Sentences with phrase «oil on panel paintings»

In addition to teaching at the Bauhaus and leading the Yale University School of Design, Albers is best known for his Homages to the Square — oil on panel paintings for which he developed precise arrangements of nested squares of solid colors, centered along the vertical axis but weighed downward along the horizontal axis.

Oil on panel paintings by Sonya Sklaroff.

Her engraved oil on panel paintings are dense with layered visual material: murky trees are disrupted by meandering carvings and beautiful washes, as if there's a gentle rain veiling the composition.

A more understated piece can be found at lot 106, a Carlo Canevari (Italian, 1922 - 1996) Oil on panel painting.

The 40» x 40» oil on panel painting is indicative of Dowling's training and approach to historic realism - as he puts it he makes a redaction to the image, allowing the erased marks to...

Soft and elegant, yellow with green and red, abstract oil on panel painting from John Wood.

Soft and elegant, yellow with pale pink and blue, abstract oil on panel painting from John Wood.

Not exact matches

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: w / Coil Springs Shock Absorber Diameter - Front (mm): 46 Gas Shock Absorber Diameter - Rear (mm): 36 Gas Stabilizer Bar Diameter - Front (in): 1.18 Stabilizer Bar Diameter - Rear (in): 0.67 Steering Type: Power Rack & Pinion Steering Ratio -LRB-: 1), Overall: 16.9 Lock to Lock Turns (Steering): 2.67 Turning Diameter - Curb to Curb (ft): 40.64 Turning Diameter - Wall to Wall (ft): 42.46 Brake Type: Power Brake ABS System: 4 - Wheel Disc - Front (Yes or): Yes Front Brake Rotor Diam x Thickness (in): 10.7 x 1.26 Drum - Rear (Yes or): Yes Rear Drum Diam x Width (in): 9.5 x 2.0 + EXTERIOR 2 component clear - coat paint Body - color bumper fascias w / special styled front / rear lower fascia extensions Body lowering ground effects Aggresive 3 - piece rear decklid spoiler Miniquad halogen headlamps Dual body - colored sport mirrors (LH remote / RH manual) Solar - Ray tinted glass Intermittent wiper system Front Tire Size: P235 / 55R16 Rear Tire Size: P235 / 55R16 Spare Tire Size: T125 / 70D15 Front Wheel Size (in): 16 x 8.0 Rear Wheel Size (in): 16 x 8.0 Spare Wheel Size (in): 15 x 4.0 Front Wheel Material: Aluminum Rear Wheel Material: Aluminum Spare Wheel Material: Steel Wheelbase (in): 101.1 Length, Overall (in): 193.2 Width, Max w / o mirrors (in): 74.1 Height, Overall (in): 51.3 Track Width, Front (in): 60.7 Track Width, Rear (in): 60.6 Min Ground Clearance (in): 4.6 Liftover Height (in): 35.1 Cargo Volume with Rear Seat Up (ft3): 12.9 Cargo Volume with Rear Seat Down (ft3): 32.8 + INTERIOR Cloth reclining front bucket seats w / integral head restraints, full folding rear seat back, 2 - way manual driver - side seat adjuster folding rear seat back, 4 - way manual driver - side seat adjuster Scotchgard fabric protector - inc: seats, door trim, floor mats & floor covering Center console w / cup holder / lighted storage compartment Full floor carpeting - inc: cargo area Carpeted front floor mats Tilt - wheel steering wheel 125 MPH speedometer Gauge pkg w / tachometer Check gauges warning light Low oil level indicator system Headlamps - on reminder PASS - Key II theft deterrent system Air conditioning - inc: R134a refrigerant Side window defoggers ETR AM / FM stereo w / cassette - inc: seek - scan, digital clock, search, repeat, extended range rear speakers Day / night rearview mirror w / dual reading lamps Dual covered visor mirrors w / storage straps Dome lamp Storage compartment in doors Closeout panel for cargo compartment area Passenger Capacity: 4 Passenger Volume (ft3): 81.9 Total Cooling System Capacity (qts): 13.6 Front Head Room (in): 37.2 Front Leg Room (in): 43.0 Front Shoulder Room (in): 57.4 Front Hip Room (in): 52.8 Second Head Room (in): 35.3 Second Leg Room (in): 26.8 Second Shoulder Room (in): 55.8 Second Hip Room (in): 44.4 + EPA Fuel Economy & Specification EPA Fuel Economy Est - City (MPG): 19 EPA Fuel Economy Est - Hwy (MPG): 30 Clutch Size (in): - TBD - Fuel Tank Capacity, Approx (gal): 15.5 Buyer Resources Contact Sales Department for more information Phone: [phone] Request More Info Vehicle Condition Service History 48,569 Miles No Known Mechanical Problems Warranty As - Is - Extended Warranty Available.

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* This Ford Mustang Comes Equipped with These Options * ECOBOOST PERFORMANCE PACKAGE - inc: unique chassis tuning, unique electronic power assisted steering, unique anti-lock brakes, stability control tuning and upsized rear sway bar, Larger Brake Rotors, 4 - piston calipers, Engine Turn Aluminum Instrument Panel, Gauge Pack (Oil Pressure and Boost), Spoiler Delete, Wheels: 19» x 9» Ebony Black - Painted Aluminum, 3.55 Limited Slip Rear Axle, HD Front Springs, Larger Radiator, Tires: P255 / 40R19 Summer - Only Designed to optimize driving dynamics and provide superior performance on wet and dry roads, High performance summer tires wear faster than non-performance tires, Ford does not recommend using summer tires when temperatures drop to approximately 40 deg F (7 deg C) or below or in snow / ice conditions, EQUIPMENT GROUP 201A - inc: HD Radio, Blind Spot Info System w / Cross-Traffic Alert, Memory Driver Seat, Mirrors & Ambient Lighting, 3 settings, Shaker Pro Audio System, 12 speakers, ENGINE: 2.3 L ECOBOOST (STD), ADAPTIVE CRUISE CONTROL W / COLLISION MITIGATION - inc: Rain - Sensing Windshield Wipers, Wireless Streaming, Wheels: 18» x 8» Magnetic Painted / Machined - inc: Aluminum, Trunk Rear Cargo Access, Trip Computer, Tires: P235 / 50R18 BSW AS, Tire Specific Low Tire Pressure Warning.

Rear Spoiler, 4x4, Keyless Entry, Privacy Glass, Child Safety Locks.OPTION PACKAGESEQUIPMENT GROUP 202B Radio: AM / FM Stereo w / Single CD / MP3 Capable, 6 speakers, media hub w / auxiliary audio input jack, 1 USB port and SiriusXM satellite radio, Note: SiriusXM satellite radio (48 contiguous states), Service not available in Alaska or Hawaii, Premium Audio System w / 9 Speakers, Dual Zone Electronic Automatic Temperature (DEATC), Driver Connect Package, meteorite black center - stack, Auto - Dimming Rearview Mirror, SYNC w / MyFord Touch, 2 driver configurable 4.2 color LCD displays in instrument cluster, 8 LCD color touch - screen in center stack, 2 USB ports, SD card reader, 5 - way controls located on steering wheel, 911 assist, Vehicle Health Report (VHR) and SYNC services (traffic reports, GPS based turn - by - turn directions and information, DUAL PANEL MOONROOF, VOICE ACTIVATED NAVIGATION SYSTEM in - dash screen, single CD / MP3 player, SD card for map and POI storage and integrated SiriusXM Traffic and Travel Link, Note: SiriusXM Traffic and Travel Link, Service not available in Alaska / Hawaii, 2ND ROW BUCKET SEATS, TRAILER TOW PACKAGE (CLASS III) Engine Oil Cooler, 4.7 Pin Wiring Harness, POWER LIFTGATE, CHARCOAL BLACK, LEATHER - TRIMMED HEATED BUCKET SEATS 10 - way power driver seat w / power recline and lumbar, 6 - way power front passenger seat w / manual recline and lumbar and 4 - way driver and front - passenger head restraints (2 - way when DVD headrest are ordered 50S), WHEELS: 18 PAINTED ALUMINUM (STD).

Pam Lins, Statue Painting (Human - headed winged lion (lamassu), 883 — 859 b.c.; Neo-Assyrian period), 2010, oil on panel, 11 x 14 inches, 27.9 x 35.6 cm,

Laurent Grasso Studies into the past (rock), 2013 animal adhesive, resin, boiled oil and pigments on wood panel painting: 39 3/8 x 30 3/8 inches (100 x 77.2 cm) framed: 46 1/8 x 37 inches (117.2 x 94 cm) LG - P.13.983

David Humphrey's acrylic on canvas Heat Cycle, David Diao's acrylic and collaged on canvas Hammered Black and Blue, 2011, behindDonald Moffett's Untitled, Lot 010804, 2004/2011 oil and aluminum paint on linen with wood panel support with steel tacks, galvanized bucket, concrete, rebard, wood, sheet metal, rusted chains.

With a deep and vivid palette and dynamic interchanges of light and dark, these paintings — always executed in oil on wooden panels — collapse the usual binary distinctions between abstraction and representation, narrative and pure sensation, past and present.

Church At Head Tide, Maine, 1938, oil on panel, 28» x 22»; c. 1930s - 40s American Modernist painting frame.

Wintersnow Snowinters signals Snow's first painting show in some two decades, so several earlier watercolor works (like Sleeping vs Waking) reappear here as fully - formed oil on panel compositions.

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

Andro Wekua Portrait, Chrome, 2016 Oil paint, oil stick, silkscreen ink, and varnish on aluminum panel Courtesy of the artist and Gladstone Gallery, New York and Brussels © Andro WeOil paint, oil stick, silkscreen ink, and varnish on aluminum panel Courtesy of the artist and Gladstone Gallery, New York and Brussels © Andro Weoil stick, silkscreen ink, and varnish on aluminum panel Courtesy of the artist and Gladstone Gallery, New York and Brussels © Andro Wekua

With nothing more new - age than oil on panel, he has produced paintings that project a powerful radiance from within an abstracted haze.

As if floating on the gallery walls, Tom Henderson's works are composed of coloured Plexiglas panels, partially covered with oil paint, each supported by an aluminium armature which projects through the surface.

Snowy Mountain Range (Path of Souls, Idaho), 1896, oil on canvas, 15» x 27» Custom - made replica, c. 1880s American painting frame; gilded applied composition ornament with gilded oak panel; molding width: 5-1/4»

Adamah by artist Patrick Adams is an orange, purple, and blue contemporary abstract expressionist landscape made with oil paint on panel that measures 36 x 80 and is priced at $ 12,50...

RED EARTH by artist Patrick Adams is a contemporary red and blue abstract / landscape expressionist oil paint on panel that measures 48 x 64 and is priced at $ 8,500.

Two of Hirst's more recent paintings in which the artist returned to the traditional medium of oil on canvas are included, as well as «Resurrection» (1998 - 2003)-- a unique sculpture featuring a skeleton bisected by two glass panels, in the position of the crucifixion.

Marine Hugonnier and Abel Boulineau Untitled / Disguised as a Tear, 1875-1880/2008 3 framed parts: oil on canvas and two text panels painting: 48 3/8 x 33 inches (123 x 84 cm) test panels: 14 3/4 x 18 3/8 inches (37.4 x 46.6 cm) each MH - 3201

Deborah Grant, «In the Land of the Blind the Blue Eye Man is King,» from the series By the Skin of Our Teeth, 2007 (oil, archival ink, paper, Flashe paint, and enamel on five birch panels).

Laurent Grasso Studies into the past animal adhesive, resin, boiled oil and pigments on oak panel painting: 11 1/2 x 12 7/8 inches (29 x 32.5 cm) framed: 17 1/8 x 18 3/8 inches (43.5 x 46.5 cm) LG - P.10.566

Hugo McCloud green fields, no yields, 2017 aluminum foil, oil paint mounted on wood panel 79 x 72 inches (200.7 x 182.9 cm) HM - 158

Of particular interest in the exhibition is Childe Hassam's Adam and Eve Walking Out on Montauk in Early Spring (oil on wood panel, 1924), which succinctly reflects the artist's desire to replicate the Greek Classicist ideal translated to painting, and historically is considered one of Hassam's most ambitious landscape works.

Untitled, c. 1938 stucco, oil, and gesso on panel 32 x 26 x 1 1/4 inches including artist's original painted wood frame 24 x 17 7/8 x 1/8 inches, signed

oil paint, acrylic medium, sawdust, and high - density foam on linen mounted on panel, 47-1/2» x 36» x 2-1/2» (120.7 cm x 91.4 cm x 6.4 cm).

oil paint, acrylic medium, sawdust, and high - density foam on linen mounted on panel, 28» x 21» x 3» (71.1 cm x 53.3 cm x 7.6 cm), 3 panels, each.

oil paint, acrylic medium, sawdust, and high - density foam on linen mounted on panel, 47-1/2 x 36 x 2-1/2» (120.7 x 91.4 x 6.4 cm).

An abstract, oil on linen on panel painting executed in bright oranges, blues and dark tans and browns by Post War artist Thomas Nozkowski.

Threadlike lines of oil paint are applied on highly saturated layers of enamel, and joined wood panels, connoting the architecture for which the paint is meant, are the base of the paintings.

His latest show, «Kindly Bent to Ease Us,» at Mary Boone's gallery on the southern edge of the Upper East Side, is a riot of reproduction, repurposing and appropriation, with oil paintings of a friend's family Christmas card; of a panel discussion («Is the Universe a Simulation, Moderated by Neil deGrasse Tyson»); and of works by Richard Prince, the sculptor Frank Benson and the artist Eric Drooker, who is known for his New Yorker covers.

Oil painted paper and vintage magazine on wood panel.

Molly Zuckerman - Hartung Untitled 2012 oil, acrylic, wood varnish, leather, string, feather, paper collage, paint collage, on birch wood panel 36 x 41 x 2 1/2 inches

Oil painting on wood panel Sam Perry is a Painter and Digital Artist working in South Florida since the early 1980's BA of Fine Arts in Painting from Ringling College of Art and Design Masters of Fine Arts in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm Beachpainting on wood panel Sam Perry is a Painter and Digital Artist working in South Florida since the early 1980's BA of Fine Arts in Painting from Ringling College of Art and Design Masters of Fine Arts in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm BeachPainting from Ringling College of Art and Design Masters of Fine Arts in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm BeachPainting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm Beach FL 1983

Contemporary hyper - realist style painting of New York City underpass 48 x 50 inches, Oil on panel Created in 2006, this painting demonstrates Eileen Murphy's talent for hyper - realism, as she captures the rough, gritty textures of urban infrastructur...

The Art of Painting, 2006 Oil on panel 48 x 65 inches AKop 32 7.

EDDIE MARTINEZ Mini Mandala for Puerto Rico 2017 Acrylic, ink, oil paint, spray paint & enamel on cardboard mounted on wood panel 15 by 12 by 1 in.

In the second half of the piece, Thomas accumulates a dizzying abundance of floral print fabrics, faux wood panels, zebra print, and jarring yellows, oranges, and pinks rendered in a mixture of beads, enamel, acrylic, and oil paint on a curved wooden support.

Among the painting highlights is Holy Family with the Infant St John the Baptist (c. 1535), an oil on panel by Giovanni Antonio Bazzi (known as Il Sodoma) brought by Coll & Cortés.

Don't Quit Your Day Job: Jeff Koons 2017, Old Holland Ivory Black oil paint on white gesso on wood panel 22 x 36 in / 56 x 91 cm

Working primarily in oil on wood panels, the paintings investigate consciousness as something palpable, an entity created from space, color and existence in time.

Lai experiments with painting installations in Double Exit (2011), which consists of two oil paintings, hung on either side of a wood panel that is fixed perpendicular to the wall, unexpectedly protruding into the gallery space.