Sentences with phrase «oil paintings on canvas from»

«Cornelia Foss» is a survey of Cornelia Foss's oil paintings on canvas from the late 1990s through 2014.

Not exact matches

Yet I changed my tools from brushes, oil paints, and canvas to pencil, paper, and computing power for years and finished physics with a diploma on the topic of many - particle theory, under the supervision of Prof. Nolting at the Humboldt University in Berlin.

Keller, Tx About Blog Chris Brandley Art includes everything from painting commercial and residential murals and faux finishes, to painting oil on canvas.

Joffe has described the absorbing, as well as the highly physical experience of the work's making, the thickly applied pastel accumulating with a luminous purity that is markedly different from the act of painting and the ways in which oil behaves on canvas or board.

A nonprofit wants to purchase the digital images of 55 of my oil - on - canvas paintings from a recent solo exhibit, to be used for educational purposes and for printed materials.

Inscribed «Alberto Giacometti 1965» b.r. Oil on canvas, 51 1/4 x 32 (130 x 81) Purchased from the artist (Grant - in - Aid) with the aid of the Friends of the Tate Gallery 1965 Exh: Alberto Giacometti: Sculpture Paintings Drawings 1913 - 65, Tate Gallery, July - August 1965 (155); Giacometti - Udstillingen, Louisiana Museum, Humlebaek, September - October 1965 (144) Repr: The Friends of the Tate Gallery: Annual Report 1st May 1965 - 30th April 1966 (London 1966), p. 25; Reinhold Hohl, Alberto Giacometti: Sculpture Painting Drawing (London 1972), p. 168

ACQUISITION In early January, the Brooklyn Museum announces the acquisition of its first Beauford Delaney painting, «Untitled (Fang, Crow, and Fruit),» a 1945 oil on canvas still life (shown above), purchased from Michael Rosenfeld Gallery with money from the museum's African American Purchase Fund.

Inscribed «Alberto Giacometti 1965» b.r. Oil on canvas, 51 x 31 3/4 (130 x 80.5) Purchased from the artist (Grant - in - Aid) with the aid of the Friends of the Tate Gallery 1965 Exh: Alberto Giacometti: Sculpture Paintings Drawings 1913 - 65, Tate Gallery, July - August 1965 (153); Giacometti - Udstillingen, Louisiana Museum, Humlebaek, September - October 1965 (142) Lit: Reinhold Hohl, Alberto Giacometti: Sculpture Painting Drawing (London 1972), pp. 185, 282 - 4 Repr: The Friends of the Tate Gallery: Annual Report 1st May 1965 - 30th April 1966 (London 1966), p. 24; The Tate Gallery (London 1969), p. 161

Caroline Artist: Alberto Giacometti 1901 - 1966 Date: 1965 Classification: painting Medium: Oil paint on canvas Dimensions: support: 1295 x 806 mm Purchased with assistance from the Friends of the Tate Gallery 1965 © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris), licensed in the UK by ACS and DACS, London 2018

PAGES 28 - 29: From left, «Three Figures,» 1966 (oil on canvas) by Emma Amos and «It Takes Two to Integrate (Cha Cha Cha),» 1961 (painted dolls, dried fish, glass in wooden box) by Edward Kienholz.

The Ohio River from Athens County, Ohio, Winter oil on canvas 36 ″ x 96 ″ 2011 LG: Outside the universities and the larger urban art centers, the plein air painting «movement» of regional painters has become increasing popular.

A selection of oil on canvas paintings from the «Two Weeks One Summer» series exhibited at the Pinchuk Art Centre to coincide with the Future Generation Art Prize.

The show's oil - on - canvas paintings from the late 1940s and 1950s demonstrate the wide reach of the New York School — works by Jack Jefferson, Deborah Remington, Ward Jackson, Louis Ribak, Lilly Fenichel, and Bea Mandelman — reprised here by the recent mythic narratives (2013) of Eugene Newmann.

This series of paintings that illustrate this interview are from a 2005 exhibition at Locks Gallery featuring pairs of oil paintings on polygonal - shaped canvases and diptychs of her iconic baked enamel steel plate paintings.

«Ben Wilson: An Abstract Expressionist Vision» will be the next exhibition opening at the Quogue Gallery, featuring 14 paintings, oil on canvas or Masonite, dating from as early as 1963 and running to 1990.

Their work spans an extraordinary range of styles and techniques, from abstraction to figuration, minimalism to magical realism, and straight oil - on - canvas to mixed - media and installation based painting.

Over the past five years, Richter has been primarily concerned with a series of paintings premised on systematically deconstructing a photograph of his own abstract oil on canvas from 1990.

This selection of oil and mixed media works on canvas by Matthew Weinstein from 1990 to 1995 are grandiose and abstracted History Paintings.

Alfonso Ossorio, known primarily for his later compositions of found gewgaws and the ever - present evil eye, also has a traditional oil on canvas action painting from 1955.

It is fabricated from oil paint, enamel paint, and alkyd paint on canvas, etched magnesium, aluminum and fiberglass.

(251.1 x 251.1 cm) Medium: Oil on canvas Credit Line: Purchased with funds from the North Carolina State Art Society (Robert F. Phifer Bequest), the North Carolina Museum of Art Guild, and various donors, by exchange Object Number: 96.2 Culture: German Signed: Verso, right center: Richter 1985 Inscriptions: Verso, near top left: 577 - 2 Classification: Paintings Department: Modern

The diptych of two oil on canvas paintings was purchased through a gift from Jacksonville Women's Leadership and Museum acquisition funds.

These works were difficult to categorize: though I thought of myself as a painter, as I had earlier when working with gouache on paper, in defiance of the rules left over from Greenbergian formalism in the New York School that made oil or acrylic on canvas the probative medium, these were not paintings.

The oil on canvas works were a departure from the newspaper images and personal photographs which form the subject matter of earlier «Fact» painting exhibitions, «The Elusive Truth» (2005) and «Beyond Belief» (2007).

Next come mostly abstract paintings from two forays Wols made into oil - on - canvas in 1946 - 47 and 1949 - 51.

This massive, clothbound volume is comprised of paintings made between 1973 and 2013 and includes artwork from nearly every stage in the artist's oeuvre - from his early oil on canvas works to his most recent flag paintings.

From his signature «blackboard» paintings (which are oil on canvas) to the more representational landscape paintings in this exhibition, Fisher constructs constellations of ideas, thoughts, and images much like the disjointed nature of the unconscious and that of memory.

Frankenthaler began her departure from Pollock by thinning her oil paint with turpentine and then pouring it directly on to the bare canvas.

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Kristy Gordon will have her painting «Reconstruction Site» (12 «x12» oil on canvas) included in Dacia Gallery's 7 Year Anniversary Group Exhibition which opens Thursday, September 21st from 6 pm - 9 pm Dacia Gallery, 53 Stanton Street, NYC

The first is an emblematic oil painting on canvas derived from a photograph, as ever with Dumas (aside from a few early works).

From there on, he started painting numerous oil on canvas flower pieces with powerful and emotional splashes of striking paint and watercolor.

Oil and stencilled spray - paint on canvas (signed only by Jan Neethling, certificate from Hodgins Estate)

The pieces are created on canvas and incorporate encaustic, oil paint, collage, and wood trim, rejecting spontaneous gestural composition and overt figuration, instead drawing out a narrative from onomatopoeic wordplay and literary and biblical references.

Waller (b. 1983) will be represented by the inclusion of the following paintings: Peak, 2013, oil on canvas, 24 x 30 inches; Artist Statement, 2011, oil on canvas, 16 x 20 inches; Ice from Whiteface, 2008, oil on linen, 20 x 24 inches; Greek Steak, 2004, oil on linen, 19 x 27 inches.

Murray states, «Fifteen years ago I moved from figurative to abstract work on small canvases, limiting myself to black oil paint.

An early untitled oil on canvas from 1966 shows an obsessive daubing of paint all over the work's surface.

Installation from left «Principles in Orthopaedics», 2006 Oil, charcoal, and pen on canvas with metal cabinet, paint transferred to wall 84 x 72 inches + variable dimension of transferred paint ARG # LJ2006 - 003 «The Golden Sea», 2006 Oil, charcoal, pen, and pencil on canvas 80 x 72 inches ARG # LJ2006 - 006 © José Lerma

Also of interest in the exhibition are Fairfield Porter's View Through Window from Interior (ink on paper, circa 1965), Adrian Nivola's delicate wire sculptures Arunian Harp (wood wire paint and mixed media, 2015) and Deco Pochette # 4 (wood, wire and paint, 2015), and Bryan Hunt's Deep Field with Quarry (oil, acrylic, charcoal, and photograph on canvas, 2015).

Elizabeth Murray: Painting in the «70s will feature thirty oil on canvas paintings created between 1970 and 1980, including important loans from the Detroit Institute of Art, Pennsylvania Academy of Fine Arts, Princeton University Art Museum, and Whitney Museum of American Art, as well as three later paintings.

The artist breaks away such divisions and focuses on the creation of the minimal abstract objects — wall - mounted reliefs from foam shapes, which Adian beforehand covers with oil enamel or spray painted canvas.

There are also his more traditional - seeming, good old oil - on - canvas compositions, that range from photorealistic to blurred, positioning his paintings as a repository of memory, unreliable in its nature, and indubitably mediated by the artist's subjectivity.

A painter from Serbia, Milan Hrnjazovic is known for his oil on canvas paintings often depicting female figures.

Executed in oil on canvas from a digital image, the paintings incorporate layer upon layer of fine lines of colour to create architectural - like forms, suggestive of a dense, abstracted cityscapes.

Working in oil on canvas, ink on paper, and mixed - media collage, Krasner produced works characterized by a sensuous painterly style, her large - scales collages often formed from the artist's own cut - up paintings and drawings.

As early as 2002, the oil on canvas word painting Talk About Space (1963), a takeoff on the American billboard in which a single word is the subject, was expected to sell for $ 1.5 million to $ 2 million from a private European collection.

On display from April 21 to September 18, 2010, «Into an Unknown World: Mark Rothko 1949 - 1969» features more than a dozen oil on canvas paintings from 1949 to 1969, many drawn from the largest private collection of the artist's worOn display from April 21 to September 18, 2010, «Into an Unknown World: Mark Rothko 1949 - 1969» features more than a dozen oil on canvas paintings from 1949 to 1969, many drawn from the largest private collection of the artist's woron canvas paintings from 1949 to 1969, many drawn from the largest private collection of the artist's work.

LeWitt's work from the early «60s, works on canvas coated with thick gestural oil paint, each featured one of Muybridge's figures in motion.

Image: Martin Kippenberger, Untitled (from the series Hand Painted Pictures), 1992, oil on canvas, 71 7/8 x 59 1/16 in (180 x 150 cm) © Estate of Martin Kippenberger, Galerie Gisela Capitain, Cologne

Ryman thickly applied oil to a primed, stretched canvas creating the composition primarily from the varying texture of the paint and anchoring it with an accent of black along the top and an obscured orange rectangle on the right edge.