Sentences with phrase «oil on paper pieces»

Across the street at the New Museum, only a few examples, such as Kerstin Brätsch's large scale oil on paper pieces, Kitty Kraus» light bulb and mirror boxes commanding large areas of the third floor and Tala Madani's small scale oil paintings evidence a similar confidence in the object as a vehicle.

After finishing the large paintings for the show at John Davis, I began a series of small oil on paper pieces from 6 x 8 inches to 10 x 10 inches.

Not exact matches

While the oil is heating I form all the patties and line them on a piece of wax paper, wetting my hands after every 2 - 3 patties to help them stick together and not to my hands.

Lay them on a baking tray lined with a piece of oiled baking paper.

Place the dough on a lightly oiled piece of unbleached parchment paper and sprinkle the top with flour.

Put in a baking dish, cover loosely with lightly oiled greaseproof paper which should sit inside the dish and directly on the chicken pieces, and bake for about 8 - 10 minutes or until the chicken pieces are just cooked through.

Place garlic on a piece of parchment paper or aluminum foil and drizzle with a touch of olive oil.

Cut a baguette into diagonal slices that are about 1/2 inch thick, place the slices of bread onto a baking tray lined with foil paper, drizzle a kiss of extra virgin Spanish olive oil on top of each piece and add the baking tray to the oven for about 5 minutes

1) In a medium - sized bowl, mix almond meal, tapioca flour and coconut flour together 2) Add coconut oil, milk, egg to the dry ingredients and mix until well - combined, then use your tapioca - floured hands to shape the dough into a ball 3) Pre-heat oven to 400 deg Fahrenheit (200 deg Cel) 4) Mix the fresh sliced strawberries with the sugar, and let them sit for 10 — 15 minutes 5) Place the ball of dough on a piece of tapioca - floured parchment paper, and flatten it into a circle by using a tapioca - floured rolling pin until dough is about 1/4 inch thick.

Spray the underside of a large piece of parchment paper, large enough to cover the whole baking dish, with cooking oil, and place, oiled - side down, directly on top of the chicken breasts in the pan.

Trace your cake pan to get the right sized circle on a piece of parchment paper and place it on the bottom of the pan after oiling and flouring the pan.

To make the chips, Fischer placed them on a piece of oiled parchment paper on a sheet pan.

I've had this recipe for over 2 decades, and it's hand - written on a small piece of paper that is now stained with oil and vinegar.

I doubled the recipe oiled my parchment paper well and used the bottom piece to my broiler pan that I cook bacon on.

I check it by dabbing a little oil from the dipstick on to a piece of paper.

I like what was said about dabbing a little oil from the dipstick on to a piece of paper.

The importance of three - dimensionality is apparent when one compares her oil paintings from this period to related drawings: even when these are on several pieces of paper creating a shape or a broken field, they operate in a more conventional relation to form.

Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.

The first step is painting on a large piece of Mylar, the scale of this piece of paper and he would use an oil stick or a paintbrush to paint an image on the Mylar.

Featured are 50 pieces which make up two complementary bodies of work: recent paintings (most from 2008 to 2009) and drawings (created from 1979 to 1982 made on different types of paper and diverse media, including pencil, ink, watercolor, acrylic and oil chalk).

The larger pieces are diptychs of oil on paper showing floating bathers or more actively synchronized swimmers.

This piece of art was created in 2011 and the painter used oil on paper.

The theme is examined in works by Spanish painter Antonio Saura, such as a gestural 1962 ink and oil on paper, alongside pieces by Maria Helena Vieira da Silva and Zoran Mušič.

One piece that especially stood out — a large work made up of twenty white paper squares divided by a thin wooden frame on which much smaller squares and rectangles painted in oil had been arbitrarily placed — is a visual testimony to the love of music and poetry that informs the creative work of this painter.

Employing both drawing and collage, Taylor creates the pieces by combining charcoal, graphite, cloth, oil, paper and wire into works full of minute complexity on a gigantic scale.

My favorite piece was Chrystie 31, a more challenging oil on paper that returns to Johns and Motherwell, with a substantial corner of a blue rectangle balancing a sweeping light figure in thin paint, wash upon wash that takes the tone down to near the paper's white.

An interesting companion piece to Lot 33 could be Lot 46, a fine untitled work by Ad Reinhardt (1913 - 1967), that is a 22 - by -30-inch ink, oil watercolor and gouache on paper, executed in 1949.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Steiner calls iconography into question across 12 works of watercolor on paper, two oil paintings on medium - density fiberboard, and a new piece within his celebrated «Anti-Paparazzi» series — from their resonance and value to the very idea of trademarking.

SOHEILA SOKHANVARI, «Paradise Lost,» 2017, crude oil on paper, 20 pieces, 38 × 38 cm each.

In the «Film» section Scheibitz exhibits oil paintings including the six pieces he recently created for the 2005 Venice Biennale; «Music» showcases his drawings, sculptures and work - in - progress models; the final «Novel» section brings together the artist's most significant works on paper.

She uses «found» papers as part of her oil painting process on larger pieces.

The works range in size from small graphite on paper pieces to the largest work, O Iluminado (The Shining), which is oil on linen.

Here, a felted, undulating wall piece at R & Company, a minimal hushed meditation of a piece by Minjung Kim, «Insight» mixed media on mulberry hanji paper and a painting by Sung Hy Shin, «'' Entrelacs» acrylic oil on canvas, both at @galleryhyundai Next a collage work (detail more interesting than piece which harkens to Bradford) by Akexandre Farto aka Vhils «Mishap # 6, advertising posters hand carved and laser cut.

A few of the pieces are oil paintings on canvas with collaged elements; others are collages on paper or un-stretched canvas.

For her debut solo exhibition, Ortiz has created a collection of oil paintings on panel and graphite drawings on paper, each piece displaying the ``

For her debut solo exhibition, Ortiz has created a collection of oil paintings on panel and graphite drawings on paper, each piece displaying the «the mythical and odd nature» signature to her work.

Brokered by Christie's, the acquisition includes five early conceptual pieces by Nauman, as well as other works by Barry (the 1971 — 72 series of 81 slides with text It Can Seem to Be...), Joseph Beuys (the 1963 wood, chalk, terry cloth, oil and metal Fontana Dose), Hanne Darboven (51 ink - on - paper drawings from 1971 — 72), Jan Dibbets, Joseph Kusuth (the 1966 ink on paper mounted on aluminum Titled (Art as Idea as Idea)(Paint)-RRB- and Weiner.

The ProPublica piece expands on findings I reported in the print paper and on Dot Earth in 2009 showing that the amount of gas leakage from wells, pipelines and storage facilities for gas and oil was vastly greater than longstanding Environmental Protection Agency estimates.

• Track record of instructing students about basic sketching and contouring techniques • Well versed in evaluating students» work, charting their progress, grading assignments and guiding them regarding their weaknesses appropriately • Hands - on experience in curriculum development, lesson planning and implementation with aid of modern and effective AV aids and instructional strategies • Expert in instructing students about working in various modes including pastels, oil colors, water colors, fabric paints, charcoal and pencil • Adept at creating and maintaining a highly stimulating, inspiring and multicultural classroom environment • Proven ability to introduce novel forms of art and inculcate the same in the curriculum effectively • Demonstrated ability to enhance creativity among students by encouraging innovation, novelty and originality in their pieces of art • Familiar with various kinds of pixel sheets, sketching paper and art material, fully capable of determining age specific art material and techniques, suitable for assigned level and grades of children • Known for initiating, designing and implementing various art contests at the school to encourage a general appreciation for art among students • Competent at identifying course goals and fulfilling the same in collaboration with students, teachers and parents • Proven skills in lesson planning, curriculum implementation, technique instruction, practice facilitation and assignment communication • Profound knowledge of various advanced level 3D effect art techniques • Strong classroom management, organization and discipline control skills • Profound ability to devise innovative learning and instructional techniques to facilitate effective transfer of skill and knowledge • Proficient in use of computer to aid art work, familiar with various graphic designing and drawing enhancement software