rescued Fiona, leaving Rumplestiltskin to take control of the kingdom, resulting in an underground
ogre army rising to fight the evil despot.
What follows is a rather traditional story of the cranky
ogre making good by saving the princess, but it is so imaginatively told, and
with such unabashedly adult sensibilities and humor, that this movie transcends typical animated fare and takes on a life of its own.
The
ogre drives the girl out of her way to mess
with the very sacred things (singing and fighting
with a Taiaha stick) he teaches the chubby, nondescript boys of the neighborhood.
The character design of the bosses aren't quite up to par
with Dark Souls, although there are some truly unique and visually stunning encounters peppered throughout; the main issue is that many boss encounters generally feature some generic faceless hulk clad in armour rather than a lumbering giant or a bipedal
ogre.
That is all it has in common
with the quartet of green
ogre flicks.
They» re not too happy about it either, I mean Cinderella dealing
with wicked step - relatives is one thing, but an
ogre, even a fairy tale character has to draw a line somewhere.
But, come on girl, it's time to fess up: if you didn't have a couple pints of
ogre blood running through your veins, you'd be shacking up
with Prince Charming right now in the kingdom of Far Far Away and you would've given Shrek the dreaded «we can still be friends» talk years ago.
Just look at their sales,
with the exception of Tactics
Ogre their top ten most profitable games are all on Sony systems.
As far as I'm concerned, it was finding out that the big scary
ogre (Mike Myers) was really a softie on the inside, as he befriended Donkey (Eddie Murphy) and fell in love
with Fiona (Cameron Diaz).
Having two
ogres in the family is especially distressing to the King (John Cleese) because he cut a deal
with Fairy Godmother (Jennifer Saunders) promising Fiona to Prince Charming (Rupert Everett).
Shrek and Donkey get their hands on a potion that turns them into a stud and a steed, which leads to Fiona having to decide whether she wants to live
with a shallow, attractive man, or the
ogre she loves.
(2015) dir Matteo Garrone w / Salma Hayek, Vincent Cassel, Toby Jones, John C. Reilly, Shirley Henderson [133 min; DCP] Based on three spellbinding stories of magic and the macabre by 17th - century folklorist Giambattista Basile, TALE OF TALES unleashes a barrage of mind - bogglingly gorgeous and fantastical imagery as it brings to life the (mis) adventures of three kings: in the kingdom of Darkwood, the King (Reilly) and his Queen (Hayek) attempt to conceive a child through very unusual means; meanwhile, in Highhills, the none - too - bright monarch (Jones) marries off his daughter to a brutal
ogre while developing a strange obsession
with breeding a giant flea; and, the sex - obsessed crown of Strongcliff (Cassel) is in for a shock when the woman he falls in love
with is not quite what she seems.