Sentences with phrase «oil paint stick»

McArthur Binion, «DNA» series, 2014 - 16, oil paint stick and paper on board, installation view, Central Pavilion, 57th Venice Biennale.

McArthur Binion DNA Study: Five, 2013 Ink, laser print collage, oil paint stick and Staonal crayon on panel 96» x 72» x 3» Courtesy Kavi Gupta, Chicago

McArthur Binion, MAB: 1971: VIII, 2015, Oil paint stick and paper on board, 15 x 15 inches.

McArthur Binion, DNA: Black Painting: Ph Bk / B Cert: II, 2015, Oil paint stick and paper on board, 72 x 48 inches.

He uses an oil paint stick to accentuate certain marks and words, leaving a complex interplay of color, texture, and autobiography.

McArthur Binion DNA Study: III, 2014 Ink, laser print collage, oil paint stick and Staonal crayon on panel 96» x 72» x 3» Courtesy Kavi Gupta, Chicago

oil paint stick, graphite, and paper on board.

McArthur Binion DNA: Sepia: Transition 2016 Oil paint stick, sepia ink, and paper on board 72 x 96 inches © McArthur Binion Courtesy of Galerie Lelong, New York and Paris

McArthur Binion DNA: Sepia II, 2016 Oil paint stick, sepia ink and paper on board 48 x 40 inches Courtesy Galerie Lelong

© McArthur Binion Courtesy Galerie Lelong & Co., New York McArthur Binion Route One: Box Two: IX, 2017 Oil paint stick and paper on board 72 x 96 inches (182.9 x 243.8 cm)

© McArthur Binion Courtesy Galerie Lelong & Co., New York McArthur Binion Route One: Box Two: VII, 2017 Oil paint stick and paper on board 72 x 96 inches (182.9 x 243.8 cm)

MCARTHUR BINION, «DNA: Black Painting: IV,» 2015 (oil paint stick, graphite, and paper on board.

Working with his hand, rather than brushes, Binion uses oil paint stick and sepia ink and paper — documents that have included copies of his birth certificate, his passport photos, images of his mother and childhood home, newspaper clippings, and pages from the address book he kept from 1972 through the 1990s.

MCARTHUR BINION, «Route One: Box Two: XII,» 2017 (oil paint stick and paper on board, 72 x 48 inches).

MCARTHUR BINION, «Route One: Box Two: iv,» 2017 (oil paint stick and paper on board, 48 x 40 inches).

MCARTHUR BINION, «Route One: Box Two: VII,» 2017 (oil paint stick and paper on board, 48 x 40 inches).

McArthur Binion, DNA: Study: Zero, 2014, oil paint stick and paper on board.

I work with acrylics, and oil paint sticks and create art on the computer, narratives built with photographs and graphics I've manipulated.

Not exact matches

If you use an oil based primer and then a latex paint over it, the paint sticks easy peasy and doesn't get behind the paper so it doesn't lift off.

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

The large vinyl panels are arranged in diamond formations of layered and fragmented photographs daubed with spray paint and melted black oil stick.

Andro Wekua Portrait, Chrome, 2016 Oil paint, oil stick, silkscreen ink, and varnish on aluminum panel Courtesy of the artist and Gladstone Gallery, New York and Brussels © Andro WeOil paint, oil stick, silkscreen ink, and varnish on aluminum panel Courtesy of the artist and Gladstone Gallery, New York and Brussels © Andro Weoil stick, silkscreen ink, and varnish on aluminum panel Courtesy of the artist and Gladstone Gallery, New York and Brussels © Andro Wekua

Static 2014 Assorted textile, oil stick, acrylic, spray paint, and silkscreen on archival paper 38 x 48 inches

Untitled 2014 Assorted textile, oil stick, acrylic, spray paint, and silkscreen on archival paper 44 x 41 inches

The first step is painting on a large piece of Mylar, the scale of this piece of paper and he would use an oil stick or a paintbrush to paint an image on the Mylar.

Around the mid-1950s, the artist began to make abstract paintings using his fingers or sticks, combs, leaves and other makeshift utensils to push oil paint around the surfaces of Masonite boards or cardboard taken from packing boxes at the bakery where he worked.

Using a mostly pre-planned color scheme, Long includes in her paintings personal symbols, graphic elements, marks made with oil stick, and sometimes, decorative paper.

He makes paintings by going to public spaces around L.A., like the beach or the Americana mall, and quickly sketching what he sees there — tanners lounging in swimwear, dog - walkers, picknickers, etc. — on an iPad, then goes back to his studio and simply paints these scenes on canvas in acrylic, airbrush, and oil sticks that he melts on his stovetop.

For his exhibition at Victoria Miro Mayfair, Khan has produced large - scale composite photographs made from a series of oil stick paintings.

IL LEE offers the negative of his well - known ballpoint pen works — here a dark ground of oil stick and paint on canvas is rendered white by scraping lines into the surface with an ink-less pen.

Radiating lines drawn in oil stick across the canvas both infuse the work with a sense of dynamism and energy and incise layers into the thick oil paint.

Sometimes, when adding more fresh paint doesn't seem enough, I use pieces of dry oil paint from my palette (which in itself looks like a relief of hills and valleys in different colors) and treat them as mosaic stones which I stick on with wet paint or even glue.

Using a mostly pre-planned color scheme, Long - Postal includes in her paintings personal symbols, graphic elements, marks made with oil stick, and sometimes, decorative paper.

A one - person exhibition of large scale Triangle paintings and oil stick on paper followed in 1993, at the Andre Zarre Gallery [11] where the artist employed a tight grid overridden by gesture and a plastic color palette.

Eschewing brushes and paint, Binion uses oil stick, crayon, and, more recently, laser - printed images to create his lushly textured and colored, geometrically patterned works.

The Italian Renaissance had to discover oil painting, and Antonello da Messina made that discovery stick.

Matt Kleberg's «Catacomb Catapult (for Eddie)» is one of four recent oil stick on canvas paintings in his show «Caterwauler» at Hiram Butler Gallery through Aug. 27.

Saylor lays down marks in oil stick, spray paint and pigment in a furious scrawl that ricochets from side to side like visual warfare.

Though working in a variety of mediums, the artist is known primarily for his painting, bringing acrylic and oil stick to a range of surfaces — linen, paper, wood and pages of books — and exploring the human tendency for pattern hunting.

The thick textures and rich color of oil - stick drawing seem fully palpable in Thornton Willis's Untitled abstraction, and the multiple media of paint, paper, and pattern in Nancy Manter's Every Night offers the complexity of a master silkscreen.

In the crawlspace closest to the stairs, Messenger of the potato, a small sculpture made of wax, stick, and oil paint, strikes a pose with its legs casually crossed and one arm in the air to beckon the viewer forward.

Black art, elsewhere so dishearteningly co-opted for political statement, here featured as high art; case in point, the pristine oil and stick grid painting on board by McArthur Binion at Massimo de Carlo.

Over the years works have moved from visually dark collage and drawings using ink and charcoal to bold colorful paintings using chalk pastels and oil sticks.

Viewers must cautiously walk the narrow and dark path between the wall and canvas, following the painting's soft fields of muted beige gradations, outlined and entangled by the white, red and black lines traced with her signature oil sticks.

Done with oil sticks pressed directly against the canvas, a method Mr. Goldberg chose some years ago over brushing with paint, they are energetic productions based on what he called a «quasi grid,» with patchy squares of color intersected at random by strong diagonals.

Rita Ackermann AFRICAN NURSE 2005 - 2008 Acrylic and oil paint, gel medium, oil stick, spray paint, leather, rabbit skin glue on canvas 67 x 49 x 1 3/4 inches (170.2 x 124.5 x 4.4 cm) ARG # AR2008 - 016 © Rita Ackermann Photo by Christopher Burke

In addition to painting, he draws using oil stick in the same vigorously gestural language, and several of the works on paper, as fresh and intimate as diary entries, will be available at the Quogue Gallery.

Leiner paints large, luscious abstract shapes, using oil sticks.

Litho crayon, etching, lacquer, ink, glass, acrylic paint, and oil stick on aluminum, 98 3/4 x 127 x 18 in.

Untitled (Black Oil Stick), 2015 oil stick painting painting: 67 x 75 1/2 inches (170.2 x 191.8 cm) framed: 68 x 76 5/8 x 2 1/2 inches (172.7 x 194.6 x 6.4 cm) unique IK -Oil Stick), 2015 oil stick painting painting: 67 x 75 1/2 inches (170.2 x 191.8 cm) framed: 68 x 76 5/8 x 2 1/2 inches (172.7 x 194.6 x 6.4 cm) unique IKStick), 2015 oil stick painting painting: 67 x 75 1/2 inches (170.2 x 191.8 cm) framed: 68 x 76 5/8 x 2 1/2 inches (172.7 x 194.6 x 6.4 cm) unique IK -oil stick painting painting: 67 x 75 1/2 inches (170.2 x 191.8 cm) framed: 68 x 76 5/8 x 2 1/2 inches (172.7 x 194.6 x 6.4 cm) unique IKstick painting painting: 67 x 75 1/2 inches (170.2 x 191.8 cm) framed: 68 x 76 5/8 x 2 1/2 inches (172.7 x 194.6 x 6.4 cm) unique IK - 59