Sentences with phrase «old artist told»

«It's this double entendre,» the 66 - year - old artist told me by Skype, with a grin.

The 78 - year - old artist told the LA Times, «What's always kept me going is people coming to my studio and enjoying the work, but now I know my work will have a legacy.

«The market doesn't lie,» the 77 year old artist told the Guardian, in an article published on Tuesday.

«I want to knock this wall down,» the 36 - year - old artist tells me, «And this wall down.

Not exact matches

But I was just amazed by how everyone, young and old wanted to be involved... and was so deeply enriched and touched by the experience and the laughter and the love I experienced from the people I met and how women would in particular open their hearts to me and tell me the stories of where they've come from, particularly because I have the language and was coming there as a woman and just how touched they were that I was there as a woman from England who's learned the language and who's an artist and running this project and come all the way to see them so they didn't feel forgotten I think that was pretty much what they felt... that their stories were being heard so they don't feel forgotten knowing the tents would be around the world.

So far, she noted, three toddlers have come up to tell her they want to be artists when they grow up; one mall walker brought her a chair he scavenged from somewhere, and an older man asked if he could paint something so he could tell his grandchildren that he had contributed.

Martha Honey, another Oberlin alum, told me about Tracy Sugarman, an older artist and writer who had gone to Mississippi intending to observe and record but had wound up participating as well as publishing accounts of his experiences.

In this story told with a spare tenderness, 12 - year - old Raine tries to figure out why her mother has taken a job away from home at an artists» colony.

EDIT 9/7/16: ASF tells me that this artist was on an older plan that no longer exists, and that future customers would have a completely different experience going forward.

«I think if I could get a great house, I could definitely see myself moving here for a few years to work,» Mexican artist José Dávila tells me the following night over glasses of 20 - year - old Santiago rum at a party inside a coquina stone fort off the Malecón presided over by local superstar DJ Wichy de Vedado.

Although Müller had died months before Thompson got to the Cape, he did meet Dody Müller, Jan's widow and also an artist, who told him, «Don't ever look for your solutions from contemporaries — look at Old Masters.»

Young and old, in the galleries and on the street, in two dimensions and three, the artists on view are telling similar stories.

Circling back, can you tell me about a couple of the older artists you introduced in dialogue with the youngest generation here?

We ask our viewers to examine the clichés and nostalgic visions of the «Old» West as myth, and consider these contemporary artists» views of the West as telling a layered story of our complex relationship with the tenet of Manifest Destiny.

I really liked what MULHERIN showed at the Armory show although here it is hard to tell if I just keep seeing Raymond Pettibon all over the place, or if that's because he's one of the artists Ballroom Marfa is bringing a print edition by, or whether (like I warned) it's because getting older seems to involve seeing through things indubitably.

over an older video of herself, blurring the line between documentary and performance while also making it difficult to tell which image of the artist is present, which is past, and which of these is therefore truly performing.

Cindy Sherman is one of those artists whose story has been told over and over due to its importance and beauty, but which never gets old all the same.

CARBON 13 presented in conjunction with «The Marfa Dialogues: Politics and Culture of Climate & Sustainability» Artists: Ackroyd & Harvey, Amy Balkin, Erika Blumenfeld, David Buckland, Adriane Colburn, Antony Gormley, Cynthia Hopkins, Sunand Prasad Participants: Hamilton Fish, Diana Liverman, John Nielsen - Gammon, Michael Pollan, Robert Potts, Tom Rand, Rebecca Solnit Curated by David Buckland «I think of art, at its most significant, as a DEW line, a Distant Early Warning system that can always be relied on to tell the old culture what is beginning to happen to it.»

Indeed, in a 2007 interview with Vanity Fair, titled «Richard Prince's Outside Streak», writer Steven Daly wrote: «[the artist] faked an interview between himself and British author J. G. Ballard, and you can't quite tell if Prince is serious when he repeats the old story about his father working for the Office of Strategic Services... and defoliating forests in Vietnam.»

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

And here, in this exhibition, the twenty - six year old, Harlem based artist gives us 12 such paintings plus, each one telling a story that deeply mirrors his own life experiences, inside, out, and around.

Before you throw out those old shoes, consider the work of Greek born Israeli artist Costa Magarakis, who loves to transform different footwear into sculptures that tell their own stories.

Over the telephone from his East London studio, the 53 - year - old artist, who has partial paralysis from a spinal inflammation when he was a teenager and uses a wheelchair, tells The Straits Times: «I wanted to move away from the kind of global trauma that is happening at the moment.

It's a fact,» the 75 - year - old German artist told the German newspaper Der Spiegel.

At a time when the so - called New Image Painters — Baselitz, Schnabel and co — were reviving interest in neo-expressionist painting, the existential cruelty of Titian's painting, in which a satyr is skinned alive, seemed like a message from the past, telling us that the truly great artist can not so much transcend the infirmities of old age — failing eyesight and diminished muscular control — as turn them into an aspect of genius, in works that strip back to the essence of things, and which can communicate to any age.

When art and culture supposedly belong to the young, when curators look to artists in their twenties to tell us where art is going, what we actually want to see, it seems, is the work of an eighty year old painter too weak to hold a brush, who resorted to scissors in creating images of life - enhancing freedom and joie de vivre.

For thirty years artists, art - lovers and friends have told other artists, art - lovers and friends about one of the oldest studio groups in the UK.

In one telling scene, the New York artist is shown wearing blackface while chatting amiably with an older gent on a park bench in the Sixième.

The woman who brought me out was much older, and she told me it made sense if I was gay because many artists are queer.

FB Artists in the Biennial will range from 23 to 75 years old, and I can tell you that for the first time in its history there will be more women than men.

One disturbing example: an artist told me she was turned away from Paul McCarthy's White Snow at the Armory with her two - week - old baby because «no one under seventeen could be admitted.»

Shocking because Resnick sounds just like the old embittered Roualt who had much to tell, but age jumbled the chronology of his memory; rewarding because of his macho toughness, which was almost obligatory for an artist of his generation.

For the next hour or so, the 50 - something year old artist waxes poetically on materiality and body, on resilience and the South, on disconnection and re-education, but I'll let him tell it.

You're not the only one who's told us that ~ we even had a guest this last year commission a local artist to paint her a portrait of Old Love so she could «take it home with her».