Sentences with phrase «oil on canvas composition»

The oil on canvas composition is by the renowned California...

This original oil on canvas composition includes blue, purple, red, orange and pink colors in interacting geometric shapes and is by the renowned California abstract classicist Karl...

The oil on canvas composition is by the renowned California abstract classicist Karl Benjamin (1925 - 2012).

Pursuing the singular idea of depicting water drops in ever - shifting narratives, the artist has built an elaborate series of works in this form over the past few decades, exhibiting his meticulously - illustrated oil on canvas compositions to a broad audience in Europe, Asia, and America.

Not exact matches

«I use 3D modelling software to produce forms, colours and compositions which are then rendered by hand using oil on canvas.

The Whittling Boy, 1873, oil on canvas, 15-3/4» x 22-11/16», period c. 1870s American painting frame, gilded applied composition ornament on wood; molding width: 5-1/4».

Piet Mondrian, Tableau No. 2 / Composition VII, 1913, Oil on canvas, 41 3/8 x 45 inches Solomon Guggenheim Museum, New York

Snowy Mountain Range (Path of Souls, Idaho), 1896, oil on canvas, 15» x 27» Custom - made replica, c. 1880s American painting frame; gilded applied composition ornament with gilded oak panel; molding width: 5-1/4»

Utilizing vivid colors and simple geometric forms, the artist produces abstract compositions with oil on canvas.

This connection, or tension, is apparent in Yellow Dune Grass (oil on canvas, 2011), in which the compositional structure emphasizes the point at which land, water, and sky meet while still allowing the eye to roam deep into the composition.

Alfonso Ossorio, known primarily for his later compositions of found gewgaws and the ever - present evil eye, also has a traditional oil on canvas action painting from 1955.

LOT 85: Charles Alston, «Untitled (Figure Composition),» oil on canvas, circa 1974.

Kazimir Malevich,» Suprematist Composition: Airplane Flying,» 1915, oil on canvas, 22 7/8 x 19,» Courtesy The Museum of Modern Art, New York.

Willem de Kooning, Composition, oil, enamel and charcoal on canvas, 1955.

Vasily Kandinsky, Composition 8 (Komposition 8), July 1923 Oil on canvas, 140 x 201 cm Solomon R. Guggenheim Founding Collection, NY July 9 — September 7, 2010 Russian artists Vasily Kandinsky (1866 — 1944) and Kazimir Malevich (1878 — 1935), considered two of the pioneers of abstraction, separately explored a geometric vocabulary during the course of their careers.

images: Charles Demuth, Buildings, 1930 — 1931, tempera and plumbago on composition board, Dallas Museum of Art, Dallas Art Association Purchase Fund, Deaccession Funds / City of Dallas (by exchange) in honor of Dr. Steven A. Nash, 1988.21; «Skyscraper» Cocktail Shaker and Lid, c. 1928 — 1931, William Waldo Dodge, Jr. (Designer), Silver, Dallas Museum of Art, The Patsy Lacy Griffith Collection, gift of Patsy Lacy Griffith by exchange, 2008.48.1.A - B; Charles Sheeler, Suspended Power, 1939, oil on canvas, Dallas Museum of Art, gift of Edmund J. Kahn, 1985.143

The pieces are created on canvas and incorporate encaustic, oil paint, collage, and wood trim, rejecting spontaneous gestural composition and overt figuration, instead drawing out a narrative from onomatopoeic wordplay and literary and biblical references.

Jesse Mockrin's oil - on - canvas compositions are sharp riffs on the visual language of Rococo portraiture that imagine new, androgynous, or unisexual protagonists.

Working with oil on canvas, lightboxes and digital compositions amongst other mediums, her work contains a certain sense of urgency and incorporates elements of historical reference.

«Within Dodge's large oil - on - canvas paintings, many smaller «paintings» seem to jostle together, making room for themselves within the greater composition.

Among the foremost American abstract painters, Emily Mason produces oil - on - canvas compositions with exquisite sensitivity to color, balance, and form.

There are also his more traditional - seeming, good old oil - on - canvas compositions, that range from photorealistic to blurred, positioning his paintings as a repository of memory, unreliable in its nature, and indubitably mediated by the artist's subjectivity.

Approximately thirty original works on paper and eight oil - on - canvas compositions by Clyfford Still comprise the exhibition, along with sketch - oriented materials, related photographs, and examples of the artist's self - described «interpretive studies» executed in the middle and late 1930s in Pullman, Washington.

Dated July, 1981, it is an oil on canvas that measures 78 by 58 3/4 inches and its basic composition is similar to his «Study for Self - Portrait» of the same dimensions and year that is in the collection of the Von der Heydt Museum in Wuppertal, but this work is more vibrantly colored and complex.

Ryman thickly applied oil to a primed, stretched canvas creating the composition primarily from the varying texture of the paint and anchoring it with an accent of black along the top and an obscured orange rectangle on the right edge.

JOHN WAY (aka Wei Letang)(1921 - 2012) Abstract Composition, 1963 Oil on paper on canvas 14 1/2 x 23 inches Signed and dated at upper left: John Way «63 John Way (Wei Letang) st...

By this time, Vigas had created such signature early pictures as Composición IV (Composition IV, oil on cardboard, 1944), with its melding of abstract forms, layered Cubist pictorial space and a palette recalling that of Old Master canvases.

Executed in 1977 by Wayne Thiebaud (b. 1920), it is a very bold 20 - by -24-inch oil on canvas that is very luminous and a richly complex composition that bears comparison with some of the work of Richard Diebenkorn.

monochrome painting I, 1988/1989 first station — christ condemned to death kasimir malevich SUPREMATISTS COMPOSITION: WHITE ON WHITE, c. 1918 oil on canvas the museum of modern art, new yoON WHITE, c. 1918 oil on canvas the museum of modern art, new yoon canvas the museum of modern art, new york

Piet Mondrian, Composition in Oval with Colored Planes, 1914, oil on canvas, 42 3/8 x 31 inches (Museum of Modern Art, New York)

Bissier developed a technique of egg - and - oil tempera for the later works on small canvas he called «miniatures» — symbolically rich compositions of multiple, densely colored washes.

oil on canvas titled «Jubilee, C. 1955 a total mastery of composition and lyrical — gestural painting and also the work «Untitled II, C 1957 Collage and Gouache on paper, 22.5 x 28.5 in I wish I could call this work one of my own — It just resonates, What a treat for me to see this work and be introduced to such a great painter!

Louis Lozowick (1892 — 1973), City Shapes, 1922 — 1923, oil on composition board with canvas textured surface.

Vance works in both oil on linen and watercolours and has said of her work: «I am constantly disguising and adding information, masking figuration, and opening and closing spaces in the canvas until the composition behaves in a way that challenges the paintings hanging on the wall next to it.»

T03191 Oil on canvas, 914 x 911 mm (36 x 35 7/8 in) Inscribed by the artist in pencil on back «CHANCE, ORDER, CHANGE 12 (RED, GREEN, BLUE, MAUVE) 1980 Kenneth Martin» on upper stretcher Purchased from the Waddington Galleries, London (Grant - in Aid) 1980 Exhibited: Kenneth Martin: Late Paintings, Serpentine Gallery, London, June - August 1985 (not in catalogue) Forty Years of Modern Art, Tate Gallery, London, February - April 1986 (no number, reproduced in colour) Kenneth und Mary Martin, Josef Albers Museum, Bottrop, March - April 1989 (60) Literature: Tate Gallery Acquisitions 1980 - 2, London 1984, p.176 - 7, reproduced The series of Chance, Order, Change compositions to which Chance, Order, Change 12 (Four Colours) 1980 and the closely related Chance, Order, Change 6 (Black) 1978 - 9 (Tate T03190) belong was begun by Kenneth Martin in 1976 and continued until his death in 1984.

Featured image: Saloua Raouda Choucair - Composition in Blue Module (detail), 1947 - 51, Oil paint on canvas, image © Saloua Raouda Choucair Foundation

In the former, Snyder has built up her oil and acrylic on canvas with paper mache, fabric, pastel, graphite, glitter, dirt, and straw, resulting in a three - dimensional impastoed surface that begs to be touched, and that features the word «requiem» (twice) in red paint and glitter; the latter features an all - over composition with lusciously applied pastel - colored paint in big, sweeping gestures, combined with repetitive circular and floral forms.

That's how he embarked on a strain of pure painting that seemed quite radical at the time: working with a prestretched canvas and unmixed oil paints, and figuring out his composition as his brush moved across the canvas.

Composition in Blue Module Artist: Saloua Raouda Choucair 1916 - 2017 Date: 1947 - 51 Classification: painting Medium: Oil paint on canvas Dimensions: support: 595 x 800 mm Purchased with funds provided by the Middle East North Africa Acquisitions Committee 2011 © Saloua Raouda Choucair Foundation

POSE is a Brooklyn - based artist using graffiti and oil on canvas, blending illustration, lettering and comic book aesthetics to explore the range of human emotion, presented in color compositions.

Oil on canvas mounted on composition board, 34 × 30 in.

Vasily Kandinsky, Composition 8 (Komposition 8), July 1923 Oil on canvas, 140 x 201 cm Solomon R. Guggenheim Founding Collection, NY

Piet Mondrian (Dutch, Amersfoort 1872 — 1944 New York), Composition with Double Lines and Yellow (unfinished), 1934, oil and charcoal on canvas.

Portrait of a German Officer [fig. 1][fig. 1] Marsden Hartley, Portrait of a German Officer, 1914, oil on canvas, The Metropolitan Museum of Art, New York, Alfred Stieglitz Collection, 1949, acknowledged to be the first painting in the sequence, incorporates explicit references to Freyburg — his initials (K.v.F.), his age when he died (24), and his regiment number (4)-- into a composition of interlocking elements evocative of a human torso against a black background.

«Venetian,» is comprised of twenty - four oil on canvas paintings and gouache works on paper whose figurative compositions are subsumed under obfuscating scrims of vertical lines that evoke and upturn the blinds» fragmentation of perspective.

Hollywood director, actor, and producer Justin Theroux — aka Jennifer Aniston's newish beau, and also her co-star in the upcoming «Wanderlust» — bought Glenn Ligon's «Stranger # 44» (2011), a riveting composition of oil, charcoal, and graphite on canvas, for a record $ 450,000 (est. $ 150,000 - 200,000).

★ Joanne Greenbaum (closes on Sunday) Using oil and acrylic paints, pencils, crayons and various markers on canvases measuring 90 by 80 inches, Ms. Greenbaum has produced abstract compositions of infectiously joyous, improvisational panache.

Alberto Burri, Composition (1953), oil, gold paint and glue on burlap and canvas, 86 cm.

If we take three of the works in the show, «Oil on Canvas 39 1/2 × 52» (1950), «Landscape I» (1957) and «Landscape IV» (1959), and compare them with contemporary Mitchell compositions such as «Ladybug» (1957) and «Piano Mecanique» (1958), their apparent relatedness also sets off their very individual qualities and essential differences.

Of these connections, I note an interest in paintings of modest scale (a stated interest which is not consistently reflected by the paintings chosen for Reinventing), in «low - key» or unassuming compositions, and a fixation on the artists» renewed «curiosity about paint's material possibilities» («Provisional») and their «rediscover [y][of] the possibilities of painting on stretched canvas, and working with oil paint, figure / ground relationships, [and] applying paint with a brush instead of spraying or folding or pouring or staining» (Reinventing).