Sentences with phrase «oil and acrylic pieces»

Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.

Not exact matches

The surfaces of these wooden works are variously inscribed with watercolor, enamel, and acrylic paint, lacquer, oil, colored pencil, and graphite — materials that they share with the drawings that trace the evolution of individual pieces.

The Spring 2018 Graduate Theses Exhibition at the Fine Arts Gallery highlights the works of seven graduate students: Alexandra Cao Ying, MFA, Studio Arts, Let One Hundred Flowers Blossom, # 087, oil on panel, 6x6 inches; Bianka Miranda, MFA, Studio Arts, Aa, acrylic on panel, 18x24 inches; Gabriela Melendez, MA, Studio Arts, Beneath the Skin, wood, plaster, silicone, 34x16x72 inches; Raquel Rojas, MFA, Studio Arts, Aborto, acrylic on canvas, 9x12 inches; Saul Aguilera, MFA, Studio Arts, En Los Tiempos de Las Golondrinas: Sun Frida, mixed media; Sean Kelly, MFA, Studio Arts, Mythic Landscape, (detail pieces of two - part installations) ceramic, wood, 78x99x51 inches and 78x39x39 inches; Teresa Carrasco, MFA, Studio Arts, Shoot Em Up Bang Bang!

Despite being the smallest piece in the show, this rectangular amalgamation of oil paint, acrylic paint, household paint, varnish and mixed media collage on canvas (then mounted on board) had that rare feeling of monumentality.

Later, she started working on a larger scale pieces using oil and acrylic.

Featured are 50 pieces which make up two complementary bodies of work: recent paintings (most from 2008 to 2009) and drawings (created from 1979 to 1982 made on different types of paper and diverse media, including pencil, ink, watercolor, acrylic and oil chalk).

In the second half of the piece, Thomas accumulates a dizzying abundance of floral print fabrics, faux wood panels, zebra print, and jarring yellows, oranges, and pinks rendered in a mixture of beads, enamel, acrylic, and oil paint on a curved wooden support.

An American artist with Haitian and Spanish origins, Axel Void is merging mural art, Graffiti, oil and acrylic art to create shocking, uncomfortable and often dark pieces.

Working in oil and acrylic, Moreno's pieces are often aesthetically influenced by images found in her dreams and surroundings.

The vigorous acrylic and oil - stick pieces begin with the pouring and slathering of paint onto canvas or wood panels that range in size from 16» x 20» to 30» x 80».

Donna Huanca BLISS (REALITY CHECK), 2017 Mixed media installation including unique performance, sound piece, sand, plexi glass, wood, unique scent, oil, acrylic and pigment on plastic, latex, metal, horse hair, lead on a steel frame with aluminum fastenings Dimensions variable

This piece of art was created in 2015 and the painter used oil and acrylic on canvas.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Works in oil, mixed media, Braille or acrylic, patrons can explore and obtain unique pieces of art.

Using layers of oil or acrylic gel on hard reflective stainless steel, aluminium or Perspex, he fashions comb - like pieces of metal or board to move the paint across the surface in one movement, often repeating it again and again until the perfect balance of paint, translucence and striation is achieved.

The first four pieces one sees upon entering, a series of white, blue, yellow, and black paintings which utilize acrylics, oil, and magic sculpt on gesso boards are each adorned with a single word, «washed», «blood», «bellied», and «power».

Here, a felted, undulating wall piece at R & Company, a minimal hushed meditation of a piece by Minjung Kim, «Insight» mixed media on mulberry hanji paper and a painting by Sung Hy Shin, «'' Entrelacs» acrylic oil on canvas, both at @galleryhyundai Next a collage work (detail more interesting than piece which harkens to Bradford) by Akexandre Farto aka Vhils «Mishap # 6, advertising posters hand carved and laser cut.

Kelsey Irvin's piece Storyline Silver X is a brown, grey, blue, black and white contemporary abstract piece made with vintage ephemera, oil, acrylic, graphite, and resin on panel tha...

Kelsey Irvin's piece Storyline Steel II is a grey, blue, turquoise, black and white contemporary abstract piece made with vintage ephemera, oil, acrylic, graphite, and resin on panel...

• PVA glue • acrylic primer • burnt umber acrylic paint • burnt umber artist's oil paint • polyurethane varnish • disposable sponge brushes • roller • scissors • ruler or measuring tape Step 1 Measure and cut a 38» x 28» (97 cm x 71 cm) piece of canvas.