Sentences with phrase «ogre with»

If a Ferrari V - 12 is a banshee, this engine is an ogre with an appetite for super-unleaded.
Mike Myers strikes post-Austin Powers gold with his Scottish lilt as the eponymous fearless ogre with repressed yearnings for Princess Fiona (Cameron Diaz), an enlightened damsel in distress, a nighttime secret, and a voice that will strike fear into any bluebird (in a bit that had a dozen critics rolling in the aisles at an early press screening).
The green ogre with the Scottish accent will be with us into the next decade.
«Shrek,» based on a well - loved children's book by William Steig, has plenty going for it: The story of a fat, cranky, green ogre with no social skills, it has a rough - and - tumble jauntiness that's often hard to resist.
A hulking ogre with blue skin.
«I guess I've gotten the reputation of an old ogre with a lot of the coaches, but some days I have to take the receiver off the hook to get my housework done and some evenings I wonder when Tom does his homework.

Not exact matches

The clouds became my own being, and depending on my disposition I peopled my sky with elves or ogres, birds or beasts.
The lovable green ogre and all sorts of fairytale creatures are cast members along with the scheming Lord Farquaad and the mysterious Princess Fiona.
Even if we parents manage to resist their rhetorical efforts, it generally winds up with children feeling denied, and parents feeling — at least a little — like mean - spirited ogres.
Of course, the human rights army has also weighed in with the ogre of looming dictatorship, claiming humiliating judges was tantamount to endangering democracy.
With all due respect to Prof. Achebe's golden memory, among family, friends, loved ones and even the huge colony of literary offspring, across races worldwide, that swan song, by its one - sided rendition of the Biafra tragedy, created the ogre that birthed the Kanu IPOB menace.
Take the reclusive ogre - faced spider, with its large fangs and bulging, oversized middle eyes.
Ha haa haa hee hee... I love what you did with the ogre's back hair.
We are incredibly close and honest with each other and talk constantly, we're a very chatty, conversational couple who shares everything and so his passing of comment on this outfit wasn't him being horrible it was just banter that had us both rolling around the floor laughing... just thought i'd better clear that up before you all started thinking he was an ogre haha!)
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Whenever Shrek (Mike Myers) is sent away on a quest — be it to rescue a princess, find a potion or, in the case of this movie, seek out a royal heir — it's never more than a case of brief, breezy there - and - back - again, with one or two minor diversions (usually some kind of ambush in a forest), plus perhaps a campfire - side heart - to - heart, during which the irascible ogre will at least partially come to terms with whichever self - doubt that's plaguing him — this time his confidence in himself as a father.
Shrek's really dealing with his fears of becoming a father himself, and there's a very funny dream sequence that starts off with him trying to handle a swarm of baby ogres and ends with him naked on graduation day (a Freudian slip within a Freudian dream?).
► An ogre complains of being itchy and asks a servant to scratch him (we see the servant scratching his clothed buttocks using a stick) while many other people watch with alarm.
The death of the king leaves Shrek as the reluctant heir to the throne, and the ogre sails off to find a replacement in the person of Artie, a prep - school bully magnet with the voice of Justin Timberlake.
Mike Myers once again voices Shrek, who has gone from an entirely evil and happy with it ogre to a full fledged family man, married to the princess daughter of the king of Far Far Away.
As for Shrekâ $ ™ s surreal nightmare about being swamped with a mass of baby ogres â $ «genius.
The factor of ogre - dom, combined with Shrek's overwhelming sense of insecurity, lead him to pursue alternative persons to fill in the role of king.
Lampooning tired stereotypes, Hollywood movies and conventional fairytales, this odorous monster from the swamp fell in love with a cursed princess who chose to remain an ogre herself.
Shrek the Third is perhaps the most subdued of the trilogy, and the softest, probably in keeping with the sentimental vibe brought forth through the injection of family values to the series now that ogre babies are on the way.
The ogre Shrek (Mike Myers) lives alone, quite happily, in his own private swamp, until his solitude is shattered by a noisy, restless troupe of fairy - tale and nursery - rhyme characters who've been forced from their homes by the nasty Lord Farquaad (John Lithgow), who, with his Prince Valiant haircut and long, squared - off jaw, resembles nothing so much as a cartoon - world version of Laurence Olivier's Richard III.
The Ai is coded intentionally terribly makin the ogre (Majin) fall over nothing with an audible «ouch!»
You are followed constantly by a large ogre - like creature with the IQ of a lifeless rock.
► A man with a sword slashes another man in an ogre costume, and he falls back and onto the ground; another man in a costume is struck in the same way, and also falls to the ground and remains motionless.
Shrek insists that there is no way an ogre can rule the kingdom and with his final breath the king informs Shrek that there is only one other person that can take the throne; Arthur Pendragon (Justin Timberlake).
It's a great fantasy science fiction setting with rockers, a demon, heavy ogre guards, a beautiful singer and her devoted band.
This time around our lovable ogre Shrek (Mike Myers) sets course with his trusty sidekicks Donkey (Eddie Murphy, «Norbit») and Puss In Boots (Antonio Banderas) to find the heir to the throne of Far Far Away, Arthur (Justin Timberlake, «Alpha Dog»).
Shrek, an ogre, has his swamp suddenly populated with fairy - tale characters.
None of that matters very much because Ella is content with simply being light - hearted entertainment and it easily earns that label with its fun, gently subversive depictions of olden lifestyles (as a parallel to our time), fantastic creatures (ogres, elves, giants, and a guy stuck in a book), and Cinderella equivalents.
Shrek (Mike Myers, Austin Powers) is a mean, green ogre; he takes mud showers, gives new meaning to the term «bathroom reading,» converts his own earwax into candles, and cuts farts so potent they kill the fish with which he bathes.
Instead, Dreamworks did something quite smart and decided to go the time paradox route with Shrek accidentally wishing himself into an alternate reality where he was never born and consequently never rescued Fiona, leaving Rumplestiltskin to take control of the kingdom, resulting in an underground ogre army rising to fight the evil despot.
What follows is a rather traditional story of the cranky ogre making good by saving the princess, but it is so imaginatively told, and with such unabashedly adult sensibilities and humor, that this movie transcends typical animated fare and takes on a life of its own.
The ogre drives the girl out of her way to mess with the very sacred things (singing and fighting with a Taiaha stick) he teaches the chubby, nondescript boys of the neighborhood.
The character design of the bosses aren't quite up to par with Dark Souls, although there are some truly unique and visually stunning encounters peppered throughout; the main issue is that many boss encounters generally feature some generic faceless hulk clad in armour rather than a lumbering giant or a bipedal ogre.
That is all it has in common with the quartet of green ogre flicks.
They» re not too happy about it either, I mean Cinderella dealing with wicked step - relatives is one thing, but an ogre, even a fairy tale character has to draw a line somewhere.
But, come on girl, it's time to fess up: if you didn't have a couple pints of ogre blood running through your veins, you'd be shacking up with Prince Charming right now in the kingdom of Far Far Away and you would've given Shrek the dreaded «we can still be friends» talk years ago.
Just look at their sales, with the exception of Tactics Ogre their top ten most profitable games are all on Sony systems.
As far as I'm concerned, it was finding out that the big scary ogre (Mike Myers) was really a softie on the inside, as he befriended Donkey (Eddie Murphy) and fell in love with Fiona (Cameron Diaz).
Having two ogres in the family is especially distressing to the King (John Cleese) because he cut a deal with Fairy Godmother (Jennifer Saunders) promising Fiona to Prince Charming (Rupert Everett).
Shrek and Donkey get their hands on a potion that turns them into a stud and a steed, which leads to Fiona having to decide whether she wants to live with a shallow, attractive man, or the ogre she loves.
(2015) dir Matteo Garrone w / Salma Hayek, Vincent Cassel, Toby Jones, John C. Reilly, Shirley Henderson [133 min; DCP] Based on three spellbinding stories of magic and the macabre by 17th - century folklorist Giambattista Basile, TALE OF TALES unleashes a barrage of mind - bogglingly gorgeous and fantastical imagery as it brings to life the (mis) adventures of three kings: in the kingdom of Darkwood, the King (Reilly) and his Queen (Hayek) attempt to conceive a child through very unusual means; meanwhile, in Highhills, the none - too - bright monarch (Jones) marries off his daughter to a brutal ogre while developing a strange obsession with breeding a giant flea; and, the sex - obsessed crown of Strongcliff (Cassel) is in for a shock when the woman he falls in love with is not quite what she seems.
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