Hou Young's work has been exhibited in major group shows including New voices: a dslcollection story, Klein Sun Gallery, New York, NY (2016); Dessensus Agitation - The Painting of Language, Today Art Museum, Beijing, China (2016); Fact or Fiction, Tang Contemporary Art, Hong Kong (2016); Omnipresent Concrete, Hunsand Space, Beijing, China (2014 - 2015); Touch, Chengdu A4 Contemporary Arts Center, Chengdu, China (2009 - 2010); The mARket Summer 2009 - 2010, Beijing Center for the Arts, Beijing, China (2009); Blank Show, Inside - Out, Beijing, China (2008); Blank, Ke Center for the Contemporary Arts, Shanghai, China (2007); Today Art Gallery Recent Exhibition, Today Art Museum, Beijing, China (2006); The 3rd Chinese
Oil Painting Exhibition, The National Art Museum of China, Beijing, China (2003).
On Sunday, the North Fork is a draw with a promising group show opening in Greenport and a serene
oil painting exhibition on view in Jamesport.
Last week Dallas Contemporary opened Dan Colen:
Oil Paintings an exhibition surveying the past fifteen years of Colen's paintings.
With a selection 22
oil paintings this exhibition, curated by Suwarno Wisetrotomo, investigates Journey as a paradigm of the creative process.
Not exact matches
Sistrunk and 20 or so boys from his youth sports program recently marched outside the Chicago Public Library demanding that New York City artist Eric Fischl's
oil painting Boys at Bat, which is hanging in the library's cultural center as part of a touring baseball art
exhibition, be removed.
OAKBROOK CENTER FINE ART
EXHIBITION: More than 180 artists exhibit
oil paintings, watercolors, charcoals, illustrations and etchings; 10 a.m. - 7 p.m. Sept. 4; 11 a.m. - 6 p.m. Sept. 5; Oakbrook Center, Ill..
He had
exhibitions of his
oil and watercolor
paintings at the National Academy of Design, Allied Artists of America, Salmagundi Club, and American Watercolor Society.
As a reflection of the mentorship program itself, this
exhibition will feature a diverse array of media including alternative process photography, old masters
oil painting, plein air
painting, creative writing, stainless steel sculpture, drawing and mix - media; all art forms taught in this year's spring and summer mentorships.
For this particular series, Morant sailed across the Mediterranean with a view to producing
oil paintings for his fourth solo
exhibition at The Rountree Tryon Gallery, London, 26 September - 5 October 2017.
Chalk & Vermilion Fine Arts has loaned two
oil paintings — La Dialectique appliquée and Les Grands rendez - vous — and a 1950 sketch by renowned Belgian surrealist René Magritte to «The Pleasure Principle,» a traveling
exhibition that just completed a run at the Albertina Museum in Vienna.
To speculate on the psychological implications of Jim Dine's 15 - year obsession with uninhabited bathrooms (11 monumental
oil paintings of robes made up the bulk of his recent
exhibition at the Pace Gallery in New York), is to ponder on Dine's personal identity.
Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of
oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these
paintings did not take long to make... The works in the
exhibition raise the question, for me, of what it is that we value about
painting right now — where we locate meaning and value in
paintings made quickly.»
Drawn from the Xu Beihong Memorial Museum, the
exhibition features 61 works including Chinese ink brush
paintings,
oil paintings, drawings, pastels, and calligraphy.
A Body of Water» is a relatively stark
exhibition consisting of six nearly monochromatic
oil paintings and a contemplative single - channel video projection of infinite waves.
Suzan Frecon and Bellatrix Hubert laying out the artist's 2017 solo
exhibition Suzan Frecon: recent
oil paintings at her studio in upstate New York, 2017
This resplendent monograph, which accompanies the
exhibition yet is intended to endure long beyond it, reveals both the overt themes and the more ambiguous substructures of Otero's oeuvre to date, from his early still lifes and famous «skins» —
paintings made of fragments and scraps of
oil paint culled from previously
painted images — to his more recent «transfers» and innovative sculptural work in porcelain and steel or iron.
Published on the occasion of her first
exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale
oil paintings, along with newly commissioned color photography of
exhibition and studio installation views, as well as the artist's notebooks and sketches.
Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952,
oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold
paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing,
oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958,
oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946,
oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes
Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv
Pauline has exhibited her work annually in Boston since 1998 and has also continued to exhibit in Australia where she was the recipient of a coveted prize for
oil painting in the prestigious national juried
exhibition, The A.M.E. Bale Art Awards, known as Australia's premier awards for traditional realism and figurative art.
The
exhibition will feature never before seen canvas
oil paintings; tulle portraits, a continuation of the artist's «Gaze» series presented by C24 Gallery in 2012.
The
exhibition will feature fifteen works — fourteen
oil paintings and one pastel — that demonstrate Kahn's artistic arc during this pivotal decade.
«No Love Lost» was the first UK
exhibition of Hirst's series of
oil on canvas works collectively entitled the «Blue
Paintings».
My main studio for
oil painting is in Zhongshan, China, and at the moment I am working on a large batch of canvasses in preparation for my first solo
exhibition, which will be held at the artist village compound where my studio is located.
In the
exhibition, the two big, blazing - fireplace images are followed by the final room, which features a very different selection of work: seven conventional - size easel
paintings in
oil on linen.
There are eight
paintings in her current
exhibition, Suzan Frecon:
oil paintings and sun at David Zwirner (February 19 — March 28, 2015).
The
exhibition presents large - scale
oil paintings that are figurative, psychologically imbued, beautifully rendered, and wonderfully sublime by one of the most significant Realist painters of his generation.
This
exhibition consists of twenty - six watercolors and three small - scale
oil paintings.
Indulging his lifetime love of science fiction and fantasy, he's currently illustrating a new historical role - playing game for Iron Throne Publishing and developing life - sized promotional cutouts of zombies for WorldWorks Games while also putting the finishing touches on 30
oil paintings for a summer
exhibition — all proof of his incredible comfort moving between the worlds of commercial and fine art.
Gallery Elena Shchukina presents Returning Home, an
exhibition of ink wash and
oil painting by Paris - based Chinese artist Chen Jiang - Hong
1947 51st Annual
Exhibition by Artists of Chicago and Vicinity, Art Institute of Chicago (June 5 — August 17) Joan Mitchell and Richard Bowman:
Oil Paintings, Harry and Della Burpee Art Gallery, Rockford, Illinois (January 6 — February 2)
His
painting «Northern Lights,» 1976,
oil and acrylic on canvas, appears on the right and is included in this
exhibition.
1982 Modern Japanese Art Part 1 (1945); the 30th Anniversary
Exhibition from the Museum Collection, The Museum of Modern Art, Tokyo, Japan Today's Illustration, The Miyagi Museum of Art, Japan A Panorama of Contemporary Art in Japan
Oil Painting, The Museum of Modern Art, Toyama, Japan The 1960s A Decade of Change in Contemporary Japanese Art, The National Museum of Modern Art, Tokyo, Japan The National Museum of Modern Art, Kyoto, Japan Art of Miyagi from Museum Collection, Special Opening
Exhibition Part 2, The Miyagi Museum of Art, Japan
The second room in the
exhibition is devoted to colour and included Rauschenberg's black monochromes, made of
oil paint - soaked newspaper slapped onto canvas: though all evidence of the artist's brushstroke has vanished, the wrinkles in the paper have the status of sublime events, voids roiling inside the void.
Butzer's solo
exhibition at Metro Pictures introduces his exploration of abstraction in a committed and meditative approach, bringing together a series of
oil on canvas
paintings in which the arresting and potent impact of the color black prevails the surface.
The
exhibition titled Dean Mitchell: A Place, A Mental Space includes watercolor and
oil paintings of scenes from the Pima - Maricopa Indian Community and the artist's hometown in Florida.
This series of
paintings that illustrate this interview are from a 2005
exhibition at Locks Gallery featuring pairs of
oil paintings on polygonal - shaped canvases and diptychs of her iconic baked enamel steel plate
paintings.
Soulages describes his discovery of Outrenoir as a breakthrough, but he was working in black all along, including
paintings in
oil from the 1950s and 1960s on the second of the
exhibition's three floors.
An artist whose portfolio includes landscape
oil paintings, Paterson also designed patterns for commercial fabric printing, and included in the
exhibition are two linocut prints, including Lobsters and Sea Shells (c. 1930s).
An
exhibition at Dulwich Picture Gallery is the first major retrospective of this elusive artist in the UK and showcases more than ninety of his works, including
oil paintings, watercolours, drawings, and photographs.
«Ben Wilson: An Abstract Expressionist Vision» will be the next
exhibition opening at the Quogue Gallery, featuring 14
paintings,
oil on canvas or Masonite, dating from as early as 1963 and running to 1990.
Fontana Contended in the Late 1930s Helen Molesworth: Don't Look Back: Eva Hesse's Early Work Andrea Rosen Gallery is delighted to present an
exhibition of
oil on paper works by Willem de Kooning, «baroque» ceramic sculpture by Lucio Fontana, and Eva Hesse
paintings from the 1960s.
If you back your way into the Jay DeFeo
exhibition at San Francisco Museum of Modern Art, you'll discover, as I did, a group of five
oil paintings in the final gallery.
According to The Art Newspaper, the 10,000 sq. m museum's inaugural
exhibition will focus on Chinese
oil painting since the revolution of 1911.
For his
exhibition at Victoria Miro Mayfair, Khan has produced large - scale composite photographs made from a series of
oil stick
paintings.
Many of the Depression - era
paintings she made were
oil on paper, because materials were hard to come by and expensive, and the
exhibition is dominated by large - scale compositions on paper.
Rupert Eder, ANIMUS, 2008
Oil on canvas 63 x 47 inches March 1 - 22, 2011 Schaltwerk - Kunst, Hamburg, presents the
exhibition: About
Painting at the Sylvia Wald and Po Kim Art Foundation in New York.
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Dr. Tsai, the curator of the
exhibition, will discuss the selection and presentation of nearly 60 works, including sculpture, stained - glass panels and
oil paintings which together, as a whole, alter the narrative of art history.
Armed with these iconographic signifiers, Case, in his second solo
exhibition with Chimento Contemporary, has
painted a series of eight gorgeously rendered
oil paintings that both commemorate and celebrate the oft ignored public arenas where people conduct the business of their lives.
1967 January William Scott:
Exhibition of
Oil Paintings opened at the Dawson Gallery, Dublin, on 19 January (closed 7 February).