The 70 - year - old Chicago - based artist has been quietly crafting Minimalist - influenced paintings since the early 1970s, with his signature variance of
oil stick marks on wood or aluminum surfaces that share the spirit of other painters from that era such as Brice Marden and Robert Ryman.
Not exact matches
Using a mostly pre-planned color scheme, Long includes in her paintings personal symbols, graphic elements,
marks made with
oil stick, and sometimes, decorative paper.
Using a mostly pre-planned color scheme, Long - Postal includes in her paintings personal symbols, graphic elements,
marks made with
oil stick, and sometimes, decorative paper.
Saylor lays down
marks in
oil stick, spray paint and pigment in a furious scrawl that ricochets from side to side like visual warfare.
The British artist, Shaun McDowell, has worked to create distinct series of paintings using different materials and applications in each body — acrylic paint applied by hand,
oil stick drawn and smudged,
oil paint applied wet on dry to build up layers of clear independent
marks that form a whole.
The first of two pieces titled Fold (both 2015) is three metres wide and nearly as tall, an unstretched and unprimed creased canvas that has been stapled to the wall and scored with a flurry of brown and russet
oil -
stick markings.
The results are sumptuous abstract encaustic paintings that utilize a minimal color palette and repetitive imagery, thick layers of translucent and opaque wax, paper prepared with batik
markings and hand rubbed
oil stick combined to create multi dimensional panels.
He uses an
oil paint
stick to accentuate certain
marks and words, leaving a complex interplay of color, texture, and autobiography.
The works are large - scale
oil stick paintings on paper using a personal vocabulary of line, gestural
marks, color and texture.
Laboring away in
Mark Rothko's dark and cavernous old studio on the Bowery, a former YMCA gym, Goldberg would staple big canvases to the wall and use paint, brushes, scrapers, and juicily fat
oil sticks to push and pull the paintings into being.
The artist borrows from the methods of cartography to create her own language of lively
stick - drawn ink lines, colorful
oil markings, and thoughtful exposed swatches of her handmade paper.
In 1996, I saw two important exhibitions that made a lot of sense: the Ellsworth Kelly retrospective at the Guggenheim; and the wall - mounted
oil stick planes by Richard Serra at Mathew
Marks.
In this new oeuvre of work, the artist employs minimal
mark - making in
oil, charcoal, pencil, resin and
oil stick and a reduction of visible brushwork.
These
oil stick paintings bring a tropical flavor with them and their vine like forms and geometric grounds allow Thorne to create pictures from a sophisticated vocabulary of
mark making that articulates form through the development of both a coloristic and textural space.