Sentences with phrase «oil on linen mounted»
Oil on linen mounted on wood; 31 x 37 1/2 inches.
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Tempera and oil on linen mounted on composition board: sheet, 36 × 48 in.
An original oil on linen mounted to board by American modern female artist Harriet Holden Nash.
From Soratte - Study, 2012, oil on linen mounted on wood, 15.5 x 60 cm, Private Collection.
Oil on linen mounted on panel, 22 × 28».
Malcolm Morley The Viking, 2011 oil on linen mounted on wood panel with oil and gold leaf on paper, sheet metal, wood, copper wire, string, brushes and plastic attachments 44 x 48 x 12 3/4 inches (111,8 x 122 x 32,4 cm) 49 1/2 x 53 1/2 inches (125,7 x 136 cm) frame SW 11197 Private Collection
Not exact matches
Top image: Philip Guston, Untitled 1971, oil on paper, mounted on canvas, 29 x 40 inches (Private Collection) Bottom Image: Ron Milewicz, Covered Bricks, 2013, oil on linen, 36 x 48 inches Presence of Form Exhibition dates: October 8 — November 10, 2015 In honor of the New York Studio School's 50th anniversary, comes Part II of work by artists who are -LSB-...]
Oil and tempera on linen mounted on composition board, with wood frame; 33 11/16 × 48 1/2 in.
oil paint, acrylic medium, sawdust, and high - density foam on linen mounted on panel, 47-1/2» x 36» x 2-1/2» (120.7 cm x 91.4 cm x 6.4 cm).
oil paint, acrylic medium, sawdust, and high - density foam on linen mounted on panel, 28» x 21» x 3» (71.1 cm x 53.3 cm x 7.6 cm), 3 panels, each.
oil paint, acrylic medium, sawdust, and high - density foam on linen mounted on panel, 47-1/2 x 36 x 2-1/2» (120.7 x 91.4 x 6.4 cm).
Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.
This sensation also comes to the fore in Wilson's work Raging Storm (oil on linen, 2001), while both Jennifer Bartlett's Nevis, January # 1 (pastel on paper, 2008) and Jane Freilicher's Some Trees (oil and paper mounted on board, 2007) offer images of the natural world that are distinctly more bucolic.
Mark Grotjahn (b. 1968), Untitled (In and Out of the Darkness Face 43.01), oil on cardboard mounted on linen, Painted in 2011.
Thomas Hart Benton (American, 1889 - 1975) Outreaching Hands from America Today, 1930 — 31 Mural cycle consisting of ten panels, Egg tempera with oil glazing over Permalba on a gesso ground on linen mounted to wood panels with a honeycomb interior.
Thomas Hart Benton (American, 1889 - 1975) Instruments of Power from America Today, 1930 — 31 Mural cycle consisting of ten panels, Egg tempera with oil glazing over Permalba on a gesso ground on linen mounted to wood panels with a honeycomb interior.
Thomas Hart Benton (American, 1889 - 1975) Coal from America Today, 1930 — 31 Mural cycle consisting of ten panels, Egg tempera with oil glazing over Permalba on a gesso ground on linen mounted to wood panels with a honeycomb interior.
Thomas Hart Benton (American, 1889 - 1975) Midwest from America Today, 1930 — 31 Mural cycle consisting of ten panels, Egg tempera with oil glazing over Permalba on a gesso ground on linen mounted to wood panels with a honeycomb interior.
Thomas Hart Benton (American, 1889 - 1975) Deep South from America Today, 1930 — 31 Mural cycle consisting of ten panels, Egg tempera with oil glazing over Permalba on a gesso ground on linen mounted to wood panels with a honeycomb interior.
Thomas Hart Benton (American, 1889 - 1975) Steel from America Today, 1930 — 31 Mural cycle consisting of ten panels, Egg tempera with oil glazing over Permalba on a gesso ground on linen mounted to wood panels with a honeycomb interior.
Carlebach Küchentuch # 2, 2015, oil / linen mounted on wood panel, sandblasted glass, bolts, 100 cm x 200 cm (Translation: «After dark, anonymous neighbors secretly leave the Jewish family baskets of groceries inside their garden gate, considered a serious crime by the Nazis.)
Laura Watt Philadelphia, Pennsylvania «Mandala Crossed # 4» oil / linen 2009 Meghan Cox Philadelphia, Pennsylvania «Posey» Oil on canvas mounted on panel 2012 11 x 14 ″ Peter Miraglia Philadelphia, Pennsylvania «Celine» Archival Pigment Print 20 x 16 ″ Rachel Rotenberg Baltimore, Maryland Sukjin Choi Harrisonburg, VA «Recollection Installation» porcelain, stones, sand, paint 2012 2013 Senior Art -LSB-.oil / linen 2009 Meghan Cox Philadelphia, Pennsylvania «Posey» Oil on canvas mounted on panel 2012 11 x 14 ″ Peter Miraglia Philadelphia, Pennsylvania «Celine» Archival Pigment Print 20 x 16 ″ Rachel Rotenberg Baltimore, Maryland Sukjin Choi Harrisonburg, VA «Recollection Installation» porcelain, stones, sand, paint 2012 2013 Senior Art -LSB-.Oil on canvas mounted on panel 2012 11 x 14 ″ Peter Miraglia Philadelphia, Pennsylvania «Celine» Archival Pigment Print 20 x 16 ″ Rachel Rotenberg Baltimore, Maryland Sukjin Choi Harrisonburg, VA «Recollection Installation» porcelain, stones, sand, paint 2012 2013 Senior Art -LSB-...]
Julian Schnabel Island of Grenada, 2007 oil on map mounted on linen 49 1/4 x 38 1/8 inches (125 x 96,8 cm) SW 07510 Private Collection
Julian Schnabel Strait of Georgia and Strait of Juan de Fuca, 2007 oil on map mounted on linen 48 x 33 inches (122 x 83,8 cm) 53 7/8 x 39 inches (136,8 x 99 cm) frame SW 07506
Julian Schnabel St. Vincent and the Northernpart of the Grenadines, 2007 oil on map mounted on linen 41 x 28 inches (104 x 71 cm) 44 7/8 x 32 inches (114 x 81,2 cm) frame SW 07492 Private Collection
Titled «Navigation Drawings,» these works are painted in oil on found vintage nautical maps which are subsequently mounted onto stretched linen.
Julian Schnabel South Coast Prickly Point, 2007 oil on map mounted on linen 46 x 35 inches (116,8 x 88,9 cm) 51 x 39 inches (129,5 x 99 cm) frame SW 07495 Private Collection
Mark Grotjahn, «Untitled: (Non-Indian # 4 Face 45.59), 2015 Oil on cardboard mounted on linen, 50 1/2 x 40 3/8 inches Courtesy of the artist and Blum & Poe, Los Angeles © Mark Grotjahn Studio Inc..
Loie Hollowell - Linked Lingam (purple, teal, yellow), 2018, oil paint, acrylic medium, sawdust, and high density foam on linen mounted on panel, 28» x 20-1/2» x 2», 71.1 cm x 52.1 cm x 5.1 cm, © Loie Hollowell Photograph by Kerry Ryan McFate, courtesy Pace Gallery
oil paint, acrylic medium, sawdust, and high - density foam on linen mounted on panel, 72» x 54» x 3-1/2» (182.9 cm x 137.2 cm x 8.9 cm).
Egg tempera with oil glazing over Permalba on a gesso ground on linen mounted to wood panels with a honeycomb interior.
Paint on linen mounted on wood; paper; oil paint on cloth, paverpol and wire Courtesy Sperone Westwater, New York.