Commercial vapor rubs are typically petroleum based and add camphor which has been synthetically derived from
the oil of turpentine and menthol, which is typically synthetically made.
Not exact matches
When injected into the
oil reservoir, it mixes with the
oil and mobilizes more
of it — like
turpentine cleaning paint — and then allows it to be pumped to the surface.
Be careful
of any wet
oil paint; it is fine to go over onto the blue background as the dark bleeding
of the
turpentine will disappear once it has evaporated.
It's never poured, I prep a tin in which I mix up a couple
of tubes
of oil paint with a lot
of turpentine, a lot or a little less depending on what I want to do.
You can almost smell the struggle inside Lehmann Maupin this month — it's mixed liberally with
turpentine, linseed
oil, and the scent
of fresh paint.
«A pair
of socks», he said at the time, «is no less suitable to make a painting than wood, nails,
turpentine,
oil and fabric.»
Like de Kooning's paintings
of the period, Baselitz's new works impart a watercolor - like fluidity, achieved through the thinning
of oil paints with
turpentine and their swift, loose application.
Combining
oil and
turpentine washes with water - based casein, Bearden renders a rich surface
of earthy color, mottled with crater - like ellipses that are apparently the result
of the
oil's resistance to water.
«A pair
of socks,» as Rauschenberg maintained, «is no less suitable to make a painting with than wood, nails,
turpentine,
oil and fabric.»
He also arranged for Noland and Louis to visit Helen Frankenthaler's New York studio in 1953, where they were introduced to her method
of soaking
turpentine - thinned
oil pigment into unsized, unprimed canvas (a technique Frankenthaler herself had learned from Pollack's 1951 black - and - while stain paintings made with thinned black enamel paint).
Paintings such as these, made with a mixture
of oil color,
turpentine and wax, looked like the end
of something — either a culmination or a cul - de-sac — when they were first shown.
In this bilaterally divided canvas, Innes demonstrates a signature technique
of building layers
of oil paint, before stripping away sections using a
turpentine wash.
The haloing effect seen around each stain results from the
turpentine that is used to thin out the paint, a step necessary for
oil paints and the Magna brand
of acrylic paint.
Most
of his paintings are made by «un-painting» as well as painting: A language that he has made his own;
oil paint is applied in layers and dissolved away with
turpentine, forming something quietly and unexpectedly beautiful.
Between heavily painted eyelashes and raven - black
oil paint, between trickles
of turpentine and tears
of despair.
A pair
of socks is no less suitable to make a painting with than wood, nails,
turpentine,
oil and fabric.
Rather than using paint thickly and opaquely so that it sits upon the surface
of the canvas, Frankenthaler thinned her
oil paint with
turpentine to the consistency
of watercolor.
Using matte pigments mixed with
turpentine rather than linseed
oil, Avery applied his colours in thin layers with a stiff brush, creating chromatic effects
of astounding subtlety, delicacy and invention.
In these works, the artist thinned
oil paint with
turpentine to the consistency
of ink and spontaneously let the work, in his words, «pour out.»
...
oil paint mixed with
turpentine to, roughly, the consistency of ink, I had a similar «outpouring», though I made less than a hundred works which I call the Drunk with Turpentine series, a title that no matter how evocative, is als
turpentine to, roughly, the consistency
of ink, I had a similar «outpouring», though I made less than a hundred works which I call the Drunk with
Turpentine series, a title that no matter how evocative, is als
Turpentine series, a title that no matter how evocative, is also literal.
These pictures were based on a 1979 series
of oil - on - paper paintings, Drunk with
Turpentine, which Motherwell had generated by the process
of automatism.
Using
turpentine in conjunction with
oil paints Innes thins and removes layers, revealing underlying colours and leaving the evidence
of his process on the canvas.
Frankenthaler's invention
of soak - stain, which involved pouring
turpentine - thinned
oil paint (and later, watered - down acrylic) on a flat, untreated canvas, opened doors to the next big thing, Color Field painting.
He spritzes a mixture
of turpentine and
oil on the plate to create dazzling light effects.
Brought together and exhibited for the first time since the mid»80s, these romantically melancholy, expressionist
oil paintings feature isolated individuals that materialize out
of dark, ill - defined backgrounds that Spero laboriously painted, repainted, and wiped down with
turpentine - soaked rags.
In 1966, Marden developed a technique that emphasized this sensitivity, dipping an
oil - covered brush into a mixture
of melted beeswax and
turpentine, and applying it generously to the support, smoothing it with a spatula to eliminate the brushstrokes while retaining the sense
of the handmade.
Her signature paint - thinning technique, in which she diluted the
oil paint with
turpentine, coupled with an entirely revolutionary method
of staining (rather than dripping or brushing paint onto) the canvas undoubtedly changed the course
of art history and influenced the likes
of Kenneth Noland, Morris Louis and Jules Olitski.
His abstract paintings realised in the late 1950s and early 1960s involved a fluid application
of oil paint mixed with
turpentine, a technique that he had learnt from Victor Pasmore, and these works were reminiscent
of the impressionist style.
Oil cons: The smell
of turpentine If your start painting with oils in a confined space the fumes from the thinners can overwhelm you,
turpentine and white spirit can be really strong.
In «Cool Summer» and «Hommage à M. L.,» from 1962, vertical and horizontal squiggles form loose clusters, separated from one another, and from the surrounding canvas, by the greasy - looking halos (the result
of diluting
oil with
turpentine).
If you've ever wanted to have a go with oils but felt the mysterious mix
of Linseed
Oil and
Turpentine put you off, then this simple still life study is for you.
AS Well, I've accepted Abstract Expressionist materials: the large canvases,
oil paint, the scale, stretcher bars,
turpentine, brushes, gestural process, a process
of adding and subtracting.
In her Waterfall paintings, Steir limits herself to controlling a few key variables: colour, pressure, the length
of her lines, and the viscosity
of the
turpentine and
oil paint mix.
Gently chip off the plaster, use a metal wire brush and water to scrub off any leftovers, then seal with a 50:50 mixture
of linseed
oil and
turpentine.