Sentences with phrase «oil painting on canvas in»

abstract expressionist oil painting on canvas in black frame 24 x 24 inches framed, oil painting on stretched canvas This modern, square abstract expressionist style painting was paint...

Not exact matches

Yet I changed my tools from brushes, oil paints, and canvas to pencil, paper, and computing power for years and finished physics with a diploma on the topic of many - particle theory, under the supervision of Prof. Nolting at the Humboldt University in Berlin.

I paint with oil colors on to canvas, and l feature photo - realism in my work.

Joffe has described the absorbing, as well as the highly physical experience of the work's making, the thickly applied pastel accumulating with a luminous purity that is markedly different from the act of painting and the ways in which oil behaves on canvas or board.

Working primarily in oil on canvas, my paintings are essentially abstract in form and are emotionally connected to the landscape that surrounds us.

At this year's West Coast Art & Frame Expo, renowned custom - framing company Larson - Juhl launched Brushstrokes — a technology that captures the essence of artists» originals and recreates oil - on - canvas and acrylic paintings in 3 - D.

Andrew Masullo works on small canvases with unmixed oil paint in high - keyed colors.

Animals have become unlikely companions — wild Horses painted deftly with tonal accents or ducks rendered in pastel colors — with an enigmatic sense of drama, we experience the great theatre played out in oil on canvas.

Inscribed «Alberto Giacometti 1965» b.r. Oil on canvas, 51 1/4 x 32 (130 x 81) Purchased from the artist (Grant - in - Aid) with the aid of the Friends of the Tate Gallery 1965 Exh: Alberto Giacometti: Sculpture Paintings Drawings 1913 - 65, Tate Gallery, July - August 1965 (155); Giacometti - Udstillingen, Louisiana Museum, Humlebaek, September - October 1965 (144) Repr: The Friends of the Tate Gallery: Annual Report 1st May 1965 - 30th April 1966 (London 1966), p. 25; Reinhold Hohl, Alberto Giacometti: Sculpture Painting Drawing (London 1972), p. 168

Within a few years the materiality of oil paint takes on a more central role in his work when he begins to make paintings by depositing small amounts of liquid paint onto his canvases and tilting them this way and that to direct the paint toward the edges of some feint pencil markings.

Featured among the large works in oil on canvas are the ravishing diptych «Heel, Sit, Stay» (1977) and the turbulent «La Grande Vallée XVI Pour Iva» (1983), painted in high contrasts of indigo, violet, lemon and lime.

In the 1980s, DeFeo returned to oil paint, while still continuing to mix and assemble materials in her work, creating large, glowing canvases and an expansive scope of works on papeIn the 1980s, DeFeo returned to oil paint, while still continuing to mix and assemble materials in her work, creating large, glowing canvases and an expansive scope of works on papein her work, creating large, glowing canvases and an expansive scope of works on paper.

ACQUISITION In early January, the Brooklyn Museum announces the acquisition of its first Beauford Delaney painting, «Untitled (Fang, Crow, and Fruit),» a 1945 oil on canvas still life (shown above), purchased from Michael Rosenfeld Gallery with money from the museum's African American Purchase Fund.

Inscribed «Alberto Giacometti 1965» b.r. Oil on canvas, 51 x 31 3/4 (130 x 80.5) Purchased from the artist (Grant - in - Aid) with the aid of the Friends of the Tate Gallery 1965 Exh: Alberto Giacometti: Sculpture Paintings Drawings 1913 - 65, Tate Gallery, July - August 1965 (153); Giacometti - Udstillingen, Louisiana Museum, Humlebaek, September - October 1965 (142) Lit: Reinhold Hohl, Alberto Giacometti: Sculpture Painting Drawing (London 1972), pp. 185, 282 - 4 Repr: The Friends of the Tate Gallery: Annual Report 1st May 1965 - 30th April 1966 (London 1966), p. 24; The Tate Gallery (London 1969), p. 161

Lot 46: NORMAN LEWIS (1909 — 1979), «Birds In Flight,» 1953 (oil and metallic paint on linen canvas).

This quality is not only apparent in the way vibrant swaths of oil paint harmonize with each other on the canvas; it also comes through in the way her career has quietly percolated along through the decades since, without drama or self - promotion, with no clearly delineated sty listic phases or periods.

«Claude Monet Painting in His Garden at Argenteuil,» 1873, Pierre - Auguste Renoir, oil on canvas.

Prominent among them is Pearlstein's Roman Ruin (1961), an oil - on - canvas close - up of a ruin, painted in a pastel palette that gives the work a dream - like quality.

Aeroplane, 1928, oil on canvas, 44» x 38», framed by Gill & Lagodich in a custom - made replica of ac.1930s - 40s American Modernist painting frame; wide reverse wave profile, water gilded in palladium leaf with light burnt sienna patina.

Having seen Jackson Pollock's 1951 paintings of thinned black oil paint stained into raw canvas, Helen Frankenthaler began to produce stain paintings in varied oil colors on raw canvas in 1952.

Caroline Artist: Alberto Giacometti 1901 - 1966 Date: 1965 Classification: painting Medium: Oil paint on canvas Dimensions: support: 1295 x 806 mm Purchased with assistance from the Friends of the Tate Gallery 1965 © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris), licensed in the UK by ACS and DACS, London 2018

Charles Ethan Porter, Chrysanthemums, ca. 1881, oil on canvas, 10 x 16», framed by Gill & Lagodich in a custom - made variation of an 1880 - 90s American painting frame; gilded applied ornament on wood, Japonesque chrysanthemum pattern frieze; molding width: 4-1/2».

PAGES 28 - 29: From left, «Three Figures,» 1966 (oil on canvas) by Emma Amos and «It Takes Two to Integrate (Cha Cha Cha),» 1961 (painted dolls, dried fish, glass in wooden box) by Edward Kienholz.

His painting «Northern Lights,» 1976, oil and acrylic on canvas, appears on the right and is included in this exhibition.

Tracts of color are dragged across the canvas using a squeegee, so that the various strains of malleable, semi-liquid pigment suspended in oil are fused together and smudged first into the canvas, and then layered on top of each other as the paint strata accumulate to bring color and textural juxtapositions.

Though, he worked in a variety of media and styles, including ink, oil, acrylic, video, and collage, Davis is best known by far for his acrylic paintings (mostly on canvas) of colorful vertical stripes, which he began to paint in 1958.

Butzer's solo exhibition at Metro Pictures introduces his exploration of abstraction in a committed and meditative approach, bringing together a series of oil on canvas paintings in which the arresting and potent impact of the color black prevails the surface.

Ad Reinhardt, Abstract Painting, Blue, 1952, 18 x 14 in., oil on canvas.

Since the band split in the mid-1980s, Simonon has focused on oil on canvas paintings inspired by 20th century realism and its documentation of the living conditions of the working classes, in particular the work of the American Ashcan School in turn of the century New York, and the «Kitchen Sink» school of painters of 1950s post-War Britain.

Transposition No. 6 - a warm and joyous abstract painting in browns, grey / blue and red: Mixed media, including oil paint and charcoal on canvas.

The evening's top grossing lot was a simple, austere and zen - line Barnett Newman black and white Black Fire I, oil on canvas, Painted in 1961.

He makes paintings by going to public spaces around L.A., like the beach or the Americana mall, and quickly sketching what he sees there — tanners lounging in swimwear, dog - walkers, picknickers, etc. — on an iPad, then goes back to his studio and simply paints these scenes on canvas in acrylic, airbrush, and oil sticks that he melts on his stovetop.

In your inquiry, please include the unframed dimensions, the medium (oil, watercolor, pastel), the support (canvas, wood, cardboard, paper), any inscriptions on the front or back of the painting, and clear digital images of the front and back of the painting.

Rupert Eder, ANIMUS, 2008 Oil on canvas 63 x 47 inches March 1 - 22, 2011 Schaltwerk - Kunst, Hamburg, presents the exhibition: About Painting at the Sylvia Wald and Po Kim Art Foundation in New York.

Challenging the set traditions of oil painting, works in this series articulate on the essence of working with the canvas and utilizing the limitless possibilities of the surface in the most unrestrained manner.

Considering that Velázquez is widely seen as the greatest painter ever to lay oil on canvas, and considering that he only made about 110 paintings in his lifetime, the fact that a new portrait is visiting the Metropolitan Museum of Art this month (April 16 - July 14) is bound to cause a stir.

Engaging in their complexity and enigmatic in their elusiveness, John Mills shows his most recent large and small scale graphite and oil paintings on canvas with Rosamund Felsen Gallery.

Oil on canvas Hand - signed «Pat Steir, 1988» verso Excellent Condition Though her early work was loosely allied with Conceptual Art and Minimalism, Pat Steir's poured «Waterfall» paintings initiated in 1988 gained her critical acclaim.

Two of Hirst's more recent paintings in which the artist returned to the traditional medium of oil on canvas are included, as well as «Resurrection» (1998 - 2003)-- a unique sculpture featuring a skeleton bisected by two glass panels, in the position of the crucifixion.

Her painterly approach toward representation heightens a fluid ambiguity - painting the thing or the person which is disappearing and emerging at the same time, as in the elegantly complex portrait sister (2008, oil on canvas, 32.5 x 21.5 in.)

Despite being the smallest piece in the show, this rectangular amalgamation of oil paint, acrylic paint, household paint, varnish and mixed media collage on canvas (then mounted on board) had that rare feeling of monumentality.

Then in 1987, when my older son was born, and my time was extremely limited, I stopped painting in oil on canvas altogether and started to focus exclusively on collage.

I haven't seen the installation yet, but here's one of my paintings that might be in the show at Outlet: Sharon Butler, Goethe's Color Triangle, 2015, oil on canvas, 16 x 20 inches.

The absolute highlight of the show for me is a large vertical oil on canvas, Summer Glory, painted in 1944.

Through his investigational approach, Otero combines the traditional act of painting with his innovative creation of «oil skins,» produced by layering oil paint on glass and then peeling it off in «sheets» before transferring it to canvas.

These works were difficult to categorize: though I thought of myself as a painter, as I had earlier when working with gouache on paper, in defiance of the rules left over from Greenbergian formalism in the New York School that made oil or acrylic on canvas the probative medium, these were not paintings.

Shara Hughes, You're Getting In Your Own Way, 2018, oil, acrylic, acrylic spray paint on canvas, 47 1/2 x 39 1/2 inches (120.7 x 100.3 cm)

The one oil on canvas work in the show, Abstraktes Bild 875 - 3 (2001), sings a muted song of representation, buried beneath layers of paint which seem chiselled away in order to reveal something urgent but ultimately lost beneath.

Molly Zuckerman - Hartung The Initial Painting, 2012 Oil and spray paint on canvas 14 x 12 in.

Adnan paints in oil, using a palette knife to apply the paint onto canvas laid flat on a table.