Sentences with phrase «oil installations by»

Not exact matches

Oil prices rose by nearly $ 5 a barrel on concerns that a US and allied attack on Syrian military installations would lead to a wider war.

Nigeria has lost over 1,500 megawatts of electricity as a result of the ceaseless attack on oil and gas installations by the Niger Delta militants, the Nigerian National Petroleum Corporation, NNPC, has disclosed.

Similarly, former leaders of the defunct Movement for the Emancipation of the Niger Delta, MEND, yesterday, dismissed claims that former militants from the region were responsible for the recent bomb attacks on oil and gas installations in Delta State, insisting that the attacks were carried out by criminals.

The installation at the site of the former Town of Ulster landfill is expected to generate 2,360 MWh of clean electricity each year, roughly equivalent to the electricity generated by burning 2 million pounds of coal or 4,000 barrels of oil.

The Nigerian Air Force (NAF) has expressed its readiness to partner with Shell Companies in Nigeria by deploying its Unmanned Aerial Vehicles (UAVs) to help secure the companies» oil and gas pipelines as well as other critical oil installations in the Niger Delta.

This extant plot wagers, rather stupidly, that by bombing soft oil installations, and melting into the swamps, it could bend the rest of Nigeria to its sinister will!

«The militants engage in sophisticated sabotage, using skills they had gained from trainings either by the government, or the oil companies, to vandalise installations deep in the sea.

By Emma Amaize Attacks on oil installations in Delta State entered the third day, yesterday, as militants blew - up major crude oil and...

«The recent spate of attacks by militants disrupting oil and power installations will not distract us from engaging leaders in the region in addressing Niger Delta problems.

Buhari who is on a one week official visit to China warned vandals and saboteurs blowing up oil and gas installations in Nigeria to desist immediately or face the same drastic action being taken against Boko Haram by the Armed Forces.

The deployment was necessitated by the recent spate of attacks on the Nation's oil and gas installations by the new militant group, Niger Delta Avengers (NDA).

Installation of the hydrogen refueling pumps will begin next year at existing gas stations currently operated by various oil companies.

An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.

Some of the auto services offered by our Ann Arbor repair shop include: oil changes, tire rotations, auto glass repair, dent repair, engine and transmission repair, brake pad / rotor replacements, installation of MOPAR auto parts & accessories, and much more.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.

Installation view: Large cylinder mirror in black and antique gold glass with walnut frame by Bower, with Justin Horne's «9 (red) Boomerang,» Oil (Calder's red) on cardboard in 9 parts, reflected.

It comprises ten new oil paintings and a painting - installation made by the artist in 2012 and 2013.

Works will include photographs from the Red House series by Adam Broomberg and Oliver Chanarin, depicting the marks left behind by prisoners of Saddam Hussein in Iraq; wire and sculptural elements by Walter Oltmann and William Kentridge; installations by Jeremy Wafer, Jonah Sack and Justin Brett, as well as more traditional pencil, oil and charcoal drawings by Sue Williamson, Lisa Brice and Sam Nhlengethwa.

20:50, the oily work by Richard Wilson will leave the Saatchi Gallery in London, and head for David Walsh's museum in Tasmania — but the work may go on a world tour first The Australian collector David Walsh has bought the oil installation 20:50 by the UK sculptor Wilson.

Even when he ventures into other mediums, painting rules: A rare installation piece included here features a real bed inhabited by an oil - on - canvas self - portrait, with a fake hand wielding a paintbrush.

Her new multimedia exhibit will feature large - scale oil paintings, drawings, watercolor paintings, an installation and a pop - up store with tote bags designed by the artist.

International in outlook, it draws together artists from every continent and documents the unprecedented variety of approaches and mediums used by today's artists — from oil paintings and bronze sculptures to video installations and performance.

It will explore artistic practices that range from installation works by artists from the post-internet generation to abstraction in oil paintings, from performance art to ink and wash, from analog photography to new media art.

Jane and Louise Wilson's work together includes multiscreen video installations and photo - pieces; their artworks often feature institutional spaces, for example an oil rig, the archives of the Stasi in East Berlin (the building had previously been used by the Nazis and Stalin's Russia), The Houses of Parliament, and the Apollo Pavilion in Peterlee designed by Victor Pasmore.

The Primas show is complemented by a gorgeous adjourning survey of «Ancestral Spirit Dances» in the robust oil pastel style of Dayton's own Willis «Bing» Davis, and Davis» oeuvre is magnified by several installations at the University of Dayton.

On display are Magdalena Abakanowicz» Hurma, an epic figurative environment by the Polish sculptor; Isaac Julien's Western Union: Small Boats, a video installation on migration and the hope for a better life; George Osodi's Oil Rich Niger Delta, a photographic essay on the people of Nigeria; and Photography and Sculpture: A Correlated Exhibition (new and vintage photography linked to contemporary sculpture).

LIKENESS: PORTRAITS OF VERMONTERS was a group show featuring portraits in mixed mediums, including sculpture, photography, oil paint, pen and ink, and video installation by eleven different Vermont based artists, April 4th

The museum also bought an oil and graphite work by Caragh Thuring («Arthur Kennedy,» 2012) from Thomas Dane Gallery of London, and a large sculptural installation «Balindile I» (2012) by Nicholas Hlobo from South Africa's Stevenson gallery as reported on ArtLyst last Thursday.

Tracking Lovell's drawings, installations, and sculptures as he studied European painting and then broke away from that paradigm, the show will include such works as Rite (1997), an oil stick and charcoal work on paper in which a man's nude body appears to be consumed by foliage.

Installation view: From left, «In the Land of the Blind the Blue Eye Man is King,» 2007, from the series By the Skin of Our Teeth (oil, archival ink, paper, Flashe paint, and enamel on five birch panels) by DEBORAH GRANT; «High Life,» 2013 (enamel and charcoal on paper) by GARY SIMMONS; (with work by DARIO ROBLETO in the foregroundBy the Skin of Our Teeth (oil, archival ink, paper, Flashe paint, and enamel on five birch panels) by DEBORAH GRANT; «High Life,» 2013 (enamel and charcoal on paper) by GARY SIMMONS; (with work by DARIO ROBLETO in the foregroundby DEBORAH GRANT; «High Life,» 2013 (enamel and charcoal on paper) by GARY SIMMONS; (with work by DARIO ROBLETO in the foregroundby GARY SIMMONS; (with work by DARIO ROBLETO in the foregroundby DARIO ROBLETO in the foreground).

Installation view: From left, «Take All the Time You Need (Adrienne Hawkins),» 1975 (oil on linen canvas) by BARKLEY L. HENDRICKS; «Tambourine,» 2010 (oil on canvas) by LYNETTE YIADOM - BOAKYE; «Black Widow with Brothers Fighting,» 2008 (oil on canvas) by NOAH DAVIS.

Installation view of Alfred Leslie's «Ten People,» 1992 - 98, oil on canvas, each painting 7 by 5 feet; at the American Academy of Arts and Letters, New York, 2006.

The two artists will be showcasing oil paintings and video installation respectively at group exhibition The Measurement of Youth curated by SUN Dongdong.

Tracey Emin at Turner Contemporary, with oil paintings by JMW Turner and her own installation My Bed

His installation 20:50, a sea of reflective sump oil which is permanently installed in the Saatchi Collection — was described as «one of the masterpieces of the modern age» by art critic Andrew Graham Dixon in his BBC television series, The History of British Art.

Walking for the first time down the narrow aisle between the two halves of the room - filling installation, with oil pressing against their edges, held in by molecular forces as it peeped over the steel walls, was awe - inspiring.

This new installation was inspired by the artist's involvement in the protests at Standing Rock — charting the connections between the international banking system and the construction of oil pipelines.

Stahl's resin - encased images are presented in an immersive installation featuring a number of her «Prayer Wheels,» composed of beer cans and oil drums that can be spun by the viewer.

A century long struggle to gain full control of its natural resources and refining capacities has been punctuated by many events: from the exploits of the Anglo - Persian Oil company (later to be known as British Petroleum or BP), in the early part of last century; to the CIA backed overthrow of the first democratically elected government in the 1950s, after it nationalized the country's oil fields; to the destruction toll of several oil installations during the decade long Iran - Iraq war; to current pressures by large international firms to negotiate contracts for the exploitation rights of oil and gOil company (later to be known as British Petroleum or BP), in the early part of last century; to the CIA backed overthrow of the first democratically elected government in the 1950s, after it nationalized the country's oil fields; to the destruction toll of several oil installations during the decade long Iran - Iraq war; to current pressures by large international firms to negotiate contracts for the exploitation rights of oil and goil fields; to the destruction toll of several oil installations during the decade long Iran - Iraq war; to current pressures by large international firms to negotiate contracts for the exploitation rights of oil and goil installations during the decade long Iran - Iraq war; to current pressures by large international firms to negotiate contracts for the exploitation rights of oil and goil and gas.

The works range from watercolors, to large oil paintings punctuated by installations throughout the exhibit.

This exhibition presents new black oil stick paintings, a colorful installation of giant wall paintings, and painted furniture by Misaki Kawai.

Halil Altindere Portrait of the Sheikh, 2009 Oil on canvas, gold frame, safe case Installation view Photo by Alfredo Rubio

The video installations feature female sea creatures, similarly overwrought by their environments: one a mermaid expelling oil - like substances from a tangle of detritus; another, inspired by selfie videos shared on social media platforms, poses for the camera, her face and body layered with Snapchat - like filters and special effects.

Made in 2008, while participating in IMMA's Artist Residency Programme, Memorial Gardens by Niamh O'Malley is an installation comprising footage taken at the National War Memorial Gardens in Islandbridge, Dublin, projected onto oil on etched - primed aluminium.

Curated by Candice Allison, the exhibition includes recent and previously unseen work: photographic prints, drawings, oil paintings, video, and installation; alongside paintings from the National Gallery of Zimbabwe's permanent collection, material from the National Archives, and Chiurai's own personal archive of propaganda posters and vinyl records.

The exhibition features 15 new oil paintings and a special, interactive installation inspired by the series.

DAN COOMBS: Installation view of a recent body of work titled «Woman,» oil on canvas paintings by Dan Coombs at New Art Projects of London at Booth 1.20.

Also in the colleciton will be Richard Wilson's Oil Room installation; Kader Attia's Ghost, which consisted of hundreds of praying figures made from aluminium foil; an Emily Prince installation, containing drawings of the 5,000 - plus US service men and women who have been killed in Iraq and Afghanistan; and Jitish Kallat's Public Notice 2, in which he spells out a speech by Gandhi using bones.

An installation view of the fourth - floor space includes, from left, a video by Manolis D. Lemos, Gresham Tapiwa Nyaude's large oil - on - canvas paintings, a children's swing set by Diamond Stingily, a series of Wilmer Wilson IV's staple works, and suspended metal sculptures by Tiril Hasselknippe.