Sentences with phrase «oil on paper showing»

The larger pieces are diptychs of oil on paper showing floating bathers or more actively synchronized swimmers.
These works in oil on paper show Still considering and working through an increasingly personal vocabulary of forms.

Not exact matches

The lead attorney for U.S. manufacturers and oil and gas companies on a climate change lawsuit didn't know the answer to a measurement fact when asked in court two weeks ago, court papers show.
If all areas show oil on the paper, you officially have oily skin.
More than 20 large - scale oil paintings will be on view alongside 50 never - before - exhibited works from the 1930s, which show the artist working in watercolor and gouache on paper.
After finishing the large paintings for the show at John Davis, I began a series of small oil on paper pieces from 6 x 8 inches to 10 x 10 inches.
Shown here is a work made around 1998, while he was still in graduate school, made from oil, wax, and color Xerox transfer on paper.
Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.
Though Ward has traditionally worked on paper in a mixed media format of charcoal, oil pastels and graphite, this show will also introduce collaged works presented on canvas.
Moving around the gallery, we see three oil on paper paintings by Brian Novatny, two of which are shown below
The first image you see as you enter Doig's show is a vivid, dreamlike oil on paper portrait of him, a magisterial full figure, curiously in a white cowboy hat, strumming a cuatro (a four - string guitar).
The 30 works in the show include Havisham Rose, a 2015 oil on paper that bridges his former approach and his current one, albeit in a subtler version of his color palette.
The former, shown above, is entitled «Grays in Yellow» and is an oil on paper mounted on canvas that measures 23 3/4 by 18 3/4 inches.
There were many surprising passes: Lot 87 was a thunderbolt design of fluorescent tubes by Dan Flavin that was one of his finest works in that it was an appropriate concept; Lots 122 and 130, large and excellent paintings by Sandro Chia (b. 1946); Lots 203 and 205, a good painting and a superb sculpture by Nancy Graves (1940 - 1995); Lot 223, a good gouache on paper by Sam Francis (1923 - 1994); Lot 242, a very good wood and paper collage by Louise Nevelson (1899 - 1988); Lots 279, 281A, 293, and 309, works by Andy Warhol, and Lot 299, «Fast Sketch Still Life With Abstract Painting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), shown below.
For her first exhibition with Sean Kelly gallery and her first solo show in New York since 2014, Sam Moyer has realized a vibrant series of large - scale paintings as well as an architectural sculpture, and a range of drawings with oil on paper.
«The (Private) Memorial Garden of Grandison Harris,» with Sumi ink on paper collaged to linen with oil stick, is part of Ms. Walker's new show at Sikkema Jenkins in Manhattan.
The show brings together fourteen of the artist's signature blue - and - gray oil paintings, as well as eight graphite works on paper, produced between 1991 and 2006.
She offers this information as a kind of afterthought, along with a dry, technical description of her awesome, stomach - turning output («This is a show of works on paper and on linen, drawn and collaged using ink, blade, glue, and oil stick») in the concluding paragraph of her accompanying statement.
Furthermore Upstream will show new sculptures by Maartje Korstanje, drawings by David Haines, and oil on paper works by Ronald Ophuis.
Taking a step away from his initial paintings that used only the finest materials, oil and Belgian linen, this show is painted entirely on repurposed brown paper bags.
Ettinger is showing a series of oil paintings from the last decade alongside drawings on paper.
We are pleased to announce that Pace Gallery is now launching in Hong Kong with a new office, bringing one of the most famous Chinese contemporary artist Zhang Xiaogang's latest oil on paper works to constitute its inaugural show.
A third Rothko painting, shown above, is Lot 44, «Composition,» a 28 1/2 - by - 21 7/8 - inch oil on paper laid down on panel.
Tracking Lovell's drawings, installations, and sculptures as he studied European painting and then broke away from that paradigm, the show will include such works as Rite (1997), an oil stick and charcoal work on paper in which a man's nude body appears to be consumed by foliage.
Featuring sculpture, oil paintings, and works on paper from the 1950s to the present, this show presents four artists whose works play with the viewer's experience of form, density, depth and perceptual access.
This homecoming exhibition is the largest showing of Lee's work in Korea and will feature his signature works — large - scale ballpoint works on canvas and on paper — along with his new oil on canvas works, and will be presented at Gallery Hyundai located at 80 Sagan - dong, Jongno - gu, Seoul.
CI The show that I had up last year involved large oil paintings on canvas and very large paper works which I made on wax paper, a butcher's paper that has an oil impregnated in it.
This month's show explores a lavish world of colorful textiles and beguiling figures, consisting of works ranging from oil paintings on panel to exquisitely rendered graphite drawings on paper.
The show encompasses works ranging from a small gouache on paper and paintings on canvas from the early 50's to oil pastels over acrylic on canvas from 1994.
The Francis Bacon works on display in this show include: Reclining Woman 1961, Portrait of Isabel Rawsthorne 1966, Study for Portrait II (after the Life Mask of William Blake) 1955, Study for Head of Lucian Freud 1967, Portrait of George Dyer Riding a Bicycle 1966, Figure with Meat 1954, Figure in a Landscape 1945, Figures in a Garden c. 1936, Triptych August 1972 and numerous oil on paper sketches.
Julian Schnabel's contribution to the show is gestural blue nude oil on paper and a «Tarp Painting» from 2004.
Translucent oil (permanent dew) and acrylic prints on paper that show stains of women working at out - dated apple computers and incorporate sentences from Mother Teresa's «dark (crisis of faith) letters», are sucked into the second doorway.
Ed Ruscha, Trademark [# 3], 1962 Oil, ink, gouache, and pencil on paper © 2015 Ed Ruscha ★ On show in Drawing Then at Dominique Léon paper © 2015 Ed Ruscha ★ On show in Drawing Then at Dominique LéOn show in Drawing Then at Dominique Lévy
[13] In 2010, a show of 80 oil works on paper, many never exhibited before, was mounted by the Pinakothek der Moderne in Munich, later travelling to other venues, including Centre Pompidou in Paris, and The Morgan Library & Museum in Manhattan.
Selected oil paintings by Feng will be shown alongside watercolors by Paul Ching - Bor, works on paper and sculptures by Cui Fei and acrylic canvas by Shen Chen.
Thomas Nozkowski's second solo show at The Pace Gallery features oil paintings from 2009 - 10, mounted alongside works on paper that explore alternate outcomes of the larger abstractions.
in Abstract Art, Art Galleries, Art Installations, Art News, Art Shows, Drawing, Landscape Paintings, Off the Wall Gallery, Oil Paintings, Painting, Paintings, Philadelphia, Philadelphia Art Gallery, Philadelphia Artists, Sculpture, Uncategorized, Wood, Works on Paper
Seven artists from India showed a diverse range of works: metal and vinyl stickers on paper, wax and photography on board, oil and charcoal on canvas.
in Abstract Art, Art, Art Galleries, Art Shows, Artists, Fine Art, Landscape Paintings, Mixed Media Art, Off the Wall Gallery, Oil Paintings, Paintings, Philadelphia, Philadelphia Art, Philadelphia Art Gallery, Philadelphia Artists, Philadelphia Photographers, Philadelphia Photography, Photography, Photography Philadelphia, Uncategorized, Works on Paper
Bob's recent one man show of drawings and paintings at Church Street Gallery in West Chester presents the scope and skill of his art with impeccable small oil paintings, filled by dynamic naturalism, and cool, atmospheric drawings in charcoal and graphite on paper.
Each painting on view at the MFAH show represents a different period of Torres - García's production, ranging from an early landscape painted in France in 1928 to an oil on paper and canvas work made in 1945, giving viewers a rough overview of his career.
Tagged as: abstract art, abstract expressionism, Alex Mosoeanu, Alexander Shank, Alexander Trosko, art installation, art news, Caitlin Tschanz, DoNArTNeWs, DoNArTNeWs Philadelphia Art News Blog, Dooms Day, Doomsday, drawings, Early One Evening at the Rainbow Bar and Grille, Group Art Show at Plays and Players Art Gallery, Jason Justice, Jimmi Shrode, Katherine Roll, Matthew Vacante, mixed media art, Moore College of Art, oil paintings, paintings, Philadelphia, Philadelphia art, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia artists, Philadelphia history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Paper
In addition to her works of oil on canvas, the show also includes photographs, smaller works of gouache on paper, as well as and an installation of work done on old spray cans which are used to contrast and compliment her paintings.
T01944 FLAXMAN: UNDERSTUDY [from](SANDSEND SERIES FROM BEYOND THE WORLD»S END) 1972 [T01941 - T01944; complete] Inscribed «FLAXMAN understudy Sandsend Series from beyond The World's End» b.l., «Scale 1 = 4» b.c. and «optional orientation - preferred position Ian Stephenson 1972» b.r. Oil and enamel with ballpoint on paper treated with white polish, 30 × 40 (76.2 × 101.6) Purchased from the artist (Grant - in - Aid) 1975 Exh: 11 englische Zeichner, Kunsthalle, Baden - Baden, May — June 1973, and Kunsthalle, Bremen, July — August 1973 (Stephenson 16); Recente Britse Tekenkunst, Koninklijk Museum, Antwerp, September — October 1973 (Stephenson 16); Art as Thought Process, Serpentine Gallery, December 1974 — January 1975 (no numbers); Ian Stephenson: Paintings 1955 — 66 and 1966 — 77, Hayward Gallery, March — April 1977, also Arnolfini Gallery, Bristol, May — June 1977, and Turnpike Gallery, Leigh, August — September 1977 (72) All four studies [T01941 - T01944] were first shown at an informal British Council preview, Drawings by 11 British Artists, at the Hayward Gallery in London on 16 March 1973, immediately prior to their despatch for tour in Europe.
The exhibition will show a combination of oil paintings (Zander Blom, Ian Grose and Deborah Poynton), mixed media works on paper / canvas / wood (Moshekwa Langa, Serge Alain Nitegeka, Odili Donald Odita and Portia Zvavahera), photographic works (Zanele Muholi, Robin Rhode and Viviane Sassen) and sculpture (Wim Botha).
The ProPublica piece expands on findings I reported in the print paper and on Dot Earth in 2009 showing that the amount of gas leakage from wells, pipelines and storage facilities for gas and oil was vastly greater than longstanding Environmental Protection Agency estimates.
a b c d e f g h i j k l m n o p q r s t u v w x y z