Sentences with phrase «oil on canvas from»

The 1994 oil on canvas from the collection of the famous singer / songwriter Eric Clapton belongs to Gerhard Richter's incredible abstract opus.

Agnes Martin's «Horizon,» a 15x15 - inch oil on canvas from 1960, is among works on view in «Between Land and Sea: Artists of the Coenties Slip» at the Menil Collection through Aug. 6.

LAMA set the auction record for any work by June Harwood in the May 17, 2015 Modern Art & Design Auction with an oil on canvas from 1964 (Lot 200), which realized $ 33,750.

Christie's set a new world auction record for Robert Ryman, realizing US$ 20,605,000 (# 13,132,569 / $ 18,293,668) for Bridge, an oil on canvas from 1980.

Picasso's «Jeune Garcon Nu a Cheval,» oil on canvas from 1906 has an asking price of 14 million pounds at Dickinson.

For all of its amusements, «Painting in the»80s» makes a serious, and often overlooked, case for Murray as a leading light of the neo-Expressionists, one who found innovative ways to reinvigorate oil on canvas from the minimalist doldrums of the 1970s.

Included in the exhibition will be major works from the Picasso museums in Barcelona, Málaga, and Paris, including, respectively: Woman with a Mantilla (Fatma), an oil and charcoal on canvas from 1917; Olga Kholklova with a Mantilla, an oil on canvas from 1917; and Femme Assise, an oil on canvas from 1920.

Executed in oil on canvas from a digital image, the paintings incorporate layer upon layer of fine lines of colour to create architectural - like forms, suggestive of a dense, abstracted cityscapes.

The heavyweight champion of the show in Quogue is a substantial oil on canvas from 1959: an angular seated nude with a harlequin - style background (blink and the figure seems clad in a harlequin costume, a la Picasso).

An early untitled oil on canvas from 1966 shows an obsessive daubing of paint all over the work's surface.

Marked as lot 7, this oil on canvas from 1965 is estimated in between 893,480 — 1,276,400 USD.

Over the past five years, Richter has been primarily concerned with a series of paintings premised on systematically deconstructing a photograph of his own abstract oil on canvas from 1990.

Not exact matches

Yet I changed my tools from brushes, oil paints, and canvas to pencil, paper, and computing power for years and finished physics with a diploma on the topic of many - particle theory, under the supervision of Prof. Nolting at the Humboldt University in Berlin.

Estimate 600 900 7001 1 Thomas Jefferson Rare, Early Miniature Oil Portrait on Canvas, Probably Dating from his Presidency.

Keller, Tx About Blog Chris Brandley Art includes everything from painting commercial and residential murals and faux finishes, to painting oil on canvas.

David works in a wide variety of mixed media ranging from oil on canvas to digital media.

ThomaThomas Barker, British, 1769 - 1847, Shepherd Boys and Dog Sheltering from a Storm, c. 1789/1790, oil on paper on canvas,.285 x.228 m (11 1/4 x 9 in.)

Joffe has described the absorbing, as well as the highly physical experience of the work's making, the thickly applied pastel accumulating with a luminous purity that is markedly different from the act of painting and the ways in which oil behaves on canvas or board.

Working with a hard charcoal on oil primed, fine - weave canvas, it is easy to lift the charcoal from the surface.

Raphaelle Peale, Venus Rising From the Sea — A Deception, ca. 1822, oil on canvas (Nelson Atkins Museum of Art)

A nonprofit wants to purchase the digital images of 55 of my oil - on - canvas paintings from a recent solo exhibit, to be used for educational purposes and for printed materials.

Georgia O'Keeffe, From the Faraway, Nearby, 1938, oil on canvas, 36 x 40 1/8 inches (Metropolitan Museum of Art © 2011 Artists Rights Society (ARS), New York)

Rackstraw Downes, Under an Off - Ramp from the George Washington Bridge, 2011, oil on canvas, 26 x 56 inches (courtesy of Betty Cuningham Gallery)

Inscribed «Alberto Giacometti 1965» b.r. Oil on canvas, 51 1/4 x 32 (130 x 81) Purchased from the artist (Grant - in - Aid) with the aid of the Friends of the Tate Gallery 1965 Exh: Alberto Giacometti: Sculpture Paintings Drawings 1913 - 65, Tate Gallery, July - August 1965 (155); Giacometti - Udstillingen, Louisiana Museum, Humlebaek, September - October 1965 (144) Repr: The Friends of the Tate Gallery: Annual Report 1st May 1965 - 30th April 1966 (London 1966), p. 25; Reinhold Hohl, Alberto Giacometti: Sculpture Painting Drawing (London 1972), p. 168

Throughout his long career, Zao's experimentations in oil on canvas, ink on paper, lithography, engraving, and watercolor, allowed each image to evolve from the next, without imposing boundaries.

These latter charcoal drawings offer helpful insights seen in relation to the large, brightly colored oil on canvas landscapes from the same period installed uptown.

Medrie MacPhee, oil on canvas, 2014 The Look, from Medrie MacPhee, Barbara Edwards Contemporary in Calgary.

ACQUISITION In early January, the Brooklyn Museum announces the acquisition of its first Beauford Delaney painting, «Untitled (Fang, Crow, and Fruit),» a 1945 oil on canvas still life (shown above), purchased from Michael Rosenfeld Gallery with money from the museum's African American Purchase Fund.

Inscribed «Alberto Giacometti 1965» b.r. Oil on canvas, 51 x 31 3/4 (130 x 80.5) Purchased from the artist (Grant - in - Aid) with the aid of the Friends of the Tate Gallery 1965 Exh: Alberto Giacometti: Sculpture Paintings Drawings 1913 - 65, Tate Gallery, July - August 1965 (153); Giacometti - Udstillingen, Louisiana Museum, Humlebaek, September - October 1965 (142) Lit: Reinhold Hohl, Alberto Giacometti: Sculpture Painting Drawing (London 1972), pp. 185, 282 - 4 Repr: The Friends of the Tate Gallery: Annual Report 1st May 1965 - 30th April 1966 (London 1966), p. 24; The Tate Gallery (London 1969), p. 161

T03458 ANTONY AND CLEOPATRA 1982 Oil on canvas 114 1/4 × 113 5/16 (2893 × 2872) Inscribed «Gillian Ayres» b.r. Purchased from Knoedler Gallery (Grant - in - Aid) 1982 Exh: Gillian Ayres, Knoedler Gallery, April — May 1982 (20, as «Anthony and Cleopatra»); Gillian Ayres, Serpentine Gallery, November 1983 — January 1984 (17, as «Anthony and Cleopatra») Lit: Tim Hilton, introduction to Gillian Ayres, exhibition catalogue, Serpentine Gallery, November 1983 — January 1984, p. 16 as «Anthony and Cleopatra» The following entry is based upon a conversation between the compiler and the artist held on 8 April 1986 and has been approved by the artist.

Gerhard Richter Cage (1)- (6) 2006 Oil on canvas in six parts: 2900 x 2900 mm, 3000 x 3000 mm, 2900 x 2900 mm, 2900 x 2900 mm, 3000 x 3000 mm, 3000 x 3000 mm Lent from a private collection 2007 2006 Gerhard Richter

Caroline Artist: Alberto Giacometti 1901 - 1966 Date: 1965 Classification: painting Medium: Oil paint on canvas Dimensions: support: 1295 x 806 mm Purchased with assistance from the Friends of the Tate Gallery 1965 © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris), licensed in the UK by ACS and DACS, London 2018

PAGES 28 - 29: From left, «Three Figures,» 1966 (oil on canvas) by Emma Amos and «It Takes Two to Integrate (Cha Cha Cha),» 1961 (painted dolls, dried fish, glass in wooden box) by Edward Kienholz.

Oil on canvas, 61 1/4 x 92 1/2 (155.5 x 235) Purchased from the artist through the Marlborough New London Gallery (Knapping Fund) 1966 Exh: Piero Dorazio, Marlborough New London Gallery, London, January 1966 (35) as «Molto a Punta» Lit: Marisa Volpi Orlandini, Jacques Lassaigne and Giorgio Crisafi, Dorazio (Venice 1977), No. 801, p. 205 repr.

PAGES 26 - 27: From left, «Lawdy Mama,» 1969 (oil and gold leaf on canvas) and «Icon for My Man Superman (Superman never saved any black people — Bobby Seale),» 1969 (oil, acrylic, and aluminum leaf on linen canvas) both by Barkley L > Hendricks.

The Ohio River from Athens County, Ohio, Winter oil on canvas 36 ″ x 96 ″ 2011 LG: Outside the universities and the larger urban art centers, the plein air painting «movement» of regional painters has become increasing popular.

A selection of oil on canvas paintings from the «Two Weeks One Summer» series exhibited at the Pinchuk Art Centre to coincide with the Future Generation Art Prize.

PAGES 48 - 49: From left, «The Confederacy: Alabama,» 1965 (oil on canvas) by Robert Indiana and «Black Man and Flag,» 1967 (color etching and collagraph on paper) by Rupert Garcia.

Expect to see everything from oil on canvas through to neon / light sculpture.

The show's oil - on - canvas paintings from the late 1940s and 1950s demonstrate the wide reach of the New York School — works by Jack Jefferson, Deborah Remington, Ward Jackson, Louis Ribak, Lilly Fenichel, and Bea Mandelman — reprised here by the recent mythic narratives (2013) of Eugene Newmann.

In Smoke Signals (oil on canvas), for example, the viewer sees from behind a figure holding an axe, his posture relaxed.

Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.

«The artists Tala Madani, born in Iran, and Jakub Julian Ziolkowski, from Poland, do oil - on - canvas pictures... read more... «Multitasking painters like me»

This exhibition tracks the transitional period of the great twentieth century painter Arshile Gorky, who moved from figuration to abstraction with his drippy, brightly colored oil on canvases.

This series of paintings that illustrate this interview are from a 2005 exhibition at Locks Gallery featuring pairs of oil paintings on polygonal - shaped canvases and diptychs of her iconic baked enamel steel plate paintings.

«Ben Wilson: An Abstract Expressionist Vision» will be the next exhibition opening at the Quogue Gallery, featuring 14 paintings, oil on canvas or Masonite, dating from as early as 1963 and running to 1990.

Their work spans an extraordinary range of styles and techniques, from abstraction to figuration, minimalism to magical realism, and straight oil - on - canvas to mixed - media and installation based painting.

Orient Pointoil on canvas 24 × 12 SOLD Hallocks Bay 11 × 14 oil on canvas Stacie Jean Albano, originally from Long Island New York, came to Savannah in 1990 to attend the Savannah College of Art and Design.

From oil on canvas through to neon works, a variety of pieces will be on display.

This selection of oil and mixed media works on canvas by Matthew Weinstein from 1990 to 1995 are grandiose and abstracted History Paintings.