Sentences with phrase «oil on canvas works»

The eleven medium - to - large oil on canvas works on display at ICA inhabit a fairly large gallery: some of them are propped up on a long platform, others hang on false walls that feature rectangular cutout doorways.

In the June 10, 2018 Modern Art & Design Auction, Los Angeles Modern Auctions (LAMA) is pleased to have the opportunity to include Dugmore's «# 50» and «Blue - Black» (1958), two important oil on canvas works created by the artist during this pivotal moment in his career on the East Coast.

The exhibition features ten new oil on canvas works created over the past two years that range in size from 5» 9» to nearly 14 - feet long.

New Zealander Rob Tucker will be represented by his oil and resin paintings, joined by Esther Nienhuis» Saudade series - oil on canvas works which seek to negotiate the metaphorical boundary that isolates the here - and - now from other realities — past, future or imaginary.

The exhibition is survey of the artist's oil on canvas works from the late 1990s through 2014, including seascapes, landscapes, paintings of oases inside New York City's Central Park and several portraits of family members and friends.

This homecoming exhibition is the largest showing of Lee's work in Korea and will feature his signature works — large - scale ballpoint works on canvas and on paper — along with his new oil on canvas works, and will be presented at Gallery Hyundai located at 80 Sagan - dong, Jongno - gu, Seoul.

Three black - on - black and one white - on - white, oil on canvas works are on view, all indicating specific scenes or moments.

«The Love Within» presents new oil on canvas works at both of the gallery's Chelsea locations and is accompanied by a new monograph.

This idea is further explored in Gupta's oil on canvas works, Picnic (2015) and The Beach (2015).

This massive, clothbound volume is comprised of paintings made between 1973 and 2013 and includes artwork from nearly every stage in the artist's oeuvre - from his early oil on canvas works to his most recent flag paintings.

Accompanying the oil on canvas works at White Cube's vast Bermondsey site will be a separate display of a key piece from Hirst's sculptural series «Mental Escapology».

The oil on canvas works were a departure from the newspaper images and personal photographs which form the subject matter of earlier «Fact» painting exhibitions, «The Elusive Truth» (2005) and «Beyond Belief» (2007).

In this, the artist's first solo exhibition at Marlborough Gallery since 2013, Güneştekin lends his signature detailed, combed brushwork, rich symbolism, graphic lines and intense color schemes to artwork in textiles, ceramics, and metal, in addition to oil on canvas works.

«No Love Lost» was the first UK exhibition of Hirst's series of oil on canvas works collectively entitled the «Blue Paintings».

Il Lee's recent venture into a different medium, exemplified in the first public unveiling of his large - scale acrylic and oil on canvas work at the Metropolitan Museum of Art in 2010, has opened up a significant and exciting new direction for the artist.

His oil on canvas work and his ballpoint pen work on paper were exhibited at the Metropolitan Museum of Art, New York, in 2010 - 11.

About IL LEE Critically acclaimed and widely exhibited, Il Lee's oil on canvas work and his ballpoint pen work on paper were exhibited in 2010 - 2011 at The Metropolitan Museum of Art in New York.

Art Projects International is pleased to announce a solo exhibition of Il Lee's recent oil on canvas work.

The one oil on canvas work in the show, Abstraktes Bild 875 - 3 (2001), sings a muted song of representation, buried beneath layers of paint which seem chiselled away in order to reveal something urgent but ultimately lost beneath.

This sophisiticated oil on canvas work was realized by the esteemed Bay Area artist Tom Holland circa 1961, and boasts a prestigious provenance from the Stanford Museum of Art.

Lee's recent oil on canvas work and new prints bring the viewer back to Lee's early investigations of materials and process.

The 69 1/2 - by - 59 3/8 - inch oil on canvas work was formerly in the collection of Mr. and Mrs. Morton G. Newman and had been exhibited at the National Gallery of Art in Washington, D.C., from 1980 - 1.

On Tuesday, police sources told the New York Post that the oil on canvas work, Blue Checker, was lifted off one of the office - building's walls.

Digital work by Gary Indiana, juxtaposed an oil on canvas work by Rebecca Morris emphasizes the significant change in what the artist's canvas has become, while Carol Jackson's Pandemonium and Terry Adkins Avarium are earthy and rustic examples of contemporary art.

Drawn entirely from the Museum's collection, the exhibition featured a 1951 ink on paper work that is a precursor to her Infinity Nets series, an oil on canvas work entitled No.

File this under «something interesting to keep in mind»: another oil on canvas work, nearly identical to this one in year color and content, sold in 2001 at Phillips (then Phillips de Pury & Luxembourg) for just $ 5.7 million.

Not exact matches

You will need some «tourist tat» oil canvases you know the type almost like the paint by numbers you probably worked on as a child (oh my goodness how I loved my oil paint by numbers sets when I was young!)

I paint with oil colors on to canvas, and l feature photo - realism in my work.

David works in a wide variety of mixed media ranging from oil on canvas to digital media.

«I want the audience to think of classical portraits initially, then notice my distortions and make their own interpretations,» explains Eymann, who mainly works in oil and watercolour, on paper and canvas.

Joffe has described the absorbing, as well as the highly physical experience of the work's making, the thickly applied pastel accumulating with a luminous purity that is markedly different from the act of painting and the ways in which oil behaves on canvas or board.

Working with a hard charcoal on oil primed, fine - weave canvas, it is easy to lift the charcoal from the surface.

Working primarily in oil on canvas, my paintings are essentially abstract in form and are emotionally connected to the landscape that surrounds us.

I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).

Andrew Masullo works on small canvases with unmixed oil paint in high - keyed colors.

Within a few years the materiality of oil paint takes on a more central role in his work when he begins to make paintings by depositing small amounts of liquid paint onto his canvases and tilting them this way and that to direct the paint toward the edges of some feint pencil markings.

Top image: Philip Guston, Untitled 1971, oil on paper, mounted on canvas, 29 x 40 inches (Private Collection) Bottom Image: Ron Milewicz, Covered Bricks, 2013, oil on linen, 36 x 48 inches Presence of Form Exhibition dates: October 8 — November 10, 2015 In honor of the New York Studio School's 50th anniversary, comes Part II of work by artists who are -LSB-...]

Featured among the large works in oil on canvas are the ravishing diptych «Heel, Sit, Stay» (1977) and the turbulent «La Grande Vallée XVI Pour Iva» (1983), painted in high contrasts of indigo, violet, lemon and lime.

Burkhardt's works were included in the the 1955 Bienal de São Paulo, and starting with the Metropolitan Museum of Art in N.Y. in 1950, were exhibited in museums throughout the U.S. Image Credit: Hans Burkhardt, City At Night I, Guadalajara, 1957, oil on canvas, 50 x 60».

In the 1980s, DeFeo returned to oil paint, while still continuing to mix and assemble materials in her work, creating large, glowing canvases and an expansive scope of works on paper.

Peter Hoffman is a New Orleans - based artist who primarily works with oil paint on canvas.

Hansa artists» works represented in the Grey show include Jane Wilson's Portrait of Jane Freilicher (1957), an oil on canvas merging abstraction with figuration, and Jean Follett's Many - Headed Creature (1958), a piece that recreates a fragmented body on a wood panel out of junk and found objects — a light switch, socket cooling coils, a window, a screen, nails, a faucet knob, mirror twine, cinders, a caster, springs, and rope.

John has worked extensively in oil on canvas as well as watercolour and collage, harnessing what he calls «the forces of rhythm, structure and colour» through improvisation «to make images of power and poetry».

Known formerly for her figurative works in oil on canvas, as well as using everyday materials including biro and bleach, Saville has — since 2014 — been producing large - scale abstracts, made up of flawlessly gradating shades.

Prominent among them is Pearlstein's Roman Ruin (1961), an oil - on - canvas close - up of a ruin, painted in a pastel palette that gives the work a dream - like quality.

FAITH RINGGOLD, Installation view of «Black Light Series # 10, Flag for the Moon: Die Nigger,» 1967/69 (oil on canvas), was on view in «Faith Ringgold's America: Early Works and Story Quilts» at ACA Galleries in New York.

His large - scale works begin as drawings either on paper or on the computer screen before they are printed or transferred to canvas and then embellished with oil paint.

The show's oil - on - canvas paintings from the late 1940s and 1950s demonstrate the wide reach of the New York School — works by Jack Jefferson, Deborah Remington, Ward Jackson, Louis Ribak, Lilly Fenichel, and Bea Mandelman — reprised here by the recent mythic narratives (2013) of Eugene Newmann.

The gallery will feature the artist's most recent oil works on paper and canvas.

Though, he worked in a variety of media and styles, including ink, oil, acrylic, video, and collage, Davis is best known by far for his acrylic paintings (mostly on canvas) of colorful vertical stripes, which he began to paint in 1958.