Sentences with phrase «oil portraits at»

Allan Stone Projects will show an intriguing selection of his landscapes, erotic drawings, and oil portraits at ADAA: The Art Show 2015.

Not exact matches

The portraits at the Frick varied widely in formality and speed of execution, ranging from quick and expressive drawings and oil sketches to full - length canvases made in Van Dyck's capacity as court painter to Charles I. Works in the first category can look unnervingly contemporary, particularly the sensitive and precocious self - portraits that appeal, anachronistically, to our obsession with «authenticity.»

Portrait of Albert Pinkham Ryder, 1938, Oil on Masonite, 28» x 22»; c. 1930s American Modernist painting frame, House of Heydenryk, New York makers; silver - gilded beveled sight edge, wormy chestnut reverse profile, molding width: 4-3/8» CURRENTLY ON VIEW at the Met Breuer in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next summer into autumn at Colby College Museum of Art, July 8 — November 1)

Best known for his delicate oil portraits of troubled or otherwise distant young men, the Canadian painter Paul P. is turning over a new leaf for the one - day exhibition «Perennial,» happening August 2nd at the Grecian Shelter in Brooklyn's Prospect Park.

Her painterly approach toward representation heightens a fluid ambiguity - painting the thing or the person which is disappearing and emerging at the same time, as in the elegantly complex portrait sister (2008, oil on canvas, 32.5 x 21.5 in.)

Varejão's first solo U.S. museum exhibition is currently on view at ICA Boston featuring among other works, «Polvo Portraits» (shown above), an oil on canvas series referencing Brazil's 1976 census, in which citizens were given 136 options for describing their race in terms of color.

Mr. Clark's oil portrait of the Chief Judge of the First Federal District Court was acquired for the permanent collection of the Moakley Federal Courthouse in Boston in June of 2015, and extensive coverage of his solo exhibition at the Loyola University Museum of Art in Chicago was included in both Fine Art Connoisseur and America magazines.

Sarah Howgate, Senior Curator, Contemporary Collections, National Portrait Gallery, and Curator of Lucian Freud Portraits, the last exhibition of his works exhibited at the gallery in 2012, says: «This compelling self - portrait is one of the most intriguing of Freud's unfinished oil studiesPortrait Gallery, and Curator of Lucian Freud Portraits, the last exhibition of his works exhibited at the gallery in 2012, says: «This compelling self - portrait is one of the most intriguing of Freud's unfinished oil studiesportrait is one of the most intriguing of Freud's unfinished oil studies.»

Her paintings have won awards at international juried shows hosted by The Portrait Society of America, Oil Painters of America and American Impressionist Society.

Rembrandt van Rijn (Dutch, 1606 — 1669), Self Portrait at the Age of 34, 1640, oil on canvas, 102 x 80 cm, © The National Gallery, London

RMN - Grand Palais / Patrice Schmidt; Berthe Morisot, Winter, 1880, oil on canvas, Dallas Museum of Art, Gift of the Meadows Foundation, Incorporated, 1981.129; Berthe Morisot, In England (Eugène Manet on the Isle of Wight), 1875, oil on canvas, Musée Marmottan - Claude Monet, Fondation Denis et Annie Rouart, Photo by Erich Lessing / Art Resource, NY; Berthe Morisot, Self - Portrait, 1885, oil on canvas, Musée Marmottan - Claude Monet, Fondation Denis et Annie Rouart, Photo courtesy Musée Marmottan Monet, Paris, France / Bridgeman Images; Berthe Morisot, Woman at Her Toilette, 1875 — 1880, oil on canvas, The Art Institute of Chicago, Inv.

Henry has won numerous awards, including First Prize in the American Society of Portrait Artists 2000 competition, the Gold Medal of Honor at the 2003 Hudson Valley Art Association annual exhibition, and the Best Painting from Life Award of the National Oil & Acrylic Painters» Society in 2003.

The portrait award, regularly targeted by campaigners who object to oil company sponsorship of the arts, is in its 39th year at the National Portrait Gallery and 29th year of sponsorshiportrait award, regularly targeted by campaigners who object to oil company sponsorship of the arts, is in its 39th year at the National Portrait Gallery and 29th year of sponsorshiPortrait Gallery and 29th year of sponsorship by BP.

I also teach multimedia painting at Heritage Hills in Somers, oil painting for the Yorktown Parks and Recreation Dept., watercolor painting for the Croton Recreation Dept., as well as portrait painting in my studio.

Her oil - on - board portraits, rarely bigger than a sheet of A4 paper, are at once elegant miniatures and seemingly trashy fanzine fodder, as if Edouard Manet were illustrating for NME.

The eye - popping exhibition, A New Republic, showcased Feb 11th to May 8th 2016 at the Seattle Art Museum, assembled an extensive series of life - size, oil on canvas portraits of young African - Americans, by rising American painter Kehinde Wiley (b. 1977).

Basing the oil paintings off portraits taken on his iPhone featuring Smith's close circle of friends, there's a personal perspective that permeates each of the paintings, offering us the unseen sensitive side of Smith — slightly unexpected, though not at all unwelcome.

Artist Danny Galieote (whose oil on canvas portrait At Play surely grabbed your attention on our cover) falls firmly into the latter category.

Celebrating the opening of her first solo gallery exhibition at Casey Kaplan in Chelsea, Casteel is joined by the men featured in her portraits who revel in their oil likenesses.

From left, Portraits of artists Cecily Brown, Chuck Close and Kara Walker: «Cecily / Felt Hand Stamp,» «Self Portrait / Felt Hand Stamp» and «Kara / Felt Hand Stamp,» all 2012 (oil on paper) editions of 40 by Chuck Close at Pace Prints of New York.

Two exhibitions open this week, including his first solo show at Jack Shainman Gallery, featuring nine new oil - on - canvas portraits.

Other works in the exhibition include a 1981 Arneson bronze and ceramic self - portrait, Jack Beal's large oil study for his MTA mural at Times Square, Jose Bedia?s «El otro llado,» a five - part painting from 1992, and Joan Brown?s «Smoker,» a cardboard cutout from 1973.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

This effect is notable at the Southampton space in works such as Felix Bonilla Gerena's Garden of the Lost Pleasures (oil on canvas, 2015) and Stefan Bondell's Self - Portrait (oil on canvas, 2011).

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

Anthony Green's eccentrically shaped canvases stand out as do some wonderful Mary Feddens, two Louise Bourgeois cat prints that were at last month's London Print Fair and a stunning series of Hockney full - length portraits in oil flanked by some garish Kitajs priced at # 84,000.

Cinga Samson's self - portrait, Time has no Eternity, (2017), one of handful of gothic selfies in oil by the 2017 Tollman Award winner from his concise solo exhibition Safari Fantasy at Blank Projects, Cape Town.

In 1982, at the documenta 7 exhibition, Haacke exhibited a very large work that included oil portraits of Ronald Reagan and Margaret Thatcher in 19th - century style, facing on the opposite wall a gigantic photograph of the demonstration against nuclear arms held earlier that year — the largest demonstration in Germany since the end of the Second World War.

George Condo's «Portrait With Green Shapes,» oil on linen sold at Spruth Magers for $ 500,000.

His paintings in museum collections include Self - Portrait (1935), Sharecropper (1937), and On the Ranch (1941) at the Dallas Museum of Art; Where the Mountain Meets the Plains, at Southern Methodist University; and Oil Field Girls (1940), at the Archer M. Huntington Art Gallery, University of Texas at Austin.

A solo show by Gianni Politi organised by Galleria Lorcan O'Neill (Rome), a re-presentation of the works the artist produced for his first solo show at the gallery, which included three types of work: abstract paintings made using scraps of canvas with acrylic, oil and household paint; small portraits on canvas; and bronze stretchers of varying sizes realized with multi-coloured patinas, marble and painted wood inserts.

Also this week, Massimo Franco, an oil painter based at the Glasgow Independent Studios, was named on the shortlist for the (pounds) 25,000 BP Portrait Award.

During this period he also exhibited with the Society of Artists in Dublin, and showed several works (a landscape and three oil portraits) at the Royal Academy (RA) in London.

The auction record for a work by Gerard Dillon was set in 2007, when his oil painting, entitled Self - Portrait In Roundstone, was sold at Sotheby's, London, for # 192,000.

The armoire, old toy box with matching stand, and distinctive oil portrait were all discovered at local flea markets.