Sentences with phrase «oil enamel on canvas»

Loop) Loop Painting 2016 (96 x 96 in.; Synthetic polymer and oil enamel on canvas)

Not exact matches

Untitled Spray Portrait with Painted Eye, Red Purple Drip, a Staple, a Rip and a BB Hole / 2011 / oil, acrylic, enamel and pastel on canvas / 72» x» 48» / $ 7,000

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

Still Life with BB Holes, Painted Pear and Learn to Draw Rodent / 2015 / oil, acrylic, enamel, spray paint, ink, gesso, and mud with polymer medium and smoke stain on canvas / 48» x 36» / PLS INQ

Two Line Spray Portrait with Painted Eye and Four White Stripes / 2012 / Oil enamel and spray paint on canvas / 96» x 60» / PLS INQ

Untitled Spray Portrait with Painted Eye, Four Color Drips, a Rip and Two BB Holes / 2007 / oil, acrylic, enamel, and spray paint on canvas / 60» x 48» / $ 6,000

Untitled Spray Portrait with Painted Eye and Green Drip / 2011 / Oil, acrylic, enamel and spray paint on canvas / 96» x 48» / $ 10,000

Still Life with Orange Drips and Painted Pumpkin / 2015 - 2016 / Oil, acrylic, enamel, spray paint, ink, gesso and mud with polymer medium and smoke stain on canvas / 96» x 60» / $ 12,000

Enamel and oil on canvas, 53 ⅛ x 40 inches.

This series of paintings that illustrate this interview are from a 2005 exhibition at Locks Gallery featuring pairs of oil paintings on polygonal - shaped canvases and diptychs of her iconic baked enamel steel plate paintings.

Center: Jackson Pollock, Number 27, 1950, Oil, enamel, and aluminum paint on canvas.

© Laura Owens; Laura Owens, Untitled, 1995, acrylic, oil, enamel, ink, and felt - tip pen on canvas, Collection of the artist.

Acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects.

Oil, resin, and enamel on canvas.

Oil and enamel on canvas mounted to four shaped wood boards joined with eight painted metal supports, 87 x 61 3/4 x 1 5/8 inches.

It is fabricated from oil paint, enamel paint, and alkyd paint on canvas, etched magnesium, aluminum and fiberglass.

Willem de Kooning, Composition, oil, enamel and charcoal on canvas, 1955.

Stingel's recipe describes how to whip a brightly - colored oil paint with a kitchen hand mixer, brush it onto the canvas, lay a sheet of gauze over it, rub with a squeegee, spray on silver enamel paint with an air gun, and then remove the gauze to reveal the finished painting.

EDDIE MARTINEZ Restartation 2015 Oil, silkscreen ink, enamel and spray paint on canvas.

Molly Zuckerman - Hartung Nefertiti's Tomb 2013 oil, acrylic, spray paint, latex, enamel, and detritus, on two adjoined canvases 36 1/4 x 42 1/4 inches

In the large enamel and oil on canvas, Number 7, 1952, one can see not only a head, but also Pollock's own footprint in the upper right corner, and the exhibition catalogue points out that Pollock's re-engagement with more overtly figurative work may have been due in part to his time staying at Ossorio's home.

Gallop and Mulvey, 2013, acrylic, oil, and raw pigment on canvas; hinged to iron - on, spraypaint, and enamel on linen, 72 x 50 and 74 x 48 inches

Image: Molly Zuckerman - Hartung, Adulterate, 2013, acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects, 95 x 167 x 12 inches (hanging)

Molly Zuckerman - Hartung Necessary Convolutions 2007 - 2011 oil, enamel, spray paint, plexiglas on cut canvas 36 x 32 inches

Oil Enamel, Spray Paint on Canvas 20 ″ x 24 ″ Courtesy of 532 Gallery Thomas Jaeckel Read more

Molly Zuckerman - Hartung Ulcerous gnawing as a reaction to one's embeddedness 2009 - 2011 oil, enamel, leather, collage with artists frame on canvas 18 x 14 inches

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Two of Eddie Martinez's silkscreen ink, oil, enamel and spray paint works on canvas — including one that contained chewing gum — went for as much as $ 75,000 each.

Oil and enamel paint on canvas, 68 ″ × 8 ′ 8 ″ (172.7 × 264.2 cm).

Molly Zuckerman - Hartung of Hell and 2010 - 2012 oil, enamel, Big Gap Filler, glass shards, spraypaint, collage on canvas 20 x 16 inches

Molly Zuckerman - Hartung Adulterate 2013 acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects 95 x 167 x 12 inches (hanging)

Nefertiti's Tomb, 2013, oil, acrylic, spray paint, latex, enamel, and detritus, on two adjoined canvases, 36 1/4 x 42 1/4 inches

Molly Zuckerman - Hartung Lurch 2009 - 2014 acrylic, oil, enamel, spray paint on sewn t - shirts, coat liner, wool, canvas and dropcloth 112 x 69 inches

Photo: Joshua White, 2013; Donald Judd, untitled, 1962, Cadmium red oil, wax, and sand on canvas and wood, and black enamel on asphalt pipe, 50 1/2 x 45 x 9 5/8 in.

For his exhibition at the gallery, Zinsser will present a new set of oil and enamel paintings on stretched canvas, including several ambitious large - format works.

Jackson Pollock, Number 1, 1950 (Lavender Mist), 1950 oil, enamel, and aluminum on canvas, National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

Long - haired high - heeled budding Asian collectors noted down work by new names such as the charming light - as - air butterfly oil painting at the Grosvenor gallery by Senaka Senanayake and took selfie - souvenirs in front of Love Struck, wrought by D * Face with «enamel and pigment based paint on medium grain cotton duck canvas».

St. Andrew, 2006 oil and enamel on canvas in antiquated frame with gilded ornaments painting: 96 x 84 1/4 inches (243.8 x 214 cm) framed: 110 x 98 inches (279.4 x 248.9 cm) KW - 6

The artist breaks away such divisions and focuses on the creation of the minimal abstract objects — wall - mounted reliefs from foam shapes, which Adian beforehand covers with oil enamel or spray painted canvas.

Jackson Pollock, «Number 1A, 1948,» Oil and enamel on canvas, 68 x 104 inches.

Oil, enamel, and aluminum on canvas, 87 x 118 in.

The show consists of 11 diptychs: 6 pairs of oil paintings on polygonal - shaped canvases and 5 pairs of painted, baked enamel steel plates.

Lot 200, «Horizon,» is rather unusual as it consists of two parts, a large curved oil on shaped canvas and enamel and the other part silkscreen ink on 20 steel plates.

Enamel and oil on canvas.

John Zinsser, Geometry and Ego, 2007 Enamel and oil on canvas 30 x 28 inches December 18, 2010 — February 12, 2011 Get Me to the Church on Time It was a simple enough assignment, drive the painter Marcia Hafif to her opening at Larry Becker Contemporary Art in Philadelphia.

Jettisoning the so - called abstract paintings she had been producing up to that point — large and literal territories of soiled oil paint peppered with holes punched through the canvas — Pensato took on bucketloads of black - and - white enamel and doubled down on her canvases.

The paintings represent a striking variety of surfaces and materials including oil on canvas, pastel graphite and charcoal on paper, vinyl polymer paint on aluminum, double - baked porcelain enamel on oxidized copper panels, and ink on glassine, to name some.

Spray enamel, oil, acrylic on canvas.

Framed raw canvases stained with dripped enamel and oil paintings hang on museum walls, reviving remarkable works of art from one of America's most prominent artists of the past.

Oil, enamel paint, feathers, pasta, and leather on canvas, in a frame by Pierre Legrain, 30 x 52 1/2 x 6 ″ (76.2 x 133.4 x 15.2 cm), with frame.