Sentences with phrase «oil crayon drawings»

The linear layers of the oil crayon drawings, many on the lower level, diagram the palimpsest effect of what she calls the «overlays» perfectly.

Not exact matches

The game's art style is similar to that of previous Yoshi games, with backgrounds drawn as though they are created from crayons, watercolors or oil paints.

Students can also do some Wax and scratch drawings of natural forms using wax crayons and oil pastels.

The beautiful art is based on many classic styles, such as oil painting, watercolours and crayon drawings.

You'll need something to draw with (pencil or marker), paper, and your oil pastels (you can use other coloring supplies like crayons or markers).

Also on view are several early non-ballpoint works; an early lithograph Untitled (1979); a drypoint etching Untitled (1980); two small crayon and oil on paper works Untitled B (1980) and Untitled R (1980); an acrylic and oil on board Untitled 84 - 6 (1984); and Untitled 82 - A (1982), a stunning example of an early painting drawn with a sharp nail and a precursor to his recent acrylic and oil paintings.

These artists created works on paper with the use of many different mediums to achieve their unique creative goal including, graphite drawing, etching, oil paint, collage, crayon, lithography, and watercolor.

Avery insisted on a rigorous study of his subject, and most of these mature works were the result of sketches or drawings made with color notations, later enlarged and simplified into watercolor or oil crayon and finally translated to oil applied in luminous, thin washes of closely valued colors overlaid with swiftly applied expressionist brushstrokes.

The 27 1/8 - by - 34 1/4 - inch oil and colored crayon on paper was drawn circa 1970.

The Fish is fun to draw, all you'll need is a Sharpie or black marker and some oil pastels, crayons, or colored pencils.

In this show, as always, she is intensively engaged with drawing and its corporeality: drawings that she makes with her little finger on an iPhone screen, and the drawing process inherent to large - scale paintings which she makes using brushes, rags, scrapers and giant oil crayons.

Franz Erhard Walther, Selection of Work Drawings, 1963 - 1972, Pencil, gouache, coffee, oil, typewritten text, ballpoint pen, coloured crayon, glue, graphite and other materials on paper Installation view of «Franz Erhard Walther: The Body Decides» at WIELS, Brussels, 2014.

The exhibition begins with his drawings from the early 1970s, when he drew primarily on paper with ink, charcoal, lithographic crayon, and black paintstick — a crayon comprised of a mixture of pigment, oil, and wax.

• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»

On Sept. 20, some 450 paintings from all periods of a five - decade - long career and about 1,750 drawings executed with pencil, graphite, conte crayon, ink and oil, as well as watercolors and pastels, will be published in high resolution on the website of the Clyfford Still Museum in Denver.

While oil and pastels were his media of choice for painting, Still explored a full range of drawing material: he did work with oils and pastels, but he also created colorful, dynamic works with watercolor, gouache, graphite, pen and ink, charcoal, crayon, and tempera, too.

It's an interactive, wall - drawing project with a group of young kids, who drew on the walls directly with enlarged oil crayons.

Fall Tree, 2007, drawing, Cassel earth pigment, transfer, oil, tempera and crayon on handmade paper, 50 x 65 cm, courtesy of Studio Ricardo Brey, Ghent La Tempête, 2007, drawing, oil, transfer, Cassel earth pigment and crayon on handmade paper, 50 x 65 cm, courtesy of Studio Ricardo Brey, Ghent

He focused on oil painting but executed a number of watercolours and crayon drawings.

The fifty - seven works in the exhibition can be divided more or less equally into three related groups: eighteen oil paintings done on linen, all measuring 22 x 28 inches; nineteen oils done on paper, all measuring 22 x 30 inches; twenty drawings on paper, most of which measure around 11 x 14 inches, and done in a wide range of materials, including gouache, colored pencil, crayon, ink, and graphite.

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