Sentences with phrase «oil on wood panel»

Entitled New Mexico Desert with Navajo rug pattern, it is oil on wood panel from 2011 that measures 40 x 80 inches.

Oil on wood panel; 39.00 x 64.30 cm.

Oil on wood panel, 34 x 48 cm Collection: National Gallery of Ireland, Dublin, purchased 1883.

Leland Bell [1922 - 1991] Untitled (Portrait of Louisa Matthiasdottir) nd Oil on wood panel 8 3/4 x 8 1/4 inches Signed on reverse: «Leland Bell» (LBFA # 1733)

Artist: Jan Vermeer (1632 - 75) Medium: Oil on wood panel Genre: Dutch Realist genre painting Movement: 17th Century Dutch Painting Location: National Gallery of Art, Washington DC.

Sheldon Peck (1797 — 1868), Portrait of Samuel and Eunice Judkins, Ulster County, New York, ca. 1834, oil on wood panel, 23 × 30 × 1 1/2 in.

Large artist signed oil on wood panel painting of jockeys and race horses at the race track.

A mid to late 20th - Century, large American School oil on wood panel of 3 sporting dogs in a landscape setting.

From left, «Portrait of Sidra Sitting,» 2012 (chromogenic print) and «Din, Une Tres Belle Negresse 1,» 2011 (rhinestone, acrylic and oil on wood panel).

Oil on wood panel (colors: hot pink, newport blue, baby blue, black, red) Born in Havana, Cuba, in the late 70s during a well - documented time of religious and political oppression, abstract expressionist artist Mirtha Mo...

Events about a Rectangle # 10 Artist / maker: William Shepherd Origin / country: American, (born 1943) Medium: Oil on wood panel, collage Dimensions: Height 80» x Width: 60 1⁄2» Date / period: Contemporary Signature / Markings: Signed, lower left, Shepherd Condition: Good

Xylor Jane, Snow Globe for Roman Opalka 0 - 99, 20 × 24 inches, Oil on wood panel, 2011.

Jan van de Velde III (Dutch, 1620 — 1662); Still Life, 1654; Oil on wood panel; 13 7/8 x 11 3/4 inches; gift of Mr. Jacob Polak; 68.6; © University of New Mexico Art Museum; Photo by Damian Andrus

After Memling's Portrait of Maarten van Nieuwenhove, 2013 Oil on wood panel in artist designed hand fabricated frame with 22k gold leaf gilding 20» x 15»

King and the High Priest, 2014; 22k gold leaf and oil on wood panel; 40 x 24 x 2 in.

Sir Peter Paul Rubens» oil on wood panel painting was a preparatory sketch for designs he later painted on ceiling canvasses at Banqueting House in Whitehall between 1628 and 1630.

Several of the paintings, all oil on wood panel, have the appearance of fresco; a dry coarse ground enlivened by sponged, impastoed or liquid veils of pigment abutting one another.

After Memling's Portrait of Man with a Coin of the Emperor Nero, 2013, Kehinde Wiley, American, b. 1977, oil on wood panel in artist - designed hand - fabricated frame with 22k gold - leaf gilding; with doors open: 24 1/2 x 29 x 5 in., Phoenix Art Museum; Museum purchase with funds provided by The Marshall Bequest, Contemporary Forum, Dr. Eric Jungermann, Ann and Michael Wall, Mr. and Mrs. James G. Bazlen, BMO Private Bank, Dr. and Mrs. Marshall Block, Iris Cashdan - Fishman, Mr. and Mrs. Richard N. Goldsmith, Clark Olson and Nick Butler, Norman McLash, Mr. and Mrs. Charles G. Watts and others, 2013.526, © Kehinde Wiley, Photo: Max Yawney, courtesy of Roberts & Tilton, Culver City, California.

King and the High Priest, 2014, Kehinde Wiley, American, b. 1977, 22k gold leaf and oil on wood panel, 40 x 24 x 2 in., Private collection, Montréal, Canada, courtesy of Sean Kelly, New York, © Kehinde Wiley, Photo: Max Yawney.

DAVID ROW Blue Delay, 2016 Oil on wood panel 40 1/2 x 25 inches Red, white and blue oil painting on a shaped wood panel.

Melissa Capasso, Born Again, 2016, acrylic and oil on wood panel, 40 x 40 inches.

MICKALENE THOMAS, «Shinique: Now I Know,» 2015 (mixed - media, rhinestone, acrylic, and oil on wood panel).

After Memling's Portrait of a Young Man, 2013 Oil on wood panel in artist designed hand fabricated frame with 22k gold leaf gilding 20.5» x 13»

Artist: Kelsey Beckett Title: The Seamstress Medium: oil on wood panel Dimensions: 18» x 24» This work is featured in «The Seventh Annual Supersonic Invitational» curated by Zach Tutor - on view January 6th - 28th, 2018 at SPOKE NYC.

After Memling's Portrait of Jacob Obrecht, 2013 Oil on wood panel in artist designed hand fabricated frame with 22k gold leaf gilding 21.5» x 14»

After Memling's Portrait of a Man in a Red Hat, 2013 Oil on wood panel in artist designed hand fabricated frame with 22k gold leaf gilding 16.5» x 12»

Above: Franz Anton Maulbertsch, The Sausage Woman (Die Wurstelbraterin), c. 1785 - 1790, Oil on wood panel, 1978.184.

Tempera and oil on wood panel.

Alida Cervantes, Horizonte En Cálma, 2011, Oil on wood panel, 152.4 x 213.4 cm © Alida Cervantes.

Oil on wood panel of the beginnings of the ascendancy of the Earth.

Linda Francis (American, b. 1943) The Square and the Tortoise, 2001 oil on wood panel 72 x 72 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of the American Academy of Arts and Letters, New York: Hassam, Speicher, Betts and Symons funds, 2006, 2007.1 © Linda Francis.

Above: Remember the Bitterroots, 2007, oil on wood panel, diptych, 36 x 72 inches; below: The Road to Santa Fe, 2007, oil on wood panel, diptych, 24 x 48 inches

Nainowaki Residential Area, May 7 II 2012 oil on wood panel 63 1/4 x 70 inches AKop 154 2.

Of particular interest in the exhibition is Childe Hassam's Adam and Eve Walking Out on Montauk in Early Spring (oil on wood panel, 1924), which succinctly reflects the artist's desire to replicate the Greek Classicist ideal translated to painting, and historically is considered one of Hassam's most ambitious landscape works.

«Hermit's Repose», life - size figurative oil on wood panel on permanent exhibit at the Museum of Surgical Science in Chicago, Illinois.

From left, Lot 77, «Untitled (Three Figures Seated at a Table),» circa 1946 - 47 (watercolor, brush and ink on cream wove paper) by Romare Bearden and Lot 78, «Untitled (Abstract Composition),» 1947 (oil on wood panel) by Norman Lewis.

Childe Hassam, Sunset Sky, 1905, oil on wood panel, 4 3/4 x 7 3/4 in., Alexandria and Michael Altman, Image courtesy of Michael Altman Fine Art and Advisory Services, LLC

Image: Kay WalkingStick, New Mexico Desert, 2011, oil on wood panel, 40 x 80 x 2 in.

Emily Berger, Untitled, 2013, oil on wood panel, 20 x 16 inches (courtesy of the artist and Storefront Bushwick)

Working primarily in oil on wood panels, the paintings investigate consciousness as something palpable, an entity created from space, color and existence in time.

Byron Kim, Glenn Ligon, Black & White, 1993, oil on wood panels, Smithsonian American Art Museum, © 1993, Byron Kim and Glenn Ligon, Gift of the C.K. Williams Family Foundation, Pamela K. and William A. Royall, Jr., Jane and James H. Cohan, Mihail Lari and Scott Murray, Aimee and Robert Lehrman, Home Front Communications, and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2014.16A - FF

Not exact matches

Malcolm Morley The Viking, 2011 oil on linen mounted on wood panel with oil and gold leaf on paper, sheet metal, wood, copper wire, string, brushes and plastic attachments 44 x 48 x 12 3/4 inches (111,8 x 122 x 32,4 cm) 49 1/2 x 53 1/2 inches (125,7 x 136 cm) frame SW 11197 Private Collection

Untitled # 31 (A Decorated Chronology of Insistence and Resignation) 1994 Acrylic, oil, and enamel on wood panel 84 x 60 inches (213.4 x 152.4 cm)

Laurent Grasso Studies into the past (rock), 2013 animal adhesive, resin, boiled oil and pigments on wood panel painting: 39 3/8 x 30 3/8 inches (100 x 77.2 cm) framed: 46 1/8 x 37 inches (117.2 x 94 cm) LG - P.13.983

David Humphrey's acrylic on canvas Heat Cycle, David Diao's acrylic and collaged on canvas Hammered Black and Blue, 2011, behindDonald Moffett's Untitled, Lot 010804, 2004/2011 oil and aluminum paint on linen with wood panel support with steel tacks, galvanized bucket, concrete, rebard, wood, sheet metal, rusted chains.

Still Life With Liquor And Fruit, 1814, oil on wood and panel, 13-7/8» x 19-1/2», period frame.

Hansa artists» works represented in the Grey show include Jane Wilson's Portrait of Jane Freilicher (1957), an oil on canvas merging abstraction with figuration, and Jean Follett's Many - Headed Creature (1958), a piece that recreates a fragmented body on a wood panel out of junk and found objects — a light switch, socket cooling coils, a window, a screen, nails, a faucet knob, mirror twine, cinders, a caster, springs, and rope.

Ellsworth Kelly, Window, Museum of Modern Art, Paris, 1949, Oil on wood and canvas, two joined panels, 50 1/2 x 19 1/2 inches (128.3 x 49.5 cm).

MICKALENE THOMAS Interior: Blue Couch with Green Owl, 2012 rhinestones, acrylic, oil, and enamel on wood panel 108 x 84 x 2 inches 274.3 x 213.4 x 5.1 cm LM15590

The Spring 2018 Graduate Theses Exhibition at the Fine Arts Gallery highlights the works of seven graduate students: Alexandra Cao Ying, MFA, Studio Arts, Let One Hundred Flowers Blossom, # 087, oil on panel, 6x6 inches; Bianka Miranda, MFA, Studio Arts, Aa, acrylic on panel, 18x24 inches; Gabriela Melendez, MA, Studio Arts, Beneath the Skin, wood, plaster, silicone, 34x16x72 inches; Raquel Rojas, MFA, Studio Arts, Aborto, acrylic on canvas, 9x12 inches; Saul Aguilera, MFA, Studio Arts, En Los Tiempos de Las Golondrinas: Sun Frida, mixed media; Sean Kelly, MFA, Studio Arts, Mythic Landscape, (detail pieces of two - part installations) ceramic, wood, 78x99x51 inches and 78x39x39 inches; Teresa Carrasco, MFA, Studio Arts, Shoot Em Up Bang Bang!