Sentences with phrase «oil portraits of»

In 1982, at the documenta 7 exhibition, Haacke exhibited a very large work that included oil portraits of Ronald Reagan and Margaret Thatcher in 19th - century style, facing on the opposite wall a gigantic photograph of the demonstration against nuclear arms held earlier that year — the largest demonstration in Germany since the end of the Second World War.

The oil portraits of London - based artist Lynette Yiadom - Boakye (born 1977) depict characters who exist outside of a specific time and place.

Pencil and oil portraits of our culture's Zeitgeist — Patti Smith, Kanye West and Justin Bieber are displayed alongside Isa Genzken with still lives based around the late French sculptor Camille Claudel.

Best known for his delicate oil portraits of troubled or otherwise distant young men, the Canadian painter Paul P. is turning over a new leaf for the one - day exhibition «Perennial,» happening August 2nd at the Grecian Shelter in Brooklyn's Prospect Park.

A vast paneled mirror dominates the far side of the room, flanked by oil portraits of gray - eyed, long - dead diplomats.

The film is unable to decide whether it's too smart for its audience or a part of its audience — it's in love with overt Hitchcock homage and looming oil portraits of Davison though never sure if it stands as a thriller, a shrine, a melodrama farce, a Theater of the Absurd, or an Oedipal love story.

And then one of her many cats defecates in a corner, sheltering behind the vivid oil portrait of Big Edie in her beautiful, younger years.

Installed in the tall yet cozy Perlman Gallery, the exhibit features paintings from the Walker's collection (including, prominently, an oil portrait of founder T.B. Walker himself) hung salon - style, jammed up in close proximity to one another.

Oliveira, who is represented in the show by a 1961 oil portrait of his mother, was a friend of Polish - born Waldemar Mitrowski — whose small canvas «Outdoor» is enigmatic and poetic — and a mentor to John Goodman — whose «Figure # 29» is sensual and singular

Mr. Clark's oil portrait of the Chief Judge of the First Federal District Court was acquired for the permanent collection of the Moakley Federal Courthouse in Boston in June of 2015, and extensive coverage of his solo exhibition at the Loyola University Museum of Art in Chicago was included in both Fine Art Connoisseur and America magazines.

As we continue, Richard Tuttle's 13 Angels for Jack accompany us to the second floor, where we find Dumas's oil portrait of Tilton.

Contributing to the focus is Jonathan Scott Hartley's 1891 bust of Moran and Howard Russell Butler's oil portrait of Moran, circa - 1922.

Commissioned by the Henan Provincial Museum to paint an oil portrait of the «People's Martyr, Jiao Yulu.»

Not exact matches

One of the most revolutionary public - relations proposals was a photographic portrait of oil, «imposed and unretouched,» for all the world to see.

Hutton's first documentary feature was Crude Independence, a portrait of small - town life during the present - day oil boom in North Dakota.

Eighteen days later, Giacometti completed the oil portrait to his usual degree of dissatisfaction.

After quite a hiatus (for audiences, anyway) Anderson has brought us a hard - hitting portrait of «oil man» Daniel Plainview.

It is based upon Giuseppe Arcimboldo's Summer, a portrait composed of fruits and vegetables painted with oil on canvas.

Ideally, major artists avoid or subvert trends instead of following them, and there's nothing in Ratcatcher's poetic, child's - eye view of a suburban garbage strike or Morvern Callar's deft, intimate, portrait of a young woman coping with her boyfriend's suicide to hint that its creator's output would come to even superficially resemble the oil - slick schtick of, say, Nicolas Winding Refn.

The cover of this issue has been created by artist Jaxon Northon as an oil on canvas portrait of the film's star.

Farnsworth's oil paintings remind me of the formal portraits we often see hung in businesses or schools to honor past presidents and principals.

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She is on a search for its origins; painting as practical magic, the prosaic made ecstatic, and self - portrait in its most basic sense as a trace of its author... The non-traditional materials Strobert employs — powdered graphite, pumice, papier - mâché and glitter among others — all have visual signatures as distinctive as the bulbous shine of oil paint or the transparent skeins of gouache.

«I want the audience to think of classical portraits initially, then notice my distortions and make their own interpretations,» explains Eymann, who mainly works in oil and watercolour, on paper and canvas.

Not even the best photography in the world can achieve a similar level of engagement as these stunning, large - scale oil portraits.

Using oil and acrylic on canvas, none of his fine art is titled - but you can see he simply prefers to paint haunting portraits of unknown subjects... people we might never know or understand.

Ann Gale, Portrait with Cap, 2014, oil on linen with wrapped masonite (courtesy of Steven Harvey Fine Art Projects)

Though I would complete an oil portrait in the same way, the drying time would be much greater; the joy of acrylics is that you can work wet into wet, but then dry the area with a hairdryer and quickly move onto the next stage.

Bartolomé Esteban Murillo, Self - Portrait, c. 1650 - 5, oil on canvas, 107 x 77.5 cm (The Frick Collection, New York, Gift of Dr. and Mrs. Henry Clay Frick II, 2014.

The portraits at the Frick varied widely in formality and speed of execution, ranging from quick and expressive drawings and oil sketches to full - length canvases made in Van Dyck's capacity as court painter to Charles I. Works in the first category can look unnervingly contemporary, particularly the sensitive and precocious self - portraits that appeal, anachronistically, to our obsession with «authenticity.»

The breadth and variety of works on view, from Kolsrud's paintings of women behind grates to Ferris's oil and pigment self - portraits, reflects on the complexity of the female experience, which defies any single representation.

Mansa deconstructs the subjects of his oil - on - canvas portraits according to familial and racial histories and their relationships to the future.

Kehinde Wiley Portrait of Nick Cave, Nadezhda Polovtseva, 2017 oil on canvas painting: 120 5/16 x 81 3/4 inches (305.6 x 207.6 cm) framed: 131 5/16 x 92 3/4 x 4 1/2 inches (333.5 x 235.6 x 11.4 cm) KW - PA -17-010

One of the first paintings to hit you is the portrait of Alice's son Richard (Richard Age 5, Oil on Canvas, 1946) and it is a striking image.

Roth has organized numerous exhibitions and film series, including Scotiabank Photography Award: Mark Ruwedel (2015); Edward Burtynsky: Oil (2009), Richard Avedon: Portraits of Power (2008), Sally Mann: What Remains (2004), and I... Dreaming: The Visionary Cinema of Stan Brakhage (National Gallery of Art, 2002).

Hansa artists» works represented in the Grey show include Jane Wilson's Portrait of Jane Freilicher (1957), an oil on canvas merging abstraction with figuration, and Jean Follett's Many - Headed Creature (1958), a piece that recreates a fragmented body on a wood panel out of junk and found objects — a light switch, socket cooling coils, a window, a screen, nails, a faucet knob, mirror twine, cinders, a caster, springs, and rope.

Portrait of Albert Pinkham Ryder, 1938, Oil on Masonite, 28» x 22»; c. 1930s American Modernist painting frame, House of Heydenryk, New York makers; silver - gilded beveled sight edge, wormy chestnut reverse profile, molding width: 4-3/8» CURRENTLY ON VIEW at the Met Breuer in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next summer into autumn at Colby College Museum of Art, July 8 — November 1)

Andro Wekua Portrait, Chrome, 2016 Oil paint, oil stick, silkscreen ink, and varnish on aluminum panel Courtesy of the artist and Gladstone Gallery, New York and Brussels © Andro WeOil paint, oil stick, silkscreen ink, and varnish on aluminum panel Courtesy of the artist and Gladstone Gallery, New York and Brussels © Andro Weoil stick, silkscreen ink, and varnish on aluminum panel Courtesy of the artist and Gladstone Gallery, New York and Brussels © Andro Wekua

The exhibition will feature never before seen canvas oil paintings; tulle portraits, a continuation of the artist's «Gaze» series presented by C24 Gallery in 2012.

The primary tool and subject of these works is her own body; using a messy oil - and - pigment technique gleaned from the «Body Prints» of David Hammons, she has been making process - rich self - portraits that feel simultaneously intimate and in - your - face.

Portrait of Albert Pinkham Ryder, 1938, Oil on Masonite, 28» x 22».

Installation view of After Effect, 2016 Loie Hollowell Portrait of a Woman with Green Hair, 2015 Oil on linen over panel 28 x 21 inches Courtesy the artist; Jamie and Adam Altman; and Ballroom Marfa Photo © Fredrik Nilsen

1960s oil on canvas painting of woman portrait signed by Louis Wolchonok.

Portrait of Lynette Yiadom - Boakye, Jacob Morland of Capplethwaite, 2017 oil on canvas painting: 120 5/16 x 93 5/16 inches (305.6 x 237 cm) framed: 131 5/16 x 104 9/16 x 4 1/2 inches (333.5 x 265.6 x 11.4 cm)

Portrait of Rashid Johnson and Sanford Biggers, The Ambassadors, 2017 oil on canvas painting: 120 5/16 x 85 5/8 inches (305.6 x 217.5 cm) framed: 131 5/16 x 96 11/16 x 4 1/2 inches (333.5 x 245.6 x 11.4 cm)

Kehinde Wiley, Portrait of Lynette Yiadom - Boakye, Jacob Morland of Capplethwaite, 2017, oil on canvas, 3.1 x 2.4 m. Courtesy: the artist and Sean Kelly, New York

Portrait of the Hound, 2010 — 2011 (oil on canvas) 150 x 150 cm by Freud, Lucian (1922 - 2011); Private Collection; Courtesy of Acquavella Galleries © The Lucian Freud Archive.

Portrait of Nick Cave, Nadezhda Polovtseva, 2017 oil on canvas painting: 120 5/16 x 81 3/4 inches (305.6 x 207.6 cm) framed: 131 5/16 x 92 3/4 x 4 1/2 inches (333.5 x 235.6 x 11.4 cm)

In her Portrait As An Allegory of Fidelity (oil on linen), the artist presents herself holding her child while around her are piled the trappings of family life including toys, a dog, and a strange gentleman peering from around a curtain in the right rear quadrant of the painting.

Portrait of Derrick Adams, El Santo Oficio, 2017 oil on canvas painting: 84 7/8 x 73 5/8 inches (215.6 x 187 cm) framed: 94 7/16 x 84 3/16 x 4 1/2 inches (239.9 x 213.8 x 11.4 cm)