Although Don Nice is best known for his depictions of contemporary American culture such as candies, soda bottles and branded sneakers, the early watercolor and
oil paintings in this exhibition stem from the artist's upbringing on an open range and his love of nature.
Not exact matches
Sistrunk and 20 or so boys from his youth sports program recently marched outside the Chicago Public Library demanding that New York City artist Eric Fischl's
oil painting Boys at Bat, which is hanging
in the library's cultural center as part of a touring baseball art
exhibition, be removed.
As a reflection of the mentorship program itself, this
exhibition will feature a diverse array of media including alternative process photography, old masters
oil painting, plein air
painting, creative writing, stainless steel sculpture, drawing and mix - media; all art forms taught
in this year's spring and summer mentorships.
Chalk & Vermilion Fine Arts has loaned two
oil paintings — La Dialectique appliquée and Les Grands rendez - vous — and a 1950 sketch by renowned Belgian surrealist René Magritte to «The Pleasure Principle,» a traveling
exhibition that just completed a run at the Albertina Museum
in Vienna.
To speculate on the psychological implications of Jim Dine's 15 - year obsession with uninhabited bathrooms (11 monumental
oil paintings of robes made up the bulk of his recent
exhibition at the Pace Gallery
in New York), is to ponder on Dine's personal identity.
Hunter writes: «
In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raqu
In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of
oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed
in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raqu
in the curatorial statement — that these
paintings did not take long to make... The works
in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raqu
in the
exhibition raise the question, for me, of what it is that we value about
painting right now — where we locate meaning and value
in paintings made quickly.&raqu
in paintings made quickly.»
Suzan Frecon and Bellatrix Hubert laying out the artist's 2017 solo
exhibition Suzan Frecon: recent
oil paintings at her studio
in upstate New York, 2017
This resplendent monograph, which accompanies the
exhibition yet is intended to endure long beyond it, reveals both the overt themes and the more ambiguous substructures of Otero's oeuvre to date, from his early still lifes and famous «skins» —
paintings made of fragments and scraps of
oil paint culled from previously
painted images — to his more recent «transfers» and innovative sculptural work
in porcelain and steel or iron.
Published on the occasion of her first
exhibition at David Zwirner
in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale
oil paintings, along with newly commissioned color photography of
exhibition and studio installation views, as well as the artist's notebooks and sketches.
Pauline has exhibited her work annually
in Boston since 1998 and has also continued to exhibit
in Australia where she was the recipient of a coveted prize for
oil painting in the prestigious national juried
exhibition, The A.M.E. Bale Art Awards, known as Australia's premier awards for traditional realism and figurative art.
The
exhibition will feature never before seen canvas
oil paintings; tulle portraits, a continuation of the artist's «Gaze» series presented by C24 Gallery
in 2012.
My main studio for
oil painting is
in Zhongshan, China, and at the moment I am working on a large batch of canvasses
in preparation for my first solo
exhibition, which will be held at the artist village compound where my studio is located.
In the exhibition, the two big, blazing - fireplace images are followed by the final room, which features a very different selection of work: seven conventional - size easel paintings in oil on line
In the
exhibition, the two big, blazing - fireplace images are followed by the final room, which features a very different selection of work: seven conventional - size easel
paintings in oil on line
in oil on linen.
There are eight
paintings in her current
exhibition, Suzan Frecon:
oil paintings and sun at David Zwirner (February 19 — March 28, 2015).
His
painting «Northern Lights,» 1976,
oil and acrylic on canvas, appears on the right and is included
in this
exhibition.
1982 Modern Japanese Art Part 1 (1945); the 30th Anniversary
Exhibition from the Museum Collection, The Museum of Modern Art, Tokyo, Japan Today's Illustration, The Miyagi Museum of Art, Japan A Panorama of Contemporary Art
in Japan
Oil Painting, The Museum of Modern Art, Toyama, Japan The 1960s A Decade of Change
in Contemporary Japanese Art, The National Museum of Modern Art, Tokyo, Japan The National Museum of Modern Art, Kyoto, Japan Art of Miyagi from Museum Collection, Special Opening
Exhibition Part 2, The Miyagi Museum of Art, Japan
The second room
in the
exhibition is devoted to colour and included Rauschenberg's black monochromes, made of
oil paint - soaked newspaper slapped onto canvas: though all evidence of the artist's brushstroke has vanished, the wrinkles
in the paper have the status of sublime events, voids roiling inside the void.
Butzer's solo
exhibition at Metro Pictures introduces his exploration of abstraction
in a committed and meditative approach, bringing together a series of
oil on canvas
paintings in which the arresting and potent impact of the color black prevails the surface.
The
exhibition titled Dean Mitchell: A Place, A Mental Space includes watercolor and
oil paintings of scenes from the Pima - Maricopa Indian Community and the artist's hometown
in Florida.
Soulages describes his discovery of Outrenoir as a breakthrough, but he was working
in black all along, including
paintings in oil from the 1950s and 1960s on the second of the
exhibition's three floors.
An artist whose portfolio includes landscape
oil paintings, Paterson also designed patterns for commercial fabric printing, and included
in the
exhibition are two linocut prints, including Lobsters and Sea Shells (c. 1930s).
An
exhibition at Dulwich Picture Gallery is the first major retrospective of this elusive artist
in the UK and showcases more than ninety of his works, including
oil paintings, watercolours, drawings, and photographs.
Fontana Contended
in the Late 1930s Helen Molesworth: Don't Look Back: Eva Hesse's Early Work Andrea Rosen Gallery is delighted to present an
exhibition of
oil on paper works by Willem de Kooning, «baroque» ceramic sculpture by Lucio Fontana, and Eva Hesse
paintings from the 1960s.
If you back your way into the Jay DeFeo
exhibition at San Francisco Museum of Modern Art, you'll discover, as I did, a group of five
oil paintings in the final gallery.
Rupert Eder, ANIMUS, 2008
Oil on canvas 63 x 47 inches March 1 - 22, 2011 Schaltwerk - Kunst, Hamburg, presents the
exhibition: About
Painting at the Sylvia Wald and Po Kim Art Foundation
in New York.
Tags: allison green, birds, flower
painting,
oil painting,
painting, susan eley fine art, upper westside galleries Posted
in Exhibition, NYC Comments Off on Susan Eley Fine Art presents «The Night Garden»
Armed with these iconographic signifiers, Case,
in his second solo
exhibition with Chimento Contemporary, has
painted a series of eight gorgeously rendered
oil paintings that both commemorate and celebrate the oft ignored public arenas where people conduct the business of their lives.
After graduating from the Department of
Oil Painting at the Zhejiang Academy of Fine Arts
in Hangzhou (now China Academy of Art), Huang returned to his birthplace as a teacher and started organising
exhibitions and events with his friends.
Exhibition catalogue with essays by John Elderfield, Frank O'Hara (originally published
in An
Exhibition of
Oil Paintings by Frankenthaler, The Jewish Museum, 1960), and Carl Belz (originally published
in Frankenthaler: The 1950s, Rose Art Museum, 1981).
Bill Scott will be showing eleven
oil paintings and ten etchings / intaglio prints in his upcoming exhibition Bill Scott: The Most Unhampered of Days: Paintings & Intaglio Prints, 2003 — 2016 at the 849 Gallery located on the campus of Kentucky College of Art + Design at Spalding Un
paintings and ten etchings / intaglio prints
in his upcoming
exhibition Bill Scott: The Most Unhampered of Days:
Paintings & Intaglio Prints, 2003 — 2016 at the 849 Gallery located on the campus of Kentucky College of Art + Design at Spalding Un
Paintings & Intaglio Prints, 2003 — 2016 at the 849 Gallery located on the campus of Kentucky College of Art + Design at Spalding University.
The
exhibition consists of over 40
oil paintings, aquarelles and objects presented
in a (Read more...)
The
exhibition features
paintings in her signature medium of
oil pastel on chalkboard and will be on view from January 12 to February 25, 2012.
Of particular interest
in the
exhibition is Childe Hassam's Adam and Eve Walking Out on Montauk
in Early Spring (
oil on wood panel, 1924), which succinctly reflects the artist's desire to replicate the Greek Classicist ideal translated to
painting, and historically is considered one of Hassam's most ambitious landscape works.
The
exhibition features the work of 37 student artists at all levels of study, working
in many media areas, including ceramics, video, charcoal drawing,
oil paintings, photographs and mexed media installations.
Emerging talent Clare Bonnet's work was a huge success
in our Jamaica Street Artists
exhibition earlier this year and this time we will show four recent, large - scale
oil paintings of semi-abstract female studies.
Tags: landscape, monotype,
oil painting,
painting, Rachel Burgess, susan eley fine art, Victor Honigsfeld Posted
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in Art Events, Art for Sale, Collecting Art,
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In the Meeting of Rock and S
In the Meeting of Rock and Sea
Thea Ballard with a short review on Bracha L. Ettinger's latest
exhibition at Callicoon Fine Arts, New York: «Though small and even unassuming, her striated
oil paintings (
in deep bodily reds and purples) are rewarding and dense - both
in theoretical weight and
in composition, her method involving a years - long process of layering.»
The artist has utilized as his starting point an
oil painting that had been displayed
in the Museum's European Art permanent
exhibition, The Death of Lucretia, attributed to 15th - century Italian artist Giovanni di Paolo (1403 — 1483).
A one - person
exhibition of large scale Triangle
paintings and
oil stick on paper followed
in 1993, at the Andre Zarre Gallery [11] where the artist employed a tight grid overridden by gesture and a plastic color palette.
Tags: Carolyn Landale, Celia Wilkinson, Claire Burke, Deborah Batt, Emma Rose, Henrietta Stuart, jonny macfarlane, landscape,
oil & water, painting, penny macfarlane, Philip Hearsey, wandsworth Posted in Exhibition, London Comments Off on «Environment Absorbed» curated by Jonny MacFarlane at the Oil & Water Gallery (21 / May -14 / J
oil & water,
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in Exhibition, London Comments Off on «Environment Absorbed» curated by Jonny MacFarlane at the
Oil & Water Gallery (21 / May -14 / J
Oil & Water Gallery (21 / May -14 / Jun)
In this exhibition of small oil on board works, she paints the familiar surroundings of her home in Maine, depicting ordinary things like snow on a windowpane, laundry on the clothesline, or a puff of Queen Anne's lac
In this
exhibition of small
oil on board works, she
paints the familiar surroundings of her home
in Maine, depicting ordinary things like snow on a windowpane, laundry on the clothesline, or a puff of Queen Anne's lac
in Maine, depicting ordinary things like snow on a windowpane, laundry on the clothesline, or a puff of Queen Anne's lace.
From his signature «blackboard»
paintings (which are
oil on canvas) to the more representational landscape
paintings in this
exhibition, Fisher constructs constellations of ideas, thoughts, and images much like the disjointed nature of the unconscious and that of memory.
The
paintings, works on paper, mixed - media collages, and photographs feature a number of purchases, including Audrey Flack's large
oil and acrylic canvas, World War II (Vanitas); two elaborate mixed - media collages by Mickalene Thomas; textile artist Sonya Clark's Unraveling; photographs of performance artist Cassils» Becoming an Image; photographs related to Leah Modigliani's Morris Gallery
exhibition The City
in her Desolation; and works on paper by Fernando Orellana.
Kristy Gordon will have her
painting «Reconstruction Site» (12 «x12»
oil on canvas) included
in Dacia Gallery's 7 Year Anniversary Group
Exhibition which opens Thursday, September 21st from 6 pm - 9 pm Dacia Gallery, 53 Stanton Street, NYC
This first solo
exhibition at Goodman Gallery since his passing
in March 2010 presents a full range of his diverse oeuvre, with pencil drawings, prints, a watercolour, tapestry, monoprints, ceramic sculpture and
oil painting.
Highlighting Qatari artist Yousef Ahmad's most striking artworks, from 1970s to today, this
exhibition showcased three phases
in Ahmad's artistic career, from early
oil paintings to mixed media calligraphic pieces, to his latest contemporary pieces derived from the medium he creates.
While the
exhibition emphasizes Hofmann's drawings from the 1930s and»40s, there are a few highly suggestive late works
in the
exhibition, particularly several untitled pieces from 1961
in which the artist contrasts a few seemingly carefree drips and spatters of richly hued
oil paint with delicate felt - marker traceries.
Oil painting on wood panel Sam Perry is a Painter and Digital Artist working in South Florida since the early 1980's BA of Fine Arts in Painting from Ringling College of Art and Design Masters of Fine Arts in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm Beach
painting on wood panel Sam Perry is a Painter and Digital Artist working
in South Florida since the early 1980's BA of Fine Arts
in Painting from Ringling College of Art and Design Masters of Fine Arts in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm Beach
Painting from Ringling College of Art and Design Masters of Fine Arts
in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm Beach
Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual
Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and
Exhibition, West Palm Beach FL 1983
In addition to Laura Owens's untitled (2016), other works in the exhibition that combine digital and hand techniques to introduce network themes onto the canvas include a pair of untitled paintings by Albert Oehlen (2008) and Avery Singer (2015), and a series of Chat Paintings produced in oil by Celia Hempton in 2015 and 201
In addition to Laura Owens's untitled (2016), other works
in the exhibition that combine digital and hand techniques to introduce network themes onto the canvas include a pair of untitled paintings by Albert Oehlen (2008) and Avery Singer (2015), and a series of Chat Paintings produced in oil by Celia Hempton in 2015 and 201
in the
exhibition that combine digital and hand techniques to introduce network themes onto the canvas include a pair of untitled
paintings by Albert Oehlen (2008) and Avery Singer (2015), and a series of Chat Paintings produced in oil by Celia Hempton in 2015
paintings by Albert Oehlen (2008) and Avery Singer (2015), and a series of Chat
Paintings produced in oil by Celia Hempton in 2015
Paintings produced
in oil by Celia Hempton in 2015 and 201
in oil by Celia Hempton
in 2015 and 201
in 2015 and 2016.
Henry has won numerous awards, including First Prize
in the American Society of Portrait Artists 2000 competition, the Gold Medal of Honor at the 2003 Hudson Valley Art Association annual
exhibition, and the Best
Painting from Life Award of the National
Oil & Acrylic Painters» Society
in 2003.