Sentences with phrase «oil painting in the show»

Phil has been honored with the highest awards presented in several different museum shows, including Gold Medal in oil, Best in Show, Artist Choice Award, and the prestigious Goodman Award for best oil painting in the show.

The mystical significance of numbers is also the premise of Numerology 7, another important oil painting in the show demonstrating Milder's belief that expressionism did not always have to be abstract or gloomy.

The artist himself sheepishly peers out from one of the few oil paintings in the show, Bob's Sebring (2011), next to a silver convertible a bit too snazzy for his outfit, in front of a square garage... The paintings are furnished from a Kodachrome, sun - bleached palette, and a seemingly interminable supply of time... The supposed subject matter lingers at the edge of the well - measured composition, perfectly skewed to avoid approaching the edge of motion... The photographic qualities of this work are apparent, but the shutter's ability to capturing fleeting moments is irrelevant as time itself seems to be immobile anyway.»

Not exact matches

The study, involving researchers from UCL, Imperial College London and Dalian University of Technology (China) and published today in Science, shows how the new paint made from coated titanium dioxide nanoparticles can give a wide - range of materials self - cleaning properties, even during and after immersion in oil and following damage to the surface.

I paint in watercolor, guache, acrylic and oil and have had my work at various shows.

In this captivating oil painting class, artist Ben Waddams shows you how to paint a close up of a mountain lion.

I am a new artist in oil painting, have my first show during April....

The Brooklyn show includes Whitten's Birmingham 1964, in which a newspaper photograph of a confrontation in Birmingham is partially revealed under layers of stocking mesh and black oil paint, like a wound that can't be covered over.

More than 20 large - scale oil paintings will be on view alongside 50 never - before - exhibited works from the 1930s, which show the artist working in watercolor and gouache on paper.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquIn the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquin the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquin the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquin paintings made quickly.»

Her current show at Mitchell - Innes & Nash continues the trend with a selection of DeFeo's 1970s experiments in photography, an assortment of drawings and collages, and her late - in - life return to oil painting.

In 2008, KJ Shows began working on a series of oil paintings paying homage to a variety of contemporary artists worldwide.

ACQUISITION In early January, the Brooklyn Museum announces the acquisition of its first Beauford Delaney painting, «Untitled (Fang, Crow, and Fruit),» a 1945 oil on canvas still life (shown above), purchased from Michael Rosenfeld Gallery with money from the museum's African American Purchase Fund.

The show includes early works in oil, watercolor, gouache and ink; Abstract Expressionist paintings done in California; and «Untitled (Horse and Rider)» (1954), considered one of his first mature figurative paintings.

Wintersnow Snowinters signals Snow's first painting show in some two decades, so several earlier watercolor works (like Sleeping vs Waking) reappear here as fully - formed oil on panel compositions.

At the centre of the show are three oil paintings, arranged in no particular order or sequence.

Landscape painter and TFAA artist Marietje Chamberlain says she likes to show nature «in her quiet mood, where mystery can be discovered,» and she recently won Honorable Mention from the Mid-Atlantic Plein Air Painters Association for her large oil - on - linen painting Potomac Fall.

His oil painting «Lady with Skull Necklace» (1996 - 99) in the show «Transfixed: Selected Works 1995 — 2000» at Gallery Naga (67 Newbury St., Boston, through Dec. 15) shows what he was up to.

This selection of paintings from the 1970s shows a range of Minimalist - inspired experimentations with abstraction: hazy, striped plexiglas paintings by Thomas Chimes (1921 - 2009), a Day - Glo round - edged canvas by Ralph Humphrey (1932 - 1990), atmospheric grid - based oil paintings by Warren Rohrer (1927 - 1995), subtly - lined acrylic monochromes by Sean Scully (b. 1945), and a pencil drawing by Sol LeWitt (1928 - 2007), are seen in relation to more recent paintings by Lee Ufan (b. 1936) and Pat Steir (b. 1940), who continue to explore the legacies of line and gesture in abstract painting today.

The display ends with Hamed Ewais's Le Guardien de la vie (1967 - 8), a large - scale oil painting that depicts a fighter, weapon in hand, while underneath him everyday events such as a wedding taking place and a child riding a bike are shown, suggesting the possibility of societal renewal following the collapse of the Pan-Arab ideal after the Six - Day War in 1967.

Engaging in their complexity and enigmatic in their elusiveness, John Mills shows his most recent large and small scale graphite and oil paintings on canvas with Rosamund Felsen Gallery.

Participating artists show work in many media and formats: original paintings in oil, acrylic, watercolors, drawings, mixed media works, and pottery, all priced at $ 95 or less.

Bill Scott will be showing eleven oil paintings and ten etchings / intaglio prints in his upcoming exhibition Bill Scott: The Most Unhampered of Days: Paintings & Intaglio Prints, 2003 — 2016 at the 849 Gallery located on the campus of Kentucky College of Art + Design at Spalding Unpaintings and ten etchings / intaglio prints in his upcoming exhibition Bill Scott: The Most Unhampered of Days: Paintings & Intaglio Prints, 2003 — 2016 at the 849 Gallery located on the campus of Kentucky College of Art + Design at Spalding UnPaintings & Intaglio Prints, 2003 — 2016 at the 849 Gallery located on the campus of Kentucky College of Art + Design at Spalding University.

Despite being the smallest piece in the show, this rectangular amalgamation of oil paint, acrylic paint, household paint, varnish and mixed media collage on canvas (then mounted on board) had that rare feeling of monumentality.

From «Mother» (2017 — 2018), three new large - scale oil paintings, which borrow their imagery from Disney films, are shown in conjunction with a painted steel sculpture of a female nude in a classical twisted pose.

I haven't seen the installation yet, but here's one of my paintings that might be in the show at Outlet: Sharon Butler, Goethe's Color Triangle, 2015, oil on canvas, 16 x 20 inches.

The absolute highlight of the show for me is a large vertical oil on canvas, Summer Glory, painted in 1944.

The one oil on canvas work in the show, Abstraktes Bild 875 - 3 (2001), sings a muted song of representation, buried beneath layers of paint which seem chiselled away in order to reveal something urgent but ultimately lost beneath.

Emerging talent Clare Bonnet's work was a huge success in our Jamaica Street Artists exhibition earlier this year and this time we will show four recent, large - scale oil paintings of semi-abstract female studies.

Judith Linhares» oil paintings of dreamy female nudes are also intensely colored, but they relate in an unexpected and intimate way to a pair of black and white photographs by Rory Mulligan showing a torso of a woman and the back of a man gazing at a night sky.

The show will feature gouache studies and oil paintings depicting the women who helped to form her own identity while growing up in Marin County in the late 1970's.

Matt Kleberg's «Catacomb Catapult (for Eddie)» is one of four recent oil stick on canvas paintings in his show «Caterwauler» at Hiram Butler Gallery through Aug. 27.

Oil painting on wood panel Sam Perry is a Painter and Digital Artist working in South Florida since the early 1980's BA of Fine Arts in Painting from Ringling College of Art and Design Masters of Fine Arts in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm Beachpainting on wood panel Sam Perry is a Painter and Digital Artist working in South Florida since the early 1980's BA of Fine Arts in Painting from Ringling College of Art and Design Masters of Fine Arts in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm BeachPainting from Ringling College of Art and Design Masters of Fine Arts in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm BeachPainting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm Beach FL 1983

Fine Art: Kimberly Brooks Shows Her Oil Paintings at Taylor De Cordoba Gallery in L.A. (2011, September).

The oil painting was previously shown at Pizzuti Collection in US IS THEM, which later traveled to the Urban Institute for Contemporary Arts in 2017.

The early paintings in this group, from 2011, show a direct connection to the still life paintings in that they are larger versions of the small pieces used to create the oil collages.

Upcoming solo show of oil and watercolor paintings by Chloe Early: «Rainbow Ruins» at the Corey Helford Gallery in LA opens November 10th, 2012.

Dynamic flamenco dancers surface across the show, in exacting ink drawings, spirited silhouettes painted on cardboard, and glowing oil paintings rendered in rich, warm earth tones.

His oil on linen paintings depict simplified shapes in bright pastel colors and have gained Guy notable attention with critically acclaimed shows across Europe.

[69] The largest solo exhibition Hockney has had, with 397 works of art in more than 18,000 square feet, was curated by Gregory Evans and included the only public showing of The Great Wall, developed during research for Secret Knowledge, and works from 1999 to 2013 in a variety of media from camera lucida drawings to watercolors, oil paintings, and digital works.

The oil paintings by Australian artist Jeremy Geddes often show floating or colliding people in empty landscapes, rooms or urban sceneries.

On Sunday, the North Fork is a draw with a promising group show opening in Greenport and a serene oil painting exhibition on view in Jamesport.

Rendered in a loosely naturalistic style with thin, drippy oil paint, these are reminiscent of Hurd's previous riffs on the art world, which have included hand - painted reproductions of art magazine covers and reviews of his shows as they appeared in print except stained and littered with malt liquor empties.

An oil painting of the Isle of Capri, showing rocky cliffs and a colorful sea painted in the impressionist style.

French - Algerian painter Djamel Tatah makes a significant return to Ben Brown Fine Arts in London on 24 April with his second solo show, unveiling nine mesmerizing oil and wax paintings, produced over the last two years.

In Milton Keynes, Altfest will be showing almost twenty oil paintings from 1998 to the present, including three new works.

Expect a small show, not a major retrospective, despite the two great oil paintings in the museum's permanent holdings.

LIKENESS: PORTRAITS OF VERMONTERS was a group show featuring portraits in mixed mediums, including sculpture, photography, oil paint, pen and ink, and video installation by eleven different Vermont based artists, April 4th

There were many surprising passes: Lot 87 was a thunderbolt design of fluorescent tubes by Dan Flavin that was one of his finest works in that it was an appropriate concept; Lots 122 and 130, large and excellent paintings by Sandro Chia (b. 1946); Lots 203 and 205, a good painting and a superb sculpture by Nancy Graves (1940 - 1995); Lot 223, a good gouache on paper by Sam Francis (1923 - 1994); Lot 242, a very good wood and paper collage by Louise Nevelson (1899 - 1988); Lots 279, 281A, 293, and 309, works by Andy Warhol, and Lot 299, «Fast Sketch Still Life With Abstract Painting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), showpainting and a superb sculpture by Nancy Graves (1940 - 1995); Lot 223, a good gouache on paper by Sam Francis (1923 - 1994); Lot 242, a very good wood and paper collage by Louise Nevelson (1899 - 1988); Lots 279, 281A, 293, and 309, works by Andy Warhol, and Lot 299, «Fast Sketch Still Life With Abstract Painting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), showPainting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), shown below.

For her first exhibition with Sean Kelly gallery and her first solo show in New York since 2014, Sam Moyer has realized a vibrant series of large - scale paintings as well as an architectural sculpture, and a range of drawings with oil on paper.