Sentences with phrase «old artist started»

The 34 - year - old artist started bringing the look of nature into homes after finishing art school in 2008.

Not exact matches

The movie's got everything from slapstick comedy, to jack - in - the - box spooks, to 17 - year - old Wynona Rider wearing gothic - black attire and it was an essential starting point for many of Hollywood's finest working artists today.

I am 27 years old, martial artist, manager at a local liqour store and am going to be starting nursing school this fall.

... is the legendary creation and collaboration that all started from noted automotive artist Steve Stanfords vision of a New Idea for an Old Chevy...

Born into slavery in 1854, African American artist Bill Traylor saved up his memories until he was 85 years old, and then started producing «outsider art» during a 10 - year career that ended with his death in 1949.

To better get across the «old - timey arcade action» feel he was going for, lead technical artist Julian Love came up with the demonstration you see above (fast - forward to 9:04 if the video doesn't start at the appropriate segment).

«When I started making Wii U tools,» says jam1garner, «I definitely had a mentality that if any old idiot couldn't make mods with existing tools then it wasn't easy enough for experienced modders, model makers, artists and other talented people to be able to effortlessly produce great content for people like me to enjoy.»

Starting as a Technical Artist on Neverwinter Nights and MDK2, Casey moved into the Project Director role with 2003's Game of the Year Star Wars: Knights of the Old Republic.

In response to Younger than Jesus how about a show with one artist each from five year age groups starting at 15 and going as old as possible.

«Some artists start taking it easy when they get older, but I can't imagine doing that.

It seemed to me that we had an opportunity to change the narrative a little bit, so we started to work with self - taught artists, with communities of artists who had developmental or mental disabilities, and with a lot of older artists, and we started to present all of this work simultaneously without making any kind of categorical or hierarchical distinctions.

Instead, the 26 - year - old Canadian - born artist is starting conversations about how we digest culture, the differences between the male and female gaze, gendered foods, and the misconceptions and trends in various subcultures worldwide.

Older artists who can afford to hire another artist or a grad student who is computer savvy, should start the process of numbering, documenting and creating an organized storage system that meets their wishes.

Slugging, Neil Farber's second exhibition at Edward Thorp, supplies an ample helping of the tragicomic faux - folk art fantasies we've come to associate with his work, though the degree to which they are intuited or calculated by the artist will start heated debates — or reignite old ones — among viewers

EK: I started to collect artists who were slightly older than myself, like Raymond Pettibon, Richard Prince, Carroll Dunham and others.

The exhibition starts with the oldest works, including Dosso Dossi's Psiche abbandonata da Amore (1525) and Antonio Carneo's Aracne tesse la tela (better known as L'Indovina, c. 1660), presented in dialogue with an assortment of books on «magic» from the same period, and ends with works by the most recent generations of contemporary artists — from Christian Marclay to Grazia Toderi, from Markus Schinwald to Clare Strand, Elina Brotherus, Jeppe Hein, Beate Gütschow and Hans Op de Beeck — passing through masters like Gustav Klimt, Giorgio de Chirico, Fernand Léger, Edward Weston, Kurt Schwitters, Yves Klein, Arnulf Reiner, Georg Baselitz, Gerhard Richter, Peter Blake, Christo, Günter Brus, Mimmo Jodice, Gilberto Zorio, Giulio Paolini, Richard Long, Candida Höfer, Giuseppe Penone, Fischli and Weiss and Shirin Neshat, to mention just a few.

In 1972, he and an artist friend, Al Diaz, started spray - painting buildings in Lower Manhattan under the name SAMO, an acronym for «Same Old Shit».

Here we describe five artists who have had solo shows at MoMA PS1, starting chronologically with the oldest show first (and incidentally the most expensive artworks on this list) and ending with recent MoMA PS1 exhibitors.

The «Den Mother» Behind Creative Time — The Times profiles Anne Pasternak, who as head of the New York nonprofit has turned it from a «20 - year - old start - up» into a globally engaged organization with a multimillion - dollar budget, creating such projects as Nick Cave's recent Heard NY performance in Grand Central and working with artist from Vic Muniz and Marina Abramovic to Takashi Murakami and Laurie Anderson.

She's now represented by heavy - hitting galleries including Sfeir - Semler and Galerie Lelong (who will host a solo show of her work in their Paris location starting October 12) and is featured in Phaidon's new contemporary painting compendium Vitamin P3 as the oldest artist in book.

Starting in July 2012, a huge exhibition of new work by 52 - year - old Japanese artist Yoshitomo Nara will travel to three museums in his home country.

Look out for up - and - coming Chinese artist Ren Ri, who makes geometric sculptures out of beeswax by manipulating bees; Su Dong Ping, who is an older Chinese abstract painter just starting to break out onto the international art scene; and Gatot Pujiarto, an established Indonesian artist working in mixed media who is also exhibiting more internationally now.

I mean whereas most artists of my generation are older, it was a moral crisis to move from figure drawing and all the things that one had started, into abstraction.

Prior to opening its doors at the 600 - year old Ming dynasty watchtower in Dongbianmen, he had started organizing and curating exhibitions for young Chinese artists in the late 1980s.

This newly launched biennial prize, administered by the Munch Museum, is awarded to a visual artist of any nationality who is at the start of his or her career, no more than 40 years old, and who has proven to be exceptionally talented during the preceding five years.

The artist explains: «When I transform old Coke or beer cans found in the California desert, where they've been used for target shooting since forever, into prayer wheels, the work starts to open up to all these issues art history is always drowning in — national identity, romanticism, nature — mixed with the loss of religion, which has been replaced by an almost folkish attachment to consumer goods.»

Such shows have been unusually abundant recently, and that is fitting, perhaps, for a season that, after a slow start, is concluding with a flurry of interesting shows by older, more established artists.

I pondered the question throughout a day of fresh starts that began at Emmanuel Perrotin, two blocks south of the Breuer, with a preview of a show by Erró, the eighty - four - year - old Icelandic Pop artist who is yuge in France but virtually a stranger to Americans — except for Carolee Schneemann.

The Emerging Artist Residency Fellowship program supports residency opportunities at the Santa Fe Art Institute for visual artists 25 years and older who need time and space to explore ideas and start new projects.

Prior to opening its doors at the 600 - year old Ming dynasty watchtower in Dongbianmen, Brian Wallace had started from the late 80s to organize and curate exhibitions for young Chinese artists in other exotic locations such as the Ancient Observatory.

This 29 - year - old artist, however, sets out to break his mirrors, starting with a reflective glass pane and pouring hot resin on top until the heat and weight of the goo cracks the surface into jagged lines.

For her first solo show at the Mayor Gallery, Indian born British artist Tanya Ling will make a group of new Line Paintings that add to the series started in 2014 first shown at Alex Eagle's old s...

While the formal artist reception will take place on March 20, from 5 - 8 pm, the exhibition, «Old Codes,» will be on view starting Saturday, and runs through April 10th.

Sebastian Lloyd Rees, b. 1986, lives in London After studying at Goldsmiths in London, 27 - year - old Rees and collaborator Ali Eisa started the Lloyd Corporation, making site - specific installation, sculpture, and artists books.

With the event «Terrains de JE», which started on October 12th, Jardin Rouge presented several new works and installations by RESO, a key figure of the urban graffiti scene.During his Moroccan escapade the artist used raw materials to model his creation, playing with objects like jute bags, tin cans, old papers... He makes colour

One of the assistants in charge of executing Warhol's silkscreen and diamond dust prints for the Myths series (1981) was George Condo who, as a twenty - four - year old artist recently arrived in New York City, was just starting to find his own artistic footing.

Started by 30 - year - old Anastasia Tinari (who is concurrently the director of one of the Windy City's most esteemed contemporary art galleries, Rhona Hoffman) the space presents work by emerging and mid-career socio - political artists based in the area, such as Zachary Cahill and Ato Ribeiro.

For her first solo show at the Mayor Gallery, Indian born British artist Tanya Ling has made a group of new Line Paintings that add to the series started in 2014 first shown at Alex Eagle's old space, South Kensington.

[25] Tourist guides in the 1840s reported that the spring exhibition ran from the start of February to the first week of May, closing a week after the Royal Academy exhibition opened, and the old masters exhibition from the first week of June to the end of August, with some works remaining in the galleries for a month or more for artists to copy: [26][27]

Having received her degree, the artist started painting the old streets of Paris and developed her own distinctive style.

«We are very excited about the possibility of connecting the older influential artists from the late 80's and early 90's with those starting to work today,» says Jason Rubell.

The Harpo Foundation's Emerging Artist Residency Fellowship at the Santa Fe Art Institute (SFAI) provides an annual opportunity to an emerging visual artist 25 years and older who needs time and space to explore ideas and start new proArtist Residency Fellowship at the Santa Fe Art Institute (SFAI) provides an annual opportunity to an emerging visual artist 25 years and older who needs time and space to explore ideas and start new proartist 25 years and older who needs time and space to explore ideas and start new projects.

Ward, the art dealer, who died in 1984, was the founder of the Stable Gallery in an old livery stable on West 58th Street that gave many American artists their starts.

Started in October of 2009 by The Phillips Collection in Washington D.C., the initiative explores, «intriguing intersections between old and new traditions, modern and contemporary art practices, and museum spaces and artistic interventions» by commissioning a young artist to create a work inspired by a classic piece in their collection.

«Despite a groundbreaking practice spanning nearly five decades, Corse is only now finally receiving the recognition she deserves — and being a woman certainly didn't help,» says Kayne of the now 73 - year - old artist whose contributions to Light and Space — an art movement started in 1960s Southern California and dominated by men — have not been well represented in museums.

Most recently, we started to represent two older «artists» artists» who have been under the radar — Barbara Kasten and Amikam Toren.

The museum is holding two days of events starting Thursday celebrating the 79 - year - old New York - based artist, who traveled to Warsaw for the opening.

Of these pseudo-devotional forms, the artist explains: «When I transform old Coke or beer cans found in the California desert, where they've been used for target shooting since forever, into prayer wheels, the work starts to open up to all these issues art history is always drowning in — national identity, romanticism, nature — mixed with the loss of religion, which has been replaced by an almost folkish attachment to consumer goods.»

In the first of a new series revealing the process of a leading artist's work from start to finish, Desmet demonstrates the centuries - old techniques behind wood engraving, showing step - by - step how she creates her intricately detailed artworks.

Her technique also started a drive toward an overall clarity and directness of color that informed much of the best art of the next 15 years, from the older Hofmann himself to younger artists such as Ray Parker.