Sentences with phrase «oil paintings on view»

The twelve oil paintings on view depict nature, architecture, technology, commerce and man, each work provoking the viewer to explore the similarities and differences that the Artist perceives.

The approximately fifteen oil paintings on view span fifty years of Matta's career.

The eleven oil paintings on view here spring from the expressive potential of contained painterly gestures.

New oil paintings on view are filled with dynamic figures that span reality (an upside down figure on a roller coaster) and a sense of surrealism (a figure lounging on the beach in red flips flops, atop clouds, with some body parts replaced by shapes).

Not exact matches

Mountain View, CA About Blog Comprehensive up - to - date news coverage on Oil Painting, aggregated from sources all over the world by Google News.

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Mountain View, CA About Blog Comprehensive up - to - date news coverage on Oil Painting, aggregated from sources all over the world by Google News.

Mountain View, CA About Blog Comprehensive up - to - date news coverage on Oil Painting, aggregated from sources all over the world by Google News.

More than 20 large - scale oil paintings will be on view alongside 50 never - before - exhibited works from the 1930s, which show the artist working in watercolor and gouache on paper.

The breadth and variety of works on view, from Kolsrud's paintings of women behind grates to Ferris's oil and pigment self - portraits, reflects on the complexity of the female experience, which defies any single representation.

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

Please join us on Saturday, May 19 at 2:00 p.m. to learn more about the creative inspiration, process, and techniques used by artist Lillian Bayley Hoover as she presents an Artist Talk focused on the series of oil paintings on display in her solo exhibit «In This World,» which is on view in the Kay Gallery through June 2.

Throughout his career, from early striped oil paintings that hint at atmospheric landscapes to his celebrated interference paintings that shimmer and alter in the light, depending on their angle of view, Simpson has maintained a boundless curiosity and desire to expand the limits of his chosen medium.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

One of the earliest works on view is Fisherman's Family (1931), a seemingly realist oil painting of a family scene.

Portrait of Albert Pinkham Ryder, 1938, Oil on Masonite, 28» x 22»; c. 1930s American Modernist painting frame, House of Heydenryk, New York makers; silver - gilded beveled sight edge, wormy chestnut reverse profile, molding width: 4-3/8» CURRENTLY ON VIEW at the Met Breuer in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next summer into autumn at Colby College Museum of Art, July 8 — November on Masonite, 28» x 22»; c. 1930s American Modernist painting frame, House of Heydenryk, New York makers; silver - gilded beveled sight edge, wormy chestnut reverse profile, molding width: 4-3/8» CURRENTLY ON VIEW at the Met Breuer in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next summer into autumn at Colby College Museum of Art, July 8 — November ON VIEW at the Met Breuer in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next summer into autumn at Colby College Museum of Art, July 8 — November 1)

In James Krone's «Waterhome», on view at Kavi Gupta Gallery until April 14, oil paintings hang from a system of support structures that blur the distinctions between front and back, the exposed and the concealed...

Eight new paintings — made in her trademark mix of high and low materials, from oil paint to magic marker — are on view at Rachel Uffner's newly relocated Lower East Side gallery (through Apr. 20).

Also on view are several early non-ballpoint works; an early lithograph Untitled (1979); a drypoint etching Untitled (1980); two small crayon and oil on paper works Untitled B (1980) and Untitled R (1980); an acrylic and oil on board Untitled 84 - 6 (1984); and Untitled 82 - A (1982), a stunning example of an early painting drawn with a sharp nail and a precursor to his recent acrylic and oil paintings.

Alan Ebnother, March 18 2008 Oil and pigments on aluminum, 40 x 40 inches View of work in Color Blind at Cardwell Jimmerson Contemporary Art Alan Ebnother: Painting Green Arte Moderna Ammann Modern Art, Locarno, Switzerland May 17 — June 14, 2008 Color Blind: Black, White, and Gray in Contemporary Art Cardwell Jimmerson Contemporary Art, Culver City, CA May 24 — June 21, 2008

Don Voisine, Buzz, 2009 Oil on wood 17 × 17 inches «A week after the opening of his exhibit of a new group of paintings, which will be on view at McKenzie Fine Art Inc, located at 511 West 25th Street, till June 6, 2009, the painter Don Voisine visited the Rail's Headquarters to talk with Assistant Art Editor Ben La Rocco, and contributing writer Craig Olson about his life and work.

On view are prints, mostly from the last 15 years, some unique oil paintings on wood from the Small Paintings series and cut - outOn view are prints, mostly from the last 15 years, some unique oil paintings on wood from the Small Paintings series and cupaintings on wood from the Small Paintings series and cut - outon wood from the Small Paintings series and cuPaintings series and cut - outs.

Among the work on view will be mural - scale oil paintings from the Power Play series (1982 - 86) and a large free - standing stained glass Rainbow Shabbot from The Holocaust Project (1985 - 1993).

On view will be oil paintings, mixed media works on paper and sculptureOn view will be oil paintings, mixed media works on paper and sculptureon paper and sculptures.

«Pigs blood for a painting I didn't make», 2017 oil on canvas 33 x 48.4 cm installation view Galerie Buchholz, Berlin 2017

The exhibition features paintings in her signature medium of oil pastel on chalkboard and will be on view from January 12 to February 25, 2012.

Currently on view at Gallery 16, San Francisco is «From the Sky Rivers Look Like Snakes» a solo exhibititon by Jason Jägel presenting three bodies of work; large oil paintings, works on paper and smaller...

The exhibition, on view from November 29 — January 12, will include a dozen large - scale paintings made over the past year, using oil, acrylic, and hand - made spray - paint.

The earliest works on view are thickly painted, quasi-monochromatic paintings made of oil and other substances on Masonite.

Sam Scott: Still Lifes, a showing of primarily oil paintings along with select watercolors is currently on view at the William Havu Gallery, 1040 Cherokee St, Denver, CO through June 17, 2017.

The Stylist Project (on view through April 3rd) presents Brooks» latest body of work — a series of oil painted portraits of fashion industry insiders, including stylist to the starts and Bravo TV fixture, Rachel Zoe, and award winning costume designer and Madonnaʼs personal stylist Arianne Phillips, among others.

The works on view, a selection of oil paintings and works on paper including acrylic and crayon, display a joyful exuberance expressed through sensuous black lines and both geometric and amorphous shapes that are reminiscent of both Miró and Matisse.

Other artists included Jim Dine, who had a one - person show; Renée Rubin, whose Coney Island Pinball (1958), made of aluminum and oil on canvas and wood, is on view; Martha Edelheit, represented by her multi-media painting Frabjous Day (1959); and Rosalyn Drexler, whose one - person show included works made of found objects, plaster, and melted lead.

This exhibition also draws attention to works in the Museum's collection such as Frank Stella's (b. 1936) Moby Dick prints, currently on view in the adjacent Connecting Chaos exhibition, in which he layers cut paper onto multiple print processes, and Keltie Ferris's (b. 1977) The Wrestler (2009) in the Museum's atrium, which incorporates oil, acrylic, and spray paint into an abstract layering of color and shapes.

On Sunday, the North Fork is a draw with a promising group show opening in Greenport and a serene oil painting exhibition on view in JamesporOn Sunday, the North Fork is a draw with a promising group show opening in Greenport and a serene oil painting exhibition on view in Jamesporon view in Jamesport.

Also of interest in the exhibition are Fairfield Porter's View Through Window from Interior (ink on paper, circa 1965), Adrian Nivola's delicate wire sculptures Arunian Harp (wood wire paint and mixed media, 2015) and Deco Pochette # 4 (wood, wire and paint, 2015), and Bryan Hunt's Deep Field with Quarry (oil, acrylic, charcoal, and photograph on canvas, 2015).

Bureau 178 Norfolk Street May 3 — June 18, 2017 What's On View: Seven large, colorful abstract oil paintings from Patricia Treib.

Oil and watercolor paintings by St. Louis artist Daven Anderson offer an intimate view of life and activity on America's inland waterways.

On view are jacquard tapestries, oil paintings on canvas, watercolor pigment prints, felt stamp works and ink and graphic drawingOn view are jacquard tapestries, oil paintings on canvas, watercolor pigment prints, felt stamp works and ink and graphic drawingon canvas, watercolor pigment prints, felt stamp works and ink and graphic drawings.

Tim Eitel's nearly 9» tall oil on linen, Schwarzer Sand (2004) and two paintings (both 9-7/8» x 7-7/8») of solitary male figures in sand dunes: Landeinwarts (Upcountry) and Sand, are also on view.

PaceWildenstein is pleased to present Josef Albers / Donald Judd: Form and Color, an exhibition featuring 15 oil paintings by Albers from 1947 to 1967 and 11 sculptures by Judd from 1977 to 1994, on view from January 26 through February 24, 2007 at 32 East 57th Street, New York City.

From the distant view of the mezzanine of the gallery, Ali Banisadr's triptych «Ran» (2014) gains a depth of field that allows the viewer to get a handle on the wild whirring, spinning choreography of the oil painting.

On view in the current show are large oil paintings, including PieFace (2008), Travellers (2008), Figure in Interior (2008), Snowman (2008), Reclining Nude (2009), The Smoker (2008), Pond (2007), among others, in addition to small oil paintings, including Figure in Landscape (2008) and Chrissy (2009).

View From a Room, 2016; acrylic, oil, and spray paint on canvas with velour; dimensions vary.

On view are a juxtaposition of three - dimensional mono - chrome canvasses and glowing vibrant oil paintings by Swiss - born artist Thomas Bühler.

The powerful works on view represent four major branches of contemporary Chinese art: ink painting, realist oil painting, conceptual photography, and performance and new media art.

Installation view: From left, «In the Land of the Blind the Blue Eye Man is King,» 2007, from the series By the Skin of Our Teeth (oil, archival ink, paper, Flashe paint, and enamel on five birch panels) by DEBORAH GRANT; «High Life,» 2013 (enamel and charcoal on paper) by GARY SIMMONS; (with work by DARIO ROBLETO in the foreground).