Sentences with word «oilstick»

Richard Serra's Left Corner Horizontal (1977), a dense black expanse of oilstick on linen, produces a physical and spatial void that appears impenetrable.

«Just as James Baldwin reflected on how Americans have made «an abstraction of the Negro,»» the Sotheby's essay continues, «here the application of oilstick and gesso on panel combined with the dense overlaying of text create an overall abstraction in relief, its clarity strained in its riveting textural denseness.»

But for his next show with Canada, Bradley delivered a group of sparse oilstick drawings on dirty unprimed canvases.

At Gavin Brown's Enterprise, an established gallery in the West Village, Bradley is showing messy, large - scale abstract paintings made with oilstick instead of paint brushes.

Demonstrating Ligon's acclaimed strategy of pushing appropriated text into abstraction, Stranger Study # 11 is the result of the systematic overlaying of stenciled passages from Baldwin's essay with black oilstick until they coalesce into near illegibility.

Basquiat considered drawing a key means of expression in its own right and no less significant an art form than painting; his works on paper are notable for their remarkable range, incorporating oilstick, crayon, acrylic, pen, pencil and watercolour.

Recent work, such as Guerriero Occidenttale (1999) have utilized oilstick to create a seemingly ancient, cave - painting effect which compounds their apparent profundity.

Jane Dickson's recent exhibition featured eight tall, narrow oilstick drawings on canvas and linen, and three oil and Roll - A-Tex paintings, showing Times Square side streets, the views and surroundings from the artist's former office - turned - studio on West 43rd Street.

While the choice of black oilstick visualizes «blackness», Ligon's use of coal both obscures the text and imbues the work with a host of ambivalent undertones: «I am drawn to because of all of the contradictory readings it engenders.

signed, titled and dated «Glenn Ligon «Stranger Study # 11» 2012» on the reverse; further signed titled and dated «Glenn Ligon «Stranger Study # 11» 2012» on the overlap oilstick, acrylic and coal dust on linen 101.6 x 76.2 cm (40 x 30 in.)

Jean - Michel Basquiat (1960 - 1988) Multiflavors signed and titled» «MULTIFLAVOR» [sic] Jean - Michel Basquiat» (on the reverse) acrylic and oilstick on canvas with tied wood supports 60 1/2 x 61in.

The white on white text painting, executed with oilstick, graphite and gesso on panel, was originally painted in 1990 and enhanced in 2003.

The nature of the oilstick, which Korman uses with the aid of paper towels to spread the pigment into large areas, and to make the lines more substantial, aids the flexible and spontaneous process of drawing.

Huma Bhabha, Chain of Missing Links, 2012, Wood, styrofoam, clay, wire, plexiglass, acrylic paint, weeds, seedpod, skull, rust, graphite and oilstick, 258 x 97 x 74 cm, 101 5/8 x 38 1/4 x 29 1/8 in

Works on paper, a host of additional ballpoint pen works on canvas, along with early non-ballpoint pen works in acrylic and oilstick, and other earlier smaller work show the evolution of his concerns and give a historical overview of his art.

oilstick and acrylic on canvas.

Oil, acrylic, oilstick, and nail on canvas mounted on wood; 72 3/4 x 39 1/8 x 21 1/2 in.

Glenn Ligon Self - Portrait, 2002 Coaldust, printing ink, oil, synthetic polymer paint, oilstick, glue and graphite on canvas 47 1/2 x 35 1/2 inches

GLENN LIGON, Detail of «Untitled (I Was Somebody),» 1990, 2003 (oilstick, graphite and gesso on panel) Estimate $ 1 million — $ 1.5 million.

Our Children Whispering Between Deep Space and The Deep Sea, (from the ongoing series: Signatures A.K.A. AfroSpanglish), 2017, acrylic, oilstick, and oil on paper, 122 x 102 1/2 inches

The graphite, oilstick and collage drawings on view are the artist's largest to date and serve both as ends in themselves and as the basis for Venet's rolled steel Arc sculptures.

Acrylic, oil, oilstick and paper collage on three hinged wooden panels, overall: 40 x 70in.

Acrylic, oil and oilstick on glass and wood with fabric and metal attachments, 83 1/4 x 33 ⅞ x 3in.

Acrylic and oilstick on canvas, 213.5 x 213.4 cm.

Acrylic and oilstick on paper mounted on canvas, 100 x 70 cm.

Lot 134, «Shards III (1X - b),» is a riotous wall relief by Frank Stella (b. 1936) of acrylic and oilstick on aluminum that carries forward the rickety convulsions of the worlds of Red Grooms, Krassner and Dubuffet.

Lot 51: JEAN - MICHEL BASQUIAT, «Ero,» 1984 (acrylic, oilstick and Xerox collage on canvas, 218.5 by 249 cm.

Sanya Kantarovsky, Two Suns, 2017, oil, oilstick, pastel, watercolor on linen, 74.8 x 98.4 inches.

Jean - Michel Basquiat (1960 - 1988) has had many works on auction block recently and one of the best is Lot 43, «Glenn,» an acrylic, oilstick and xerox collage on canvas, 100 by 114 inches, executed in 1985.

Lot 33, «Stroll,» by Jean - Michel Basquiat, an acrylic and oilstick on canvas mounted on tied wood supports, has an estimate of $ 500,000 to $ 700,000.

Jean - Michel Basquiat» (on the reverse) acrylic and oilstick on paper mounted on canvas 60 1/2 x 38 1/2 in.

Oscar Murillo (b. 1986) Untitled signed and dated «Oscar Murillo» 12» (on the overlap) oilstick, oil, dirt and paper collage on canvas 73 x 62 in.

Jean - Michel Basquiat (1960 - 1988) is represented by a strong four - panel work, Lot 95, «Blue Heads,» 72 by 92 inches, acrylic and oilstick on hinged canvas, dated 1983.

All of the drawings are rendered in either oilstick on paper or oilstick and tape on paper.

Jean - Michel Basquiat (1960 - 1988) Three Delegates signed, titled and dated «3 DELEGATES J Michel Basquiat 1982» (on the reverse) acrylic, oilstick and collage on canvas 60 x 60in.

Albert Oehlen (b. 1954) Abstract Painting IV signed and dated «A.Oehlen 87» (lower right) oil, oilstick, wood collage and rolled oats on canvas 78 7/8 x 78 7/8 in.

Litho crayon, etching, lacquer, ink, glass, acrylic paint, and oilstick on aluminum, 98 3/4 x 127 inches.

Acrylic, spray paint, and oilstick on canvas, 721/8 x 681/8 in.

Lot 1: GLENN LIGON, Detail of «Untitled (I Was Somebody),» 1990, 2003 (oilstick, graphite and gesso on panel) Estimate $ 1 million — $ 1.5 million.

The catalog essay describes the significance of the painting, an oilstick, graphite and gesso on panel work, standing 80 inches high and measuring 30 inches wide.

Lot 24: JEAN - MICHEL BASQUIAT (1960 - 1988), «Untitled,» 1982 (acrylic, spray paint and oilstick on canvas, 72 1/8 x 68 1/8 inches).

Jean - Michel Basquiat, Untitled, signed on the reverse, acrylic and oilstick on paper mounted to fiberglass, 46 1/2 by 45 1/4 in.

Robert Arneson Colonel Nuke's Lecture 1984 Acrylic, oilstick, collage on paper 53 x 65 inches RAd 06 8.

Jean - Michel Basquiat (1960 - 1988) The Field Next to the Other Road signed and inscribed «Jean - Michel Basquiat modena» (on the reverse) acrylic, enamel spray paint, oilstick, metallic paint and ink on canvas 87 x 158 in.