Sentences with phrase «oil works on canvas»

Other works, like his «Schmagoo» paintings in grease pencil on dirty drop cloths or oil works on canvas, call to mind Cy Twombly's paintings and children's mark - making.

In Lee's recent acrylic and oil works on canvas, Il Lee offers a counterpoint to his well - known ballpoint pen work and continues his early investigations of materials and process that began decades ago.

In his recent acrylic and oil works on canvas, Il Lee offers a counterpoint to his well - known ballpoint pen work and continues his early investigations of materials and process that began decades ago.

In Lee's acrylic and oil works on canvas, the line work follows a similar trajectory of many of his well - known ballpoint ink works but the line is incised rather than applied.

Not exact matches

You will need some «tourist tat» oil canvases you know the type almost like the paint by numbers you probably worked on as a child (oh my goodness how I loved my oil paint by numbers sets when I was young!)

I paint with oil colors on to canvas, and l feature photo - realism in my work.

David works in a wide variety of mixed media ranging from oil on canvas to digital media.

«I want the audience to think of classical portraits initially, then notice my distortions and make their own interpretations,» explains Eymann, who mainly works in oil and watercolour, on paper and canvas.

Joffe has described the absorbing, as well as the highly physical experience of the work's making, the thickly applied pastel accumulating with a luminous purity that is markedly different from the act of painting and the ways in which oil behaves on canvas or board.

Working with a hard charcoal on oil primed, fine - weave canvas, it is easy to lift the charcoal from the surface.

Working primarily in oil on canvas, my paintings are essentially abstract in form and are emotionally connected to the landscape that surrounds us.

I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).

Andrew Masullo works on small canvases with unmixed oil paint in high - keyed colors.

Within a few years the materiality of oil paint takes on a more central role in his work when he begins to make paintings by depositing small amounts of liquid paint onto his canvases and tilting them this way and that to direct the paint toward the edges of some feint pencil markings.

Top image: Philip Guston, Untitled 1971, oil on paper, mounted on canvas, 29 x 40 inches (Private Collection) Bottom Image: Ron Milewicz, Covered Bricks, 2013, oil on linen, 36 x 48 inches Presence of Form Exhibition dates: October 8 — November 10, 2015 In honor of the New York Studio School's 50th anniversary, comes Part II of work by artists who are -LSB-...]

Featured among the large works in oil on canvas are the ravishing diptych «Heel, Sit, Stay» (1977) and the turbulent «La Grande Vallée XVI Pour Iva» (1983), painted in high contrasts of indigo, violet, lemon and lime.

Burkhardt's works were included in the the 1955 Bienal de São Paulo, and starting with the Metropolitan Museum of Art in N.Y. in 1950, were exhibited in museums throughout the U.S. Image Credit: Hans Burkhardt, City At Night I, Guadalajara, 1957, oil on canvas, 50 x 60».

In the 1980s, DeFeo returned to oil paint, while still continuing to mix and assemble materials in her work, creating large, glowing canvases and an expansive scope of works on paper.

Peter Hoffman is a New Orleans - based artist who primarily works with oil paint on canvas.

Hansa artists» works represented in the Grey show include Jane Wilson's Portrait of Jane Freilicher (1957), an oil on canvas merging abstraction with figuration, and Jean Follett's Many - Headed Creature (1958), a piece that recreates a fragmented body on a wood panel out of junk and found objects — a light switch, socket cooling coils, a window, a screen, nails, a faucet knob, mirror twine, cinders, a caster, springs, and rope.

John has worked extensively in oil on canvas as well as watercolour and collage, harnessing what he calls «the forces of rhythm, structure and colour» through improvisation «to make images of power and poetry».

Known formerly for her figurative works in oil on canvas, as well as using everyday materials including biro and bleach, Saville has — since 2014 — been producing large - scale abstracts, made up of flawlessly gradating shades.

«No Love Lost» was the first UK exhibition of Hirst's series of oil on canvas works collectively entitled the «Blue Paintings».

Prominent among them is Pearlstein's Roman Ruin (1961), an oil - on - canvas close - up of a ruin, painted in a pastel palette that gives the work a dream - like quality.

FAITH RINGGOLD, Installation view of «Black Light Series # 10, Flag for the Moon: Die Nigger,» 1967/69 (oil on canvas), was on view in «Faith Ringgold's America: Early Works and Story Quilts» at ACA Galleries in New York.

His large - scale works begin as drawings either on paper or on the computer screen before they are printed or transferred to canvas and then embellished with oil paint.

The show's oil - on - canvas paintings from the late 1940s and 1950s demonstrate the wide reach of the New York School — works by Jack Jefferson, Deborah Remington, Ward Jackson, Louis Ribak, Lilly Fenichel, and Bea Mandelman — reprised here by the recent mythic narratives (2013) of Eugene Newmann.

The gallery will feature the artist's most recent oil works on paper and canvas.

Though, he worked in a variety of media and styles, including ink, oil, acrylic, video, and collage, Davis is best known by far for his acrylic paintings (mostly on canvas) of colorful vertical stripes, which he began to paint in 1958.

Since the band split in the mid-1980s, Simonon has focused on oil on canvas paintings inspired by 20th century realism and its documentation of the living conditions of the working classes, in particular the work of the American Ashcan School in turn of the century New York, and the «Kitchen Sink» school of painters of 1950s post-War Britain.

While the content is filled with personal memory, it is also fueled with humor, reverie, whimsy, and the colorful use of oil paint on canvas mixed with paper and meticulous embroidery work.

In 2010 - 2011, Lee's oil and acrylic on canvas work and his ballpoint ink on paper work were exhibited at the Metropolitan Museum of Art.

This selection of tough and tender, large - scale works of oil on canvas are so much about painting that we could call Eisler a painter's painter, and yet they use painting as an added layer of mediation.

The Spring 2018 Graduate Theses Exhibition at the Fine Arts Gallery highlights the works of seven graduate students: Alexandra Cao Ying, MFA, Studio Arts, Let One Hundred Flowers Blossom, # 087, oil on panel, 6x6 inches; Bianka Miranda, MFA, Studio Arts, Aa, acrylic on panel, 18x24 inches; Gabriela Melendez, MA, Studio Arts, Beneath the Skin, wood, plaster, silicone, 34x16x72 inches; Raquel Rojas, MFA, Studio Arts, Aborto, acrylic on canvas, 9x12 inches; Saul Aguilera, MFA, Studio Arts, En Los Tiempos de Las Golondrinas: Sun Frida, mixed media; Sean Kelly, MFA, Studio Arts, Mythic Landscape, (detail pieces of two - part installations) ceramic, wood, 78x99x51 inches and 78x39x39 inches; Teresa Carrasco, MFA, Studio Arts, Shoot Em Up Bang Bang!

Il Lee's recent venture into a different medium, exemplified in the first public unveiling of his large - scale acrylic and oil on canvas work at the Metropolitan Museum of Art in 2010, has opened up a significant and exciting new direction for the artist.

His oil on canvas work and his ballpoint pen work on paper were exhibited at the Metropolitan Museum of Art, New York, in 2010 - 11.

About IL LEE Critically acclaimed and widely exhibited, Il Lee's oil on canvas work and his ballpoint pen work on paper were exhibited in 2010 - 2011 at The Metropolitan Museum of Art in New York.

Oil on canvas Hand - signed «Pat Steir, 1988» verso Excellent Condition Though her early work was loosely allied with Conceptual Art and Minimalism, Pat Steir's poured «Waterfall...

IL LEE offers the negative of his well - known ballpoint pen works — here a dark ground of oil stick and paint on canvas is rendered white by scraping lines into the surface with an ink-less pen.

The Berlin based artist mainly works with oil on paper or canvas.

Their work spans an extraordinary range of styles and techniques, from abstraction to figuration, minimalism to magical realism, and straight oil - on - canvas to mixed - media and installation based painting.

Challenging the set traditions of oil painting, works in this series articulate on the essence of working with the canvas and utilizing the limitless possibilities of the surface in the most unrestrained manner.

The artist has alternated long periods of working in either watercolor or oil, specializing in controlled pours and stains on unprimed canvases early in her career.

Oil on canvas Hand - signed «Pat Steir, 1988» verso Excellent Condition Though her early work was loosely allied with Conceptual Art and Minimalism, Pat Steir's poured «Waterfall» paintings initiated in 1988 gained her critical acclaim.

From oil on canvas through to neon works, a variety of pieces will be on display.

Whether it is a large oil on canvas or a miniature collage, Leslie's work is immediately identifiable.

Her works in oil on panel, graphite on mylar, mixed media on paper and sewn canvas employ materials for their connotative properties as well as their experiential potential.

This selection of oil and mixed media works on canvas by Matthew Weinstein from 1990 to 1995 are grandiose and abstracted History Paintings.

The artists in this exhibition work in a variety of media — acrylic on wood, oil on canvas, and encaustic and collage on wood.

Osborne has alternated long periods of working in either watercolor or oil, specializing in controlled pours and stains on unprimed canvases early in her career.