Sentences with phrase «oil sketches in»

The small oil sketches in this exhibition originate in his practice of painting directly outdoors.
While many have relied on preliminary drawing, but Théodore Géricault preferred oil sketches in developing Romanticism.
The works showcase aspects of the role of the oil sketch in pedagogy and practice.

Not exact matches

Her canvases were precious possessions to her family: oil paintings of Degas» ballerinas, sketches of an old tree swing in the backyard, of still life and country life.
Chalk & Vermilion Fine Arts has loaned two oil paintings — La Dialectique appliquée and Les Grands rendez - vous — and a 1950 sketch by renowned Belgian surrealist René Magritte to «The Pleasure Principle,» a traveling exhibition that just completed a run at the Albertina Museum in Vienna.
The portraits at the Frick varied widely in formality and speed of execution, ranging from quick and expressive drawings and oil sketches to full - length canvases made in Van Dyck's capacity as court painter to Charles I. Works in the first category can look unnervingly contemporary, particularly the sensitive and precocious self - portraits that appeal, anachronistically, to our obsession with «authenticity.»
Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.
An important new component was a group of forty - eight oil sketches by artists of the late eighteenth and nineteenth centuries, many of whom were already represented in the exhibition.
That trajectory is explored in The Portrait Transformed: Drawings & Oil Sketches From Jacques Louis David to Lucien Freud.
In 2002, The Thaw Collection: Drawings and Oil Sketches, Acquisitions Since 1994 comprised 111 works.
He never took his eye off the natural world — the diminutive Study for Summer (1964) could be mistaken for a Rembrandt sketch — even as the works in oil become increasingly unnatural.
But anyone who delights in the freshness and immediacy of oil sketches should make a beeline for Conduit Gallery, where the show's up through Jan. 6.
For example, small technical sketches of shipbuilding plans from Still's time working in the war industries are included, which no doubt played a role in the abstracted, mechanistic forms found in many of his drawings and oil works from the early 1940s.
He makes paintings by going to public spaces around L.A., like the beach or the Americana mall, and quickly sketching what he sees there — tanners lounging in swimwear, dog - walkers, picknickers, etc. — on an iPad, then goes back to his studio and simply paints these scenes on canvas in acrylic, airbrush, and oil sticks that he melts on his stovetop.
Studying Nature: Oil Sketches from the Thaw Collection presents more than twenty works drawn from the collection of Eugene V. and Clare Thaw, which chronicles the history of the genre in the eighteenth and nineteenth centuries.
Bill Scott will be exhibiting a painting in Loaded Brush: The Oil Sketch and the Philadelphia School of Painting at Philadelphia Academy of the Fine Arts from September 23, 2017 to Febraury 4, 2018.
John Armstrong thinks that art's value lies in something very personal, but the Gere collection, of some sixty early landscape sketches in oil, shows how personal reveries in art took shape not all that long ago.
That great work is represented in the exhibition by Rubens's magnificent oil sketch, borrowed from the Courtauld Gallery.
This new type of painting grew out of the sketches that she did on the chalkboards in a disused closed primary school with oil pastel.
Whether in Guston's lush yet fragile impasto, Mitchell's fleet, tactile brushwork or Frankenthaler's lyrical oil washes that sketch myths and memories as they permeate the canvas, each artist created their own unique fusion of colour and gesture.
A permanent Tate Britain collection it includes the Turner Bequest (which itself includes all works left in Turner's studio upon his death), comprising 300 oil paintings and many thousands of sketches, watercolours and 300 sketchbooks.
Make breakthroughs in oil painting, watercolor, pastel, or urban sketching.
Drawn from major public and private collections in the United States, the paintings are accompanied by more than one hundred beautifully fluid studies in various media: drawings, oil sketches, sculptures, digital composites, photographs, and prints — many never previously seen by the public.
Some of the early works are at least somewhat representational, with recognizable human figures or in the case of a sketch he made while in California in 1930 recognizable oil derricks.
Avery insisted on a rigorous study of his subject, and most of these mature works were the result of sketches or drawings made with color notations, later enlarged and simplified into watercolor or oil crayon and finally translated to oil applied in luminous, thin washes of closely valued colors overlaid with swiftly applied expressionist brushstrokes.
The Oil Sketch will enter permanently in the SCNY Salmagundi Club Art Collection subject to SCNY Board of Directors approval.
Adrienne has been exhibiting oil paintings, sketches and printmaking since 1999 and is represented by Red Hill Gallery in Brisbane and Unsettled Gallery in Las Cruces, New Mexico.
Downstairs at the Morgan Library as «Exploring France,» fourteen oil sketches from the Thaw collection, shared between the Morgan Library and the Met, fill out a view of landscape art just entering the nineteenth century — their diligent precision caught in time between Neoclassicism and the crisp light of Rome for Camille Corot.
* The artist made six preparatory drawings and an oil sketch for the composition that reflect his increasing interest in capturing the mental activity of chess rather than in creating recognizable portraits.»
Approximately thirty original works on paper and eight oil - on - canvas compositions by Clyfford Still comprise the exhibition, along with sketch - oriented materials, related photographs, and examples of the artist's self - described «interpretive studies» executed in the middle and late 1930s in Pullman, Washington.
In fact, Katz recalls that the painting was based on oil sketches he made in the afternoon, although the title leaves the time of day ambiguous.&raquIn fact, Katz recalls that the painting was based on oil sketches he made in the afternoon, although the title leaves the time of day ambiguous.&raquin the afternoon, although the title leaves the time of day ambiguous.»
While I do all my oil paintings in the studio, I do work from pastel sketches that are done en plein air.
Reminiscent of the Picasso series, which included fifteen oil paintings and several hundred sketches, Davila's cut - outs are presented in thirteen variations.
There were many surprising passes: Lot 87 was a thunderbolt design of fluorescent tubes by Dan Flavin that was one of his finest works in that it was an appropriate concept; Lots 122 and 130, large and excellent paintings by Sandro Chia (b. 1946); Lots 203 and 205, a good painting and a superb sculpture by Nancy Graves (1940 - 1995); Lot 223, a good gouache on paper by Sam Francis (1923 - 1994); Lot 242, a very good wood and paper collage by Louise Nevelson (1899 - 1988); Lots 279, 281A, 293, and 309, works by Andy Warhol, and Lot 299, «Fast Sketch Still Life With Abstract Painting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), shown below.
Exploring France is the second exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw, who is also an honorary trustee of the Metropolitan Museum of Art, and his wife, Clare.
In the first of a series of collaborative exhibitions between the Courtauld's IMAF Centre for Drawings and the Drawing Institute of the Morgan Library & Museum, New York, «A Dialogue with Nature» presents 26 small watercolours, oil sketches and drawings which sing rather than shout of a new vision, forged in the furnace of war, revolution, and industrialisatioIn the first of a series of collaborative exhibitions between the Courtauld's IMAF Centre for Drawings and the Drawing Institute of the Morgan Library & Museum, New York, «A Dialogue with Nature» presents 26 small watercolours, oil sketches and drawings which sing rather than shout of a new vision, forged in the furnace of war, revolution, and industrialisatioin the furnace of war, revolution, and industrialisation.
1 Georges Seurat (National Gallery, London): The story of the complex evolution of the quotidian but disturbing Bathers at Asnières was told through drawings and oil sketches on small panels in such a way that you felt you were following the young Seurat's ambitious progress, moment by moment, draft by draft.
Included were various groups of sketches, watercolours on wood and oil paintings of everything from intimate portraits of family members and scenes of the Red Army engaged in historic battles, to sites along the route of the Long March, which took place in the mid-1930s, and local figures and landscapes in Tibet.
As striking in their way as any of Church's major paintings are his small oil studies and sketches, many executed wholly or partly in the field and several in the studio as designs for the major works.
This exhibition, the first to examine Church's oil sketch achievement in depth on the other side of the Atlantic, was organized with and through major support from the Terra Foundation for American Art.
Particularly notable: a small sketch made with oil crayon in 1953 (Sand, Sea & Sky), revealed as inspiration for two 1958 paintings that also picture three - part seascapes depicting the horizon, ocean, and shore.
Charley Parker blogs about the exhibition Constable: Oil Sketches from the Victoria and Albert Museum on view at the Frist Center for the Visual Arts in Nashville, TN from June 23 - September 30, 2012.
Wullschlager writes that the show consists of «100 drawings, paintings and oil sketches found at his home after his death in 1976, and displayed for the first time.
During the 1810s she began to produce expressive oil sketches and drawings in the open air, capturing changes of weather and light.
Encompassing eight canvases depicting ships at port, Kyriazatis builds up oil paint in textured layers, drawing upon gestural plein air sketches that he makes on his travels around European harbours.
A talented draughtsman and former student of Arshile Gorky, Burkhardt thought painting must have careful drawing as its basis: He always sketched in pencil, pastels, or ink before building up his heavily layered, fleshy surfaces in oil.
The Francis Bacon works on display in this show include: Reclining Woman 1961, Portrait of Isabel Rawsthorne 1966, Study for Portrait II (after the Life Mask of William Blake) 1955, Study for Head of Lucian Freud 1967, Portrait of George Dyer Riding a Bicycle 1966, Figure with Meat 1954, Figure in a Landscape 1945, Figures in a Garden c. 1936, Triptych August 1972 and numerous oil on paper sketches.
In 2002, the National Gallery mounted a comprehensive retrospective of Thomson's work that included more than 140 oil sketches, paintings and designs, as well as work by his contemporaries.
Rubens — Oil sketch for the Whitehall ceiling, 1628 - 30 Rubens produced so much in so many places across Europe that his art became an industrial enterprise involving talented collaborators.
On a trip to Italy in 1828, German painter Carl Blechen (1798 — 1840) captured his surroundings in hundreds of exquisite drawings and oil sketches.
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