Sentences with phrase «oil painter with»

Noah Becker is an acclaimed oil painter with exhibitions at numerous international museums and galleries.

Ioan Popei is primarily an oil painter with his beautiful works showing up on mediums such as cardboard and canvas alike, offering unique mediums that get across his interesting points.

Not exact matches

Think you can cope with the highs and lows of the oil painters lot?

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7 Loving Vincent Every Pixar animation ends with an endless scroll crediting the digital artists who contributed to the finished project — what if they gave all that cash to oil painters instead?

Instead, they filmed actors (including Douglas Booth, Chris O'Dowd», and Saoirse Ronan) on rudimentary sets, then hired artists to rotoscope each frame with oil on canvas, emulating the Post-Impressionist painter's swirling, scenic renderings.

Billed as «the world's first oil painted feature film», which is slightly harder to quantify than the film's PR people might hope, Loving Vincent consists 65,000 frames painted by a team of 125 classically - trained painters on glass, with about two - thirds of those have been copied over live - action reference footage.

LOVING VINCENT is the world's first fully painted film, with every one of the 65,000 frames of the film an oil - painting hand - painted by 125 professional oil - painters.

The film uses a new oil painting for each shot, with movement added from one frame to the next by a painter's brush.

Hazel Schlesinger grew up in Cannon Beach and is a devoted Plein AIr Oil Painter, belonging the the OPA (Oil Painters of America) and the the Plein Air Painters of Hawaii.Her work has been featured in Southwest Art Magazine and has been featured in the TV Series filmed in Portland with Timothy Hutton.

With a world created by Robert Kurvitz as ongoing source material and visual assets drawing on an oil painting look from Russian Realist painters, what have been the challenges in uniting these varied elements, and which parts «clicked» the fastest?

I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).

A 1913 John Singer Sargent of the Grand Canal in Venice, with the San Geremia and the Palazzo Labia visible, painted in oil on his last visit to La Serenissima, flew past its $ 5 million high estimate to a $ 9.09 million finish, the third - highest price at auction for the painter.

But his «painterly» style — with its emphasis on the visible mark and texture of paint - as - matter — resonated most powerfully with the Venetian oil painters, such as Giorgione and Titian.

The portraits at the Frick varied widely in formality and speed of execution, ranging from quick and expressive drawings and oil sketches to full - length canvases made in Van Dyck's capacity as court painter to Charles I. Works in the first category can look unnervingly contemporary, particularly the sensitive and precocious self - portraits that appeal, anachronistically, to our obsession with «authenticity.»

This exhibition tracks the transitional period of the great twentieth century painter Arshile Gorky, who moved from figuration to abstraction with his drippy, brightly colored oil on canvases.

Don Voisine, Buzz, 2009 Oil on wood 17 × 17 inches «A week after the opening of his exhibit of a new group of paintings, which will be on view at McKenzie Fine Art Inc, located at 511 West 25th Street, till June 6, 2009, the painter Don Voisine visited the Rail's Headquarters to talk with Assistant Art Editor Ben La Rocco, and contributing writer Craig Olson about his life and work.

The tour for members started with a viewing of the Maria Hupfield piece on the VOLTA video wall, followed by a stop at the Nancy Margolis Gallery to see oil on panel pieces by still life and figurative painter Aubrey Levinthal.

Other painters break more subtly with geometry, through a concern for the feel of oil.

Mary Heilmann, Mojave Mirage, 2012 Oil on canvas, diptych 30 x 50 inches February 23 — April 5, 2012 Considered one of the preeminent contemporary Abstract painters, Heilmann's practice overlays the analytical geometries of Minimalism with the spontaneous ethos of the Beat Generation and the influences of American pop culture.

Now, as an oil painter, I enjoy combining the subtlety and sensitivity of drawing with the richness and vibrancy of oil paint.

These works were difficult to categorize: though I thought of myself as a painter, as I had earlier when working with gouache on paper, in defiance of the rules left over from Greenbergian formalism in the New York School that made oil or acrylic on canvas the probative medium, these were not paintings.

In 2007 Patricia began to paint oil abstracts and landscapes with painter knives and found her special and personalized textural style.

With the move from oil to acrylics, which began in the 1970s and lasted into the 1990s, Mead was able to attain a purity similar to that found in the work of American painter Mark Rothko.

To purchase by check, download the attached order form and send the completed form along with your payment to Oil Painters of America, Attn: Catalog Orders, PO Box 2488, Crystal Lake, IL.

Painter's Floor with an Open Door, 2005 oil on panel 14 3/4 x 12 inches AKop 12 11.

Jules de Balincourt, «Holy Arab,» 2007, oil on panel, 34x 34» Louis Cameron, «African - American Unity Flag (after Vincent W Paramore),» 2009, acrylic on canvas, 36 x 60 ″ Wendy White, «Dotte,» 2010, acrylic on canvas, 82 1/4 x 96» Marlene Dumas, «Charity,» 2010, oil on linen, 43-1/4 x 50-5/8 ″ Charlie Finch chewed out painters at artnet last... read more... «Disagreeing with Charlie Finch»

William Monk (1977, UK) is a painter who works in series, very often large oil paintings, with theme's ranging from space to nature, from industrial - to cityscapes.

Chen Danqing, born in 1953, is a well - known Chinese oil painter, who made his name in the 1980s with his seven paintings of Tibetans.

Akbar Padamsee is an Indian painter who works with oil paintings and water colors.

Painter on a Study Trip was sparked by an encounter with an eponymous 19th Century oil painting in the collection of the Museum of Fine Arts in Alexandria.

Eddie Martinez is a renowned painter and sculptor from Brooklyn, New York, widely known for his extraordinary mixed media paintings which often incorporate markers and spray paint, fused together with oil paint, all applied in aggressive manner and in contrasting combinations.

The exhibition underscores the printmakers» search for a new visual language and subject matter - in self - conscious competition with oil and ink - and - brush painters on the one hand and mass - produced print culture on the other.

Among the foremost American abstract painters, Emily Mason produces oil - on - canvas compositions with exquisite sensitivity to color, balance, and form.

Back in the 1960s, Ashbery succinctly nailed Bishop's work when he described it as «Post-Painterly Quattrocentro» — «Quattrocentro» because of Bishop's fierce loyalty to oil paint and to the paradoxical possibilities of the painting as window, and «Post-Painterly» because of his immediate struggle with the work of Robert Motherwell, Ellsworth Kelly, and Ad Reinhardt, painters who formed the backdrop of his maturation as an artist.

French - Algerian painter Djamel Tatah makes a significant return to Ben Brown Fine Arts in London on 24 April with his second solo show, unveiling nine mesmerizing oil and wax paintings, produced over the last two years.

Featured Member, Jack Keough, is a classically trained oil painter working with a range of themes from still lifes to body landscapes.

He is a well - known Chinese oil painter, who made his name in the 1980s, with his seven paintings of Tibetans.

With these he recreates masterpieces ranging from those of Turner and the Impressionists who were pushing the limits of the brilliant new hues available to them (A Disaster at Sea aka The Wreck of the Amphitrite, after William Turner, Flowers, after Vincent van Gogh, Still Life with Begonias, after Paul Cézanne and Flowers, after Odilon Redon II, all 2016) to the immense oil and acrylic expanses of Abstract Expressionist painters (Double Scramble, after Frank Stella and No. 3 /With these he recreates masterpieces ranging from those of Turner and the Impressionists who were pushing the limits of the brilliant new hues available to them (A Disaster at Sea aka The Wreck of the Amphitrite, after William Turner, Flowers, after Vincent van Gogh, Still Life with Begonias, after Paul Cézanne and Flowers, after Odilon Redon II, all 2016) to the immense oil and acrylic expanses of Abstract Expressionist painters (Double Scramble, after Frank Stella and No. 3 /with Begonias, after Paul Cézanne and Flowers, after Odilon Redon II, all 2016) to the immense oil and acrylic expanses of Abstract Expressionist painters (Double Scramble, after Frank Stella and No. 3 / No.

Across the ocean, American painter Winslow Homer made a name for himself in the late nineteenth century with his watercolors and oil paintings of the Atlantic.

In 2005, she began her studies in drawing and oil painting at the MFA in Boston, followed by extensive studies with notable artists such as realist painter Tom Ouellette, Sam Vokey, Don Demers, Joseph McGurl, David Curtis, Rosalie Nadeau, and Stuart Dunkel.

American - born, Rome - based painter Jackie Saccoccio use abstraction as a form of portraiture, creating bright, large canvases with oil paint and sparkling mica powder.

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her own place within a contemporary global landscape wrought with a constant influx of information and imagery.

This January 1999 oil on canvas landscape with clouds is by San Francisco painter Jack Freeman (1938 - 2014).

Young São Paulo - based painter Lucas Arruda has made quite an impact with his small and systematic oil paintings which conjure atmospheric — indeed, romantic and panoramic — landscapes from the very verge of abstraction.

In the 1960s, these painters, along with many of their colleagues, quickly adopted and exploited the properties of newly developed acrylic paint after initially working with thinned - out oil paint.

Evening with Hopper comprises 12 oil on canvas paintings that place the works of well - known painters such as Edward Hopper into crisp, modern, architectural settings.

Working wet - in - wet is popular with beginners and advanced oil painters alike.

Sam Gilliam (American, b. 1938) An American color field painter, Gilliam is represented in the exhibition by Eiler Blues (1978), a wall - size oil painting with embedded objects on stitched and unstretched awning canvas.

He has rightly been regarded as a consummately perceptual painter — the interaction of the dots covering his canvases makes the most out of a very limited palette — but what struck me about his oil paintings in particular was how tactile they felt, with the illusion of space seeming to change, like the surface of a mosaic, as you move from side to front to side.