Sentences with phrase «old artist took»

Last summer, for her latest project, the 72 - year - old artist took her 8 x 10 camera outside to capture New England vistas.

Not exact matches

Lugz shoes clearly are cool enough for hip hop artists but I was even more assured of Lugz style meter when my 22 - year - old daughter wanted to take mine home with her!

im a single father to a 2 yr old baby girl, but i have every weekend free;) im heavily tattooed, im way into art and am a graffiti artist and entrepreneur... i want a sexy woman to take care of me while i take care of her special needs;) i love to have fun, most say i need to grow up but i...

Artists with deft hands have to be able to take those old familiar stings and blend them with something new in a way that is seamless yet exciting.

If Green ultimately takes too much pride in his hipster references (however nostalgic I got seeing the 2001-esque United Artists logo that used to scare the bejesus out of me as a child, it's self - conscious whims like these that make Undertow sometimes feel superficially invested), the presence of the generally indifferent Bell has a neutralizing effect on Green's tendency towards the pedantic, and the director's championing of old - school values — his dislike of ADR, his fondness for found locations — once again inspires lonely but hearty cries of solidarity.

The 44 - year - old actor and Ellar, 20, were joined by their Boyhood co-star Patricia Arquette and her artist boyfriend Eric White, producer John Sloss, and director Richard Linklater at the ceremony where they took home the Gotham Independent Film Audience Award.

Legendary comics artist Alex Ross offers his take on a tale as old as time in a painting celebrating Disney's Emma Watson - led Beauty and the Beast.

05:28 - Scalding Hot Takes: The Disaster Artist 21:10 - The Big Whoop: Welcome Back, Depression, My Old Friend 32:14 - This Looks Terrible: Rapsittie Street Kids - Believe in Santa 48:27 - Lukewarm Takes: Brigsby Bear 59:44 - Control Nathan and Clint: Suburban Commando 1:16:47 - Mailbag 1:20 - Happy Places

Thirty years later she returned for White Material, which takes on many of the same issues from an older, more experienced perspective, both in terms of the artist and our protagonist.

The story is about their relationship — how a washed - up old comedian takes a despairing young performer under his wing and gives her the confidence to become a great artist, even as his own career fades into irrelevance.

Agnès Varda, the world's youngest 89 - year - old filmmaker, is an artist who, more than ever, can take a snapshot that reveals the big picture.

Rather than the old alliancesbetween professional artists and classrooms, which took the form of an occasional artist - in - residence, he says, «the depth of service ismuch greater.»

In this story told with a spare tenderness, 12 - year - old Raine tries to figure out why her mother has taken a job away from home at an artists» colony.

abcgallery.com has a good collection of Bonnard's pictures if you're interested in taking a look, and if you do, spare a thought for poor old Marthe and think how lucky you are not to be married to an artist who paints pictures of you in the bathtub - unless of course you are!

We took our 3 year old and 5 year old to Detroit for a month long artist residency I was part of this past August.

WARSAW Welcome dinner; guided sightseeing, visit Stare Miasto and St. John's Cathedral; [LF] private Chopin concertVILNIUS Guided walking tour, visit the Old University and the KGB Museum, and [LF] Vilnius» artist quarter, U?upisHILL OF CROSSES Take pictures of the memorial siteRIGA Guided sightseeing, including a walking tour of the Old Town and a visit to the Art Nouveau quarter; [LF] Riga Balsam and Laima chocolate tastingTALLINN Guided sightseeing, visit the Town Hall and the Alexander Nevsky CathedralTALLIN - HELSINKI Ferry crossingHELSINKI Guided sightseeing, visit the Lutheran Cathedral, Sibelius Monument, and the open - air market; farewell dinner

Day Four — We explore the local attractions with an optional underground tour of the old BHP mine followed by a trip to the truly surreal Silverton area, a small old mining town now taken over by artists and very often by film crews.

Hand - painted by mural artists from a temple in Guruvayar, Kerala to depict the old spice route, it took nine years to finish.

Some remixes, for example, might see a classical piece from Dvorak and give it the old 8 - bit treatment or take a contemporary artist like CeeLo Green and give «Forget You» a dubstep drubbing.

When he landed in New York, in 1976, Little was taken under the wing of the older artist Al Loving, who drew him into the circle of such black abstract artists as William T. Williams, Jack Whitten, Mel Edwards, Fred Eversley, and Bill Hutson.

For the current show, the 76 - year old artist has taken photos of pals and players — among them, the collector Leonard Lauder, MOMA director Glenn Lowry, former MOMA President Agnes Gund, Whitney director Adam Weinberg and artists like Cindy Sherman, David Byrne and Jasper Johns — in order to reveal concealed vulnerabilities and personas.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Taking the use of the age - old measurement unit the cubit (the length of a forearm) in ancient art forms as a point of departure, this show features artists who have developed their own systematic approaches to artmaking.

While downstairs contemporary artists take on how the modern world interacts with centuries old religion and culture.

Nick Hackworth's Paradise Row, formerly of Bethnal Green, took up residence close by in a Mayfair house; 23 - year old Henry Little filled a disused chapel in St John's Wood with 17 young artists, and on a smaller scale, Sarah Bejerano and Kate Sapera (both 23) persuaded a housing trust to lend a former shop space to their coterie of recent graduates.

Shared on the first day of Black History Month, the photograph was taken by 29 - year - old artist Erizku, who has long rewritten Western art historythrough his work to include people of color.

«Some artists start taking it easy when they get older, but I can't imagine doing that.

For a cheeky group show «With friends like you...» — a subtle dig at the Cuban art Establishment — Aquiles covered the façade of their home in a Technicolor cladding of cans while six other artists took over the inside with process - based paintings made with human breath, conceptual sculptures hewn from business cards and palettes, and a sculptural installation by the couple's 17 - year - old son, Bastian Silvestre, that comments on the police - related shootings in the U.S..

«I recall my first painting — that is, where I felt that I had moved into an area for myself that was completely me — I painted on my birthday in 1948 [young artists today take note, Newman was then 43 years old].

In North America, artists from the older feminist guard also took to the web.

Take the odd assortment of collectors, artists, fashion writers, and sports car enthusiasts attending the January 29th dinner that The Aesthete, a year - old, advertising - free, digital magazine gave for Richard Phillips in the New Museum's Sky Room.

Other exhibition formats, old and new, have taken their cue from artists» changing modes of creating and presenting work, often intentionally pushing at the limits of what a traditional museum can support.

Taking a break from its usual programme of Old Masters, the National Gallery is holding an exhibition of works by Pop artist Richard Hamilton, who died last year.

In Paris, Nicholas Ghesquière showed silk - embroidered frock coats comparable to those seen in 18th - century portraiture for his women's Spring 2018 Louis Vuitton collection; in New York, the Metropolitan Museum's recent Michelangelo show was the tenth most visited exhibition in its history, outstripping even the Alexander McQueen blockbuster in 2011; in London, renowned contemporary British artist Glenn Brown is presenting his reinterpretation of the Old Masters at the Gagosian Gallery (until 17 March), while at Victoria Miro (until 7 April), Mark Wallinger's Italian Lessons exhibition takes inspiration from the Italian masters and masterpieces in Italian collections.

In a process that took two years, the artist attempted to solve what was, essentially, a 95 - year - old art - historical murder mystery — an investigation that became the grist for these paintings.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rigartist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

But upon entering the show, it quickly became clear to me that the reason for all the hubbub has less to do with a widespread affinity for the groundbreaking work of the 88 - year - old Japanese artist than it does the burning need to take a selfie against what has become the social media backdrop of the moment.

The Young Masters Art Prize Exhibition Part 1 which took place at Sphinx Fine Art, W8 in October 2012, saw shortlisted artists» work hung alongside Old Masters paintings from the Sphinx Fine Art Collection.

Executed through old master's studio techniques and often shocking in their realism and remarkable detail, the works take months, sometimes years, for the artist to fabricate, making new work by Swenson incredibly rare.

The 34 - year - old Canadian artist, long revered for his Google Street View screengrabs (circa 2009 — ongoing), has explored darker themes in his latest videos and installations — and the art world has taken notice.

It takes a special kind of courage for a famous artist to drag 40 - year - old apprentice pieces out of the attic and make an exhibition of them.

And it seemed that many did, for Kruger became a flash point, one of the artists old - school critics had in mind when they complained about the hectoring, lecturing turn they felt that art was taking.

And surely no one has taken seriously in an even longer time the Met's modern wing, with show after show of older British artists.

The oldest work in the exhibition is the Piss Project, a registration of an action which took place in the 1960's: the artist drinks a glass of water directly from the North Sea and drives to the IJsselmeer lake to discharge it there.

With a fluidly shifting yet recognizable visual language, Sprecher's paintings often explore and juxtapose motifs from landscapes, natural and human - made objects, and imagery taken from photographs that linger in the artist's mind — a desert vista from a residency in Marfa, Texas; a collection of stones; an aging photograph of three doves from an old family photo album.

The image, which depicts the 10 - year - old actor nude and heavily made up, was originally taken in the 1970s for a Playboy publication, then reproduced by artist Richard Prince in a 1983 work entitled Spiritual America.

Other artists in the Limerick City Gallery of Art are political in a similar way to those above, but take a more romantic approach, working with storytelling and the evocative nature of old objects.

Paul Pretzer featured in the Huffington Post, «Old World Meets New World: Paul Pretzer in Dresden and New York» «Patrick McGinnis writes, «It's always gratifying to discover new artists, especially younger artists who take risks and who reflect their own personal development in their pieces.

For example, Ancient & Modern, run by Rob Tufnell and Bruce Haines, is situated in no more than a corridor off Old Street; Associates, the yearlong project run by artist Ryan Gander that closed in 2007, took place in a boxlike storefront on Hoxton Street; and the Bethnal Green gallery Between Bridges is located in what can only be described as a stairwell leading to artist Wolfgang Tillmans's studio.

Take, for example, Cindy Sherman (b1954) and Gillian Wearing (b1963): while the former's Untitled Film Stills (1977 - 80) hang and converse nicely next to the latter's Self - Portrait at 17 Years Old (2003), Sherman's larger piece, Untitled # 206 (1989), depicting the artist as Richard III, would have clashed too violently with Wearing's work and has accordingly been hung in another room.