Sentences with phrase «oil paint thinned»

Finally, oil paint thinned with turpentine was applied to depict the woman and unthinned oils were used for the beads and the colours on her chest.

Rendered with oil paints thinned down with turpentine on linen canvases, Vecsey's reduced shapes are saturated with color.

Not exact matches

Use a pastry brush to paint a thin layer of melted butter or oil onto the surface of the double layer filo rectangle.

After all, paint thinner is traditionally heated flaxseed oil.

She should use only water - based paints and stay away from paint thinners which are only used for paint brush cleaning with oil - based paints.»

Toluene is naturally found in crude oil, and is used in products like paint thinner, hair dyes, and nail polish.

Accepted items include, pesticides, fertilizers, pool and household chemicals / cleaners; oil - based paints, spray cans; paint thinner, stripper and solvents; batteries (lead acid & rechargeable); oil, gasoline, kerosene, antifreeze; and mercury (thermometers, thermostats, metal).

Accepted items include, pesticides, fertilizers, pool and household chemicals / cleaners (limit 2 gallons or 20 pounds); oil - based paints, spray cans (limit 10 gallons); paint thinner, stripper and solvents (limit 2 gallons); batteries (lead acid & rechargeable); oil, gasoline, kerosene, antifreeze (limit 10 gallons); and mercury (thermometers, thermostats, metal).

Erie County residents can drop off the following materials: pesticides, fertilizers, pool and household chemicals / cleaners (limit 2 gallons or 20 pounds); oil - based paints, spray cans (limit 10 gallons); paint thinner, stripper and solvents (limit 2 gallons); batteries (lead acid & rechargeable); oil, gasoline, kerosene, antifreeze (limit 10 gallons); and mercury (thermometers, thermostats, metal).

Accepted item are: pesticides, fertilizers, pool and household chemicals / cleaners, oil - based paints and spray cans, paint thinner, stripper and solvents, batteries (lead acid & rechargeable, oil, gasoline, kerosene and antifreeze and mercury (thermometers, thermostats, metal).

• Pesticides, fertilizers, pool and household chemicals / cleaners (limit 2 gallons or 20 pounds) • Oil - based (not latex) paints, spray cans (limit 10 gallons) • Paint thinner, stripper and solvents (limit 2 gallons) • Batteries (lead acid and rechargeable, not alkaline) • Oil, gasoline, kerosene, antifreeze, automotive fluids (limit 10 gallons) • Mercury (thermometers, thermostats, metal)

I have remodled several kitchens with old cabnets using oil based paint, sanding between each coat of paint, thinning each additional coat of paint, etc etc..

The animation technique is an innovative mix of claymation and traditional cel animation, utilizing a thin layer of oil - based clay that is painted / altered by hand to create the illusion of movement.

DO NOT INDUCE VOMITING if Rover eats or drinks petroleum products such as motor oil, gasoline, paint thinner, or lighter fluid or cleaning solutions such as bleach, ammonia, or laundry detergents — instead, give one dose of one or two tablespoons of cooking oil or mineral oil and call for help as soon as possible.

Miró pioneered the technique of staining; creating blurry, multi-colored cloudy backgrounds in thinned oil paint throughout the 1920s and 1930s; on top of which he added his calligraphy, characters and abundant lexicon of words, and imagery.

In that period I was beginning to consider painting with oil and both Jensen's scraped, palette knifed surfaces and the surfaces of Hartley's late works, painterly and sculptural also, even when relatively thin, were both helpful mentors in my transition to this difficult rich medium.

I wasn't satisfied with a painted illusionistic texture and so I carefully extruded thin thread - like lines of oil paint out of a little plastic bag to re-create the three - dimensional terry cloth texture that I desired.

Having seen Jackson Pollock's 1951 paintings of thinned black oil paint stained into raw canvas, Helen Frankenthaler began to produce stain paintings in varied oil colors on raw canvas in 1952.

Like de Kooning's paintings of the period, Baselitz's new works impart a watercolor - like fluidity, achieved through the thinning of oil paints with turpentine and their swift, loose application.

Using turpentine to dilute oil paints, Frankenthaler would then pour the thinned pigments to an unprimed and unstretched raw canvas.

As you may already know, Helen Frankenthaler was a pioneer of another technique called Color Fielding — a form of non-objective painting, that allowed for thinned - out oil or acrylic pigment to be applied, often times poured and spread, directly onto the unprimed canvas.

Frankenthaler began her departure from Pollock by thinning her oil paint with turpentine and then pouring it directly on to the bare canvas.

He also arranged for Noland and Louis to visit Helen Frankenthaler's New York studio in 1953, where they were introduced to her method of soaking turpentine - thinned oil pigment into unsized, unprimed canvas (a technique Frankenthaler herself had learned from Pollack's 1951 black - and - while stain paintings made with thinned black enamel paint).

Instead of Dingle's typical palette of blue, sepia and grey, these compositions are rendered in a sugar sweet mélange of pastel yellows, ochres, greens and blues in a fanciful layering of both thin washes and sweeping, buttery strokes of oil paint à la Wayne Thiebaud.

While thinned oil paint tends not to be as brilliant as stained acrylic, Bush's loose and casual application — usually with a brush — enlivened the surface, giving what became known as his «thrust» and «sash» paintings their characteristic warmth.

Relying on the thinner quality of acrylic paint compared to oil, Nara creates each painting by adding and removing pigment until he reaches his desired effect: a canvas made up of suspended hues that allows the figure to emerge through layers of color, inviting the viewer to stand still and enter a moment of contemplation.

In a breakthrough development, she poured thinned oil paints onto raw, unprimed canvas to suggest the Nova Scotia landscape.

Thinning his oil paint, he taught himself how to use it with the same sense of fluidity that he'd known with watercolor and that he was learning to experience with ink.

What the Washington artists were so taken with was Frankenthaler's technique, that of applying oil paint that had been thinned down to the consistency of watercolor to unprimed canvas.

A universe of information lies within the shallow depth of field and thin layers of oil paint that comprise each work.

One piece that especially stood out — a large work made up of twenty white paper squares divided by a thin wooden frame on which much smaller squares and rectangles painted in oil had been arbitrarily placed — is a visual testimony to the love of music and poetry that informs the creative work of this painter.

Rendered in a loosely naturalistic style with thin, drippy oil paint, these are reminiscent of Hurd's previous riffs on the art world, which have included hand - painted reproductions of art magazine covers

Rendered in a loosely naturalistic style with thin, drippy oil paint, these are reminiscent of Hurd's previous riffs on the art world, which have included hand - painted reproductions of art magazine covers and reviews of his shows as they appeared in print except stained and littered with malt liquor empties.

The haloing effect seen around each stain results from the turpentine that is used to thin out the paint, a step necessary for oil paints and the Magna brand of acrylic paint.

This intriguing and original technique is achieved through expressive mark implementation, along with the oil paint that is applied using thin layering and employed onto each canvas.

Back in her studio, she experimented with thinning and pouring different hues, using oil paint to create watercolor - like washes.

Humidity plays havoc with oil paints which sink faster into the canvas, but he seems to have shrugged and let them go their way, appearing thinner and even patchy on the surface of some canvases, often leaving the weave visible and occasional gaps between blocks of colour.

Their vibrant palette greens, blues, pinks, yellows and reds applied with alternating heavy impasto brushstrokes and thin washes of oil paint — create canvases bursting with visual excitement.

Mid-century modern, abstract still life painting on linen with thin frame 38 x 32 inches, oil on canvas This vertical painting was created by Lionel Gilbert c. 1965.

My favorite piece was Chrystie 31, a more challenging oil on paper that returns to Johns and Motherwell, with a substantial corner of a blue rectangle balancing a sweeping light figure in thin paint, wash upon wash that takes the tone down to near the paper's white.

The painting process reveals itself as images and elements are layered with thin washes of oil and acrylic paint on wood panels.

In the 1960s, these painters, along with many of their colleagues, quickly adopted and exploited the properties of newly developed acrylic paint after initially working with thinned - out oil paint.

Created using only thinned oil paint, and his lung capacity, Carey uses the process to focus on «the beauty and spontaneity that exists in every breath.»

To return to the human element in art, I use only my breath and thinned oil paint to compose my work.

Turpentine not only thins the oil, but speeds up the drying time, which is great when we're color - washing immediately before painting.

Leaf (2007 - 2009) contains just one earthy - green swirl on a pale wood panel, into which the oil used to thin the paint soaks deliciously.

She had previously been using turpentine - thinned oil paints to create her seminal soak - stain paintings, but she became dissatisfied with the way the oil paint interacted with her unprimed canvases.

Rather than using paint thickly and opaquely so that it sits upon the surface of the canvas, Frankenthaler thinned her oil paint with turpentine to the consistency of watercolor.

In these works, the artist thinned oil paint with turpentine to the consistency of ink and spontaneously let the work, in his words, «pour out.»

He enlarged his initial sketches as photostats, traced them on gessoed panel, and completed an oil painting with a thinned color as if it were a watercolor.