Rhinestones, acrylic paint, and
oil enamel on wood panel, 102 × 84 × 2 in.
MICKALENE THOMAS Three Graces: Les Trois Femmes Noires, 2011 rhinestone, acrylic paint and
oil enamel on wood panel 108 x 144 inches 274.3 x 365.8 cm LM14636
Self - Portrait with Fish and Cat / By Joan Brown (1938 — 1990) /
Oil enamel on Masonite, 1970 / Courtesy of George Adams Gallery, New York / © Estate of Joan Brown
Nancy Brooks Brody, 43 inch Measure, 2014,
Oil enamel on lead embedded into wall 43 x 1 in (109.2 x 2.5 cm).
Nancy Brooks Brody, Ginger and MPA, 2011,
Oil enamel on lead embedded into wall Two parts, overall size - 8 x 8 in (20.3 x 20.3 cm).
INGRID CALAME Tracing up to the L.A. River: Frog Town turf war, 2006 Latex and
oil enamel on wall Installation view
INGRID CALAME Tracing up to the L.A. River: Frog Town turf war, 2006 Latex and
oil enamel on wall Wall drawing in 3 sections
MICKALENE THOMAS Interior: Bedroom with Flowers, 2011 rhinestone, acrylic paint and
oil enamel on woo...
MICKALENE THOMAS Interior: Zebra with Two Chairs and Funky Fur, 2012 rhinestone, acrylic paint and
oil enamel on wood panel 96 x 132 inches 243.8 x 335.3 cm LM16294
MICKALENE THOMAS Interior: Bedroom with Flowers, 2011 rhinestone, acrylic paint and
oil enamel on wood panel 108 x 84 x 2 inches 274.3 x 213.4 x 5.1 cm LM15593
Rhinestone, acrylic paint and
oil enamel on wood panel, 96 x 72 x 2 in.
MICKALENE THOMAS Sleep: Deux Femmes Noires, 2011 rhinestone, acrylic paint and
oil enamel on wood panel 108 x 240 x 2 in...
MICKALENE THOMAS Landscape with Ocean, 2011 rhinestone, acrylic paint and
oil enamel on wood panel 90 x 100 x 2 inches 228.6 x 254 x 5.1 cm LM14973
MICKALENE THOMAS Interior: Striped Foyer, 2011 rhinestone, acrylic paint and
oil enamel on wood panel 108 x 84 x 2 inche...
MICKALENE THOMAS Interior: Striped Foyer, 2011 rhinestone, acrylic paint and
oil enamel on wood panel 108 x 84 x 2 inches 274.3 x 213.4 x 5.1 cm LM15592
MICKALENE THOMAS Landscape with Ocean, 2011 rhinestone, acrylic paint and
oil enamel on wood panel 90 x 100 x 2 inches 2...
MICKALENE THOMAS Sleep: Deux Femmes Noires, 2011 rhinestone, acrylic paint and
oil enamel on wood panel 108 x 240 x 2 inches 274.3 x 609.6 x 5.1 cm LM15586
Loop) Loop Painting 2016 (96 x 96 in.; Synthetic polymer and
oil enamel on canvas)
Not exact matches
Heat your pot or
enamel cast iron deep pan
on medium high with the
oil.
Preheat oven to 350 and heat a large
enamel or cast iron Dutch oven
on the stove to medium - high heat and add the olive
oil.
Arrange the asparagus into a single layer
on a rimmed baking sheet or
enameled baking dish, and drizzle with the melted coconut
oil.
While the coconut
oil may be the cause of whiter teeth, the health and appearance of your teeth are also influenced by genetics, smoking habits, and consumption patterns — like drinking wine or coffee, or eating high - calcium foods or highly acidic foods - which can damage the
enamel on your teeth.
Untitled # 31 (A Decorated Chronology of Insistence and Resignation) 1994 Acrylic,
oil, and
enamel on wood panel 84 x 60 inches (213.4 x 152.4 cm)
Untitled Spray Portrait with Painted Eye, Red Purple Drip, a Staple, a Rip and a BB Hole / 2011 /
oil, acrylic,
enamel and pastel
on canvas / 72» x» 48» / $ 7,000
In the red and
on the hot seat 2014 extruded and fabricated copper with
enamel paint, wood, wood putty, papier mâché, Japanese paper, steel wire, acqua resin, acrylic and
oil paint 21 1/2 x 21 1/2 x 21 1/2 inches
Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952,
oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins
on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing,
oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954,
enamel / coffee grinds
on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958,
oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946,
oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray
enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv
Still Life with BB Holes, Painted Pear and Learn to Draw Rodent / 2015 /
oil, acrylic,
enamel, spray paint, ink, gesso, and mud with polymer medium and smoke stain
on canvas / 48» x 36» / PLS INQ
Two Line Spray Portrait with Painted Eye and Four White Stripes / 2012 /
Oil enamel and spray paint
on canvas / 96» x 60» / PLS INQ
Untitled Spray Portrait with Painted Eye, Four Color Drips, a Rip and Two BB Holes / 2007 /
oil, acrylic,
enamel, and spray paint
on canvas / 60» x 48» / $ 6,000
MICKALENE THOMAS Interior: Blue Couch with Green Owl, 2012 rhinestones, acrylic,
oil, and
enamel on wood panel 108 x 84 x 2 inches 274.3 x 213.4 x 5.1 cm LM15590
Untitled Spray Portrait with Painted Eye and Green Drip / 2011 /
Oil, acrylic,
enamel and spray paint
on canvas / 96» x 48» / $ 10,000
Still Life with Orange Drips and Painted Pumpkin / 2015 - 2016 /
Oil, acrylic,
enamel, spray paint, ink, gesso and mud with polymer medium and smoke stain
on canvas / 96» x 60» / $ 12,000
Enamel and
oil on canvas, 53 ⅛ x 40 inches.
Oil,
enamel, and charcoal
on linen, 76 1/2 × 49 1/8 in.
After high school, Ash went
on to obtain a Bachelor of Fine Arts from McMurry University in Abilene, where she began to perfect her unique style, working mainly with mixed media, including
enamel,
oil, acrylic and graphite.
This series of paintings that illustrate this interview are from a 2005 exhibition at Locks Gallery featuring pairs of
oil paintings
on polygonal - shaped canvases and diptychs of her iconic baked
enamel steel plate paintings.
While earlier,
enamel works focused
on line and flatness, her move to
oil paint in 2001 has resulted in a sculptural, almost three - dimensional style.
Center: Jackson Pollock, Number 27, 1950,
Oil,
enamel, and aluminum paint
on canvas.
Her work begins with marks, stains and cracks
on the ground which Calame traces, then combines layers and retraces, transforming them into drawings in coloured penicl or pure pigment and paintings in
enamel or
oil pain.
Image: Vivagua, 2010
oil, acrylic, and
enamel on linen 120 x 96 inches 304.8 x 243.8 cm Paul Kasmin Gallery announces a two-fold exhibition of works by the renowned pop artist Kenny Scharf,
on view at the gallery's Chelsea locations from January 27th through February 26, 2011.
David Smith Untitled, 1960 Spray
enamel and
oil on paper 17 3/4 x 11 1/2 inches (45.1 x 29.2 cm) © The Estate of David Smith / VAGA, New York
Molly Zuckerman - Hartung, Learning Artist; November 5 - December 23, 2017; Molly Zuckerman - Hartung; Rehearsals in Losing my Object; 2017;
oil,
enamel, dye
on sewn polyester, cotton velvet and wool felt; Irregular: 54 x 66 inches / (137.2 x 167.6 cm).
© Laura Owens; Laura Owens, Untitled, 1995, acrylic,
oil,
enamel, ink, and felt - tip pen
on canvas, Collection of the artist.
Acrylic, bleach,
enamel, latex, and paper collage
on cut, draped, and sewn cloth and canvas;
oil and spray paint
on two leaning canvases; found objects.
Deborah Grant, «In the Land of the Blind the Blue Eye Man is King,» from the series By the Skin of Our Teeth, 2007 (
oil, archival ink, paper, Flashe paint, and
enamel on five birch panels).
Oil, resin, and
enamel on canvas.
Oil and
enamel on canvas mounted to four shaped wood boards joined with eight painted metal supports, 87 x 61 3/4 x 1 5/8 inches.
It is fabricated from
oil paint,
enamel paint, and alkyd paint
on canvas, etched magnesium, aluminum and fiberglass.
Helen Frankenthaler, First Creatures, 1959,
oil,
enamel, charcoal, and pencil
on sized, primed linen, 64 3/4 × 111 inches (164.5 × 281.9 cm)
-- Santa Monica Museum of Art, 2012 AUCTION PRICES Come With Me Now, I Need You, 2007; Acrylic, rhinestones, and
enamel on panel, 72 x 60 inches; Sotheby's, November 12, 2015; Sale 472, $ 145,000 Quesequzah, Une Très Belle Négresse # 3, 2012; Acrylic, rhinestones, and
oil on panel, 90 x 80 inches; Christie's, September 23, 2014; Sale 2875, $ 106,250