Sentences with phrase «old art practice»

Each of these artists have found a unique form of self expression in this traditional method, bringing a two thousand year old art practice firmly into the contemporary realm.

Not exact matches

Apple Cinnamon Pickles Susan and Lorne Jones, founders of Root Cellar Preserves in Massachusetts, believe the old - fashioned practice of preserving fruits and vegetables has become a lost art and are determined to keep the tradition going.

Katz added, «We're offering the latest tools of virtual reality technology, time - tested community - based art practices, and good old friendly competition to envision a boundless future for the «Tent of Tomorrow.

As yoga becomes an integral part of 21st - century life, the research, aligned with new methods of inquiry and technology has begun to catch up with the 2,500 year old art / practice of yoga.

The mood's mostly pretty dour, which leaves the audience particularly grateful for those who provide comic relief: Dave Bautista's growly Drax, who in one scene is practicing the underappreciated art of standing really, really still; Tom Holland's chipper Peter / Spidey, taking it all in with wide eyes; Robert Downey Jr.'s ever - grumpy Tony Stark / Iron Man, who's pretty sick of Peter's pop - culture references (particularly «a really old movie called «Alien»»).

When art, by sheer dint of its existence, can, at its best, genuinely function as a tool of ennoblement, of resistance, as a bulwark against the noxious ooze pouring out of Washington, it's frustrating to watch same old practices played out in the face of obvious opportunity to do something better.

The facility was brand new and state of the art in 2010 — however, business practices at the shelter were still very much «old school ``.

You want your dog to practice the art of meeting and getting along with strangers, not simply getting along with old friends.

The art of injecting needles in the affected area is an old practice that works for both humans and animals.

The search for the best deal is an age - old art, one likely practiced by buyers for centuries.

I enjoy martial arts and have practiced various styles since I was 9 years old.

Known as Monorpale in Japan, this sentient blade is rumoured to contain the soul of an ancient warrior, and also suggests that the age - old practice of sticking eyes on an inanimate object is still going strong in Game Freak's art department.

With a career spanning over three decades Witz has evolved from being a pioneer of the street art movement to refining a studio practice that incorporates both digital and old master techniques.

Art circles resurrected the old salvo «painting is dead,» intimating apathy if not outright hostility to the practice.

Educated in Fine Art at U.C. Berkeley and Central Saint Martins in London, his conceptual concerns inform his practice, which led him in 2002 to open a project space out of an old bait shop in Oakland called Lucky Tackle.

December 7, 2016 — The Bowdoin College Museum of Art (BCMA) will present the first - ever survey of the museum's extensive collection of drawings, the oldest public collection of works on paper on the continent, illuminating the evolving and foundational role of drawing within artistic practice.

Russian duo Andrey Blokhin and Georgy Kuznetsov have focused their innovative practice on creating sculpture from recyclable materials (plastic bags, old car tires, defunct gadgets) resulting in distinctly contemporary works that challenge the art - historical canon.

Spanning practice and theory, Hockney's investigation of artistic techniques has also developed through art - historical research, resulting in Secret Knowledge (2001), his publication on the optical devices used by the Old Masters, as well as A History of Pictures: From the Cave to the Computer Screen (2016), written in collaboration with art critic Martin Gayford and further exploring the many ways artists have pictured the world.

In practice, it comes off surprisingly old hat, as if art, like the curators, already have all the answers.

And although the idea may seem counter-intuitive to those emotionally beholden to the old ideal of the cloistered genius flattered and enriched by virtue of shining talent alone, artists who think beyond their own careers, leave the confines of the studio, and contribute to the art community tend to have more rewarding art practices over the long haul.

LY It's this thing I'm trying to make a practice, a corporeal way of creating art that is no longer tethered to older notions of writing practice.

Between the late 1980s and early»90s, says Matthew Higgs, director of White Columns, New York's oldest alternative art space, «artists like Pierre Huyghe and Rirkrit Tiravanija rethought conceptual practice, and artists like Elizabeth Peyton and Peter Doig rethought traditional painting.

Brunswick, Maine, April 2017 — The Bowdoin College Museum of Art (BCMA) will present the first - ever survey of the Museum's extensive collection of drawings, widely considered the oldest public collection of works on paper on the continent, illuminating the foundational and evolving role of drawing within Western artistic practice.

His practice pushes the boundaries of this age - old Islamic art by re-inventing it in non-conventional mixed media forms and by exploring its conceptual potential.

Taking their inspiration from the art of Islamic miniatures, the artists in Minor Heroisms lend this centuries - old practice an urgent and timely interpretation.

Wallace's artistic practice has long been influenced by traditional art history, often appropriating previous traditions to establish a link between old and new methods of art making.

Like Thomas's work, Strobert's painting is rooted in what the older artist, who had turned to art late in life, called a «day in time,» or a commitment to the artistic practice of the present moment.

Combining the restraint of Zen practice with the skill of an Old Master, Kim Tschang - Yeul perfects a balance between Eastern and Western influences, reflecting the various art movements he has witnessed over the course of his lifetime.

«Naturalia» is the first collaborative exhibition of Paul Kasmin Gallery and Sotheby's Old Masters Department, the exhibition explores the influence of a specific group of Old Master artists from the 16th, 17th, and 18th Centuries paired with contemporary artists who approached their practice through the lens of the natural science — and its myriad presentations in art.

The tour will then ride to the Old Sugar Distillery for a presentation about ALL's annual OFF THE WALL video art screening series before making a final stop at ALL for a discussion about Sanaz Mazinani's artistic practice.

At the time, tapestry was a dying, slow, and costly art form associated with old aristocracy and religious practice.

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, ProvidenceArts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, ProvidenceARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

It brings artists to the Kimbell Art Museum to discuss works in the permanent collection, share the special insights of the practicing professional, and relate older art to contemporary artistic concerns, including their oArt Museum to discuss works in the permanent collection, share the special insights of the practicing professional, and relate older art to contemporary artistic concerns, including their oart to contemporary artistic concerns, including their own.

Titled «Review», a reference to the delimiting character of his artistic practice as a co-founder and editor of the influential / 100 art magazine, the exhibition brings together central works from the past 20 years, and in this synoptic display of works devised together, it experiments with the format of a 45 - year - old artist's retrospective.

The recent resurrection of abstract art and color field painting can definitely be seen as part of the revival trends in contemporary art practices and certainly as one of the main features of postmodernism, dominated by the appropriational spirit and constant recycling of the old art movements.

Moreover, because the images are now thirteen to twenty years old, the relevant issues in the current exhibition are less about recent artistic production and more a matter of curatorial practice, art history, and the history and generative possibilities of the photographic image itself.

The way Yun - Fei Ji takes on the thousand - year - old practice of Chinese scroll painting to present the gritty reality of life in China today parallels our Asian art program.»

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).

It brings Texas artists to the Museum to discuss works in the permanent collection, share the special insights of the practicing professional, and relate older art to contemporary artistic concerns, including their own.

Older artists also found new interest in the fair's Rediscovery sector, an effort by Gregos to support practices that can sometimes fall by the wayside at art fairs.

«This survey is an effective introduction to Adnan's practice», writes Dawson, «that also offers old admirers an alternative perspective on what are now classic pieces of art».

Started in October of 2009 by The Phillips Collection in Washington D.C., the initiative explores, «intriguing intersections between old and new traditions, modern and contemporary art practices, and museum spaces and artistic interventions» by commissioning a young artist to create a work inspired by a classic piece in their collection.

«Despite a groundbreaking practice spanning nearly five decades, Corse is only now finally receiving the recognition she deserves — and being a woman certainly didn't help,» says Kayne of the now 73 - year - old artist whose contributions to Light and Space — an art movement started in 1960s Southern California and dominated by men — have not been well represented in museums.

Wesselmann's collages in this exhibition allude to the Old Masters and to the practice of the still life, as they repeat themselves throughout art history.

Intersections is the Phillips's series of contemporary art exhibitions that invites artists of today to explore the intriguing intersections between old and new traditions, modern and contemporary art practices, and museum spaces and artistic interventions.

I was content to watch this time, having fished with Carl before, and practicing the art of throwing back what Jane Lubchenco, the marine biologist and head of the National Oceanic and Atmospheric Administration calles BOFFFs — the big old fat female fish that are the most important egg producers.

I suppose there are at least three reasons we might: the word is old, obsolete; it's a jargon word, proper to some trade or art we don't practice; or it's slang from a crowd we don't hang with (such as young people, for example).

Instead of using language that highlights that you are older, show how engaged and current you are with state of the art business trends and practices.