These paintings often employed the use of a silver, acrylic background with layers of dark
oil pigment on top.
Not exact matches
«This way, you begin the day with very little excess
oil on your face, keeping just the
pigment that comes with it.»
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Colour: PEARL LIGHT PINK Highly
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Colour: SATIN SHIMMER LIME GREEN Highly
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Colour: MATTE RUSTY BROWN Highly
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Colour: MATTE WARM BROWN Highly
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Colour: VELVETY MATTE WARM SAND Highly
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Colour: SATIN SHIMMER PEACH Highly
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Colour: MATTE LIGHT LINEN Highly
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Highly
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Colour: MATTE DEEP CHOCOLATE BROWN Highly
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Colour: MATTE LIGHT BEIGE Highly
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Colour: SATIN PEARL WHITE Highly
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Colour: MATTE RICH WHITE Highly
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Colour: MATTE LIGHT ASH BROWN Highly
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Colour: SHIMMER PEARL TURQUOISE Highly
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oil glides
on smoothly, blends effortlessly, and stays put all day.
Colour: SATIN LIGHT SAND Highly
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oil glides
on smoothly, blends effortlessly, and stays put all day.
Colour: VELVET DARK GREEN WITH A TOUCH OF SPARKLE Highly
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oil glides
on smoothly, blends effortlessly, and stays...
Colour: SATIN LIGHT PEACH Highly
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oil glides
on smoothly, blends effortlessly, and stays put all day.
Colour: MATTE TERRACOTTA BROWN Highly
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Colour: PEARL FRENCH VANILLA Highly
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Colour: VELVETY DARK COOPER WITH A TOUCH OF SPARKLE Highly
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oil glides
on smoothly, blends effortlessly, and stays...
Colour: MATTE RICH SALMON Highly
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on smoothly, blends effortlessly, and stays put all day.
Colour: MATTE RICH PLUM Highly
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oil glides
on smoothly, blends effortlessly, and stays put all day.
Colour: VELVETY MATTE RICH ESPRESSO Highly
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on smoothly, blends effortlessly, and stays put all day.
Colour: VELVET DEEP BURGUNDY WITH A TOUCH OF SPARKLE Highly
pigmented velvety rich eye shadow infused with moisturizing jojoba and sunflower seed
oil glides
on smoothly, blends effortlessly, and stays...
Colour: PEARL SHIMMER GOLD Highly
pigmented velvety rich eye shadow infused with moisturizing jojoba and sunflower seed
oil glides
on smoothly, blends effortlessly, and stays put all day.
Colour: VELVETY MATTE GREY Highly
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oil glides
on smoothly, blends effortlessly, and stays put all day.
Colour: SATIN MIDNIGHT GREY WITH A TOUCH OF SPARKLE Highly
pigmented velvety rich eye shadow infused with moisturizing jojoba and sunflower seed
oil glides
on smoothly, blends effortlessly, and stays...
Colour: MATTE SALMON Highly
pigmented velvety rich eye shadow infused with moisturizing jojoba and sunflower seed
oil glides
on smoothly, blends effortlessly, and stays put all day.
Colour: MATTE LIGHT CARAMEL Highly
pigmented velvety rich eye shadow infused with moisturizing jojoba and sunflower seed
oil glides
on smoothly, blends effortlessly, and stays put all day.
Colour: SATIN PEARL COPPER Highly
pigmented velvety rich eye shadow infused with moisturizing jojoba and sunflower seed
oil glides
on smoothly, blends effortlessly, and stays put all day.
When you put it
on, the
oil moisturizes your lips while the
pigment is a long - lasting stain.
Available in so many colors (over 20), the
oil - free
pigment stays
on for hours, absorbing excess oils so your skin always looks fresh.
This
oil - free,
pigment - rich makeup stick can be used as a concealer, and it glides
on easily for custom contouring or highlighting.
I've been digging its Blooming Lip
Oil in Zen Strawberry, which includes over 10 essential oils, and goes
on clear but then begins to
pigment, based
on your lips» pH to evolve into a custom hue.
The breadth and variety of works
on view, from Kolsrud's paintings of women behind grates to Ferris's
oil and
pigment self - portraits, reflects
on the complexity of the female experience, which defies any single representation.
Laurent Grasso Studies into the past (rock), 2013 animal adhesive, resin, boiled
oil and
pigments on wood panel painting: 39 3/8 x 30 3/8 inches (100 x 77.2 cm) framed: 46 1/8 x 37 inches (117.2 x 94 cm) LG - P.13.983
TSCHABALALA SELF, «Bodega Run,» 2015 (
Oil,
pigment and flasche
on canvas).
Oil and powdered
pigment on paper, 40 1/8 by 26 in.
Ten works
on paper from 2010 are exhibited in the second room of the gallery in which Whitten experiments with dry
pigment, graphite and
oil stick, and creates grid - like compositions by transferring the structure of objects, such as a radiator, directly onto paper with a graphite block.
Oil, yarn, 23k gold, canvas, linen, archival pigment print, pastel, oil stick, caran D'ache, Flashe, graphite, and wax on pa
Oil, yarn, 23k gold, canvas, linen, archival
pigment print, pastel,
oil stick, caran D'ache, Flashe, graphite, and wax on pa
oil stick, caran D'ache, Flashe, graphite, and wax
on panel
«MVRena,» 2017,
Oil, flashe, fluorescent
pigment on canvas, PFD; «Type II Mega,» 2016, Nylon, polyester, cotton, and «Buoy,» 2017, Flashe and fluorescent
pigment on expended polystyrene, rope by Mea Duke.
Tracts of color are dragged across the canvas using a squeegee, so that the various strains of malleable, semi-liquid
pigment suspended in
oil are fused together and smudged first into the canvas, and then layered
on top of each other as the paint strata accumulate to bring color and textural juxtapositions.
Alan Ebnother, March 18 2008
Oil and
pigments on aluminum, 40 x 40 inches View of work in Color Blind at Cardwell Jimmerson Contemporary Art Alan Ebnother: Painting Green Arte Moderna Ammann Modern Art, Locarno, Switzerland May 17 — June 14, 2008 Color Blind: Black, White, and Gray in Contemporary Art Cardwell Jimmerson Contemporary Art, Culver City, CA May 24 — June 21, 2008
Lisa Sharp Judith and Holofernes, 2016, (diptych) Italian Green Earth
pigment bound in tempera,
oil and beeswax
on panel, 20.5 x 15.5 x 1.2 cm each.
Her work begins with marks, stains and cracks
on the ground which Calame traces, then combines layers and retraces, transforming them into drawings in coloured penicl or pure
pigment and paintings in enamel or
oil pain.