Sentences with phrase «old artist whose»

«Despite a groundbreaking practice spanning nearly five decades, Corse is only now finally receiving the recognition she deserves — and being a woman certainly didn't help,» says Kayne of the now 73 - year - old artist whose contributions to Light and Space — an art movement started in 1960s Southern California and dominated by men — have not been well represented in museums.

Francis Picabia MUSEE D'ART MODERNE DE LA VILLE DE PARIS By now it's no longer audacious to turn from one Picabia, a major player in the annals of Dada, to another: the silly old artist whose...

Tris Vonna - Michell is a 32 - year - old artist whose performances I find terrifying.

What does artwork about «being a 43 - year - old artist whose window to fulfill conventional notions of youthful genius long ago closed» look like?

Meet Dan Gunn, the 30 - year - old artist whose unusual approach to painting has caught the attention of an increasing number of Chicago curators and gallery owners.

In addition to exploring cross-connections among LeWitt's peers, the exhibition presents contributions by older artists whose methods inspired LeWitt, as well as younger artists whose approaches are in dialogue with earlier generations while extending the medium in new directions.

Jason Rhoades and Paul McCarthy, two Americans whose unruly, in - your - face sculptural installations had cult status but scared off dealers and collectors, joined the gallery soon afterward, as did Louise Bourgeois, a legendary older artist whose market fell far short of her reputation.

Not exact matches

In Gabriel Axel's Best Foreign Language Film Oscar - winner Babette's Feast, a single meal heals decades - old resentments, stands in for romance, and validates an artist whose life has been destroyed.

As his late mother never revealed the identity of his father, 11 - year - old Marcus is sent to an island off the coast of South Carolina to live with his great - aunt Charlotte, a reclusive artist whose paintings of seascapes and rustic summer cottages are popular with tourists.

Those in the running include Ghanaian - British multi-media artist Amartey Golding whose film Chainmail throws light over cultural behaviours towards race, gender and sexuality, while channelling the darkness of El Greco and Goya; Dutch fine art photographer Isabelle van Zeijl who blends the techniques and idioms of the Old Masters with present - day aesthetics to create striking self - portraits; British print - maker John Phillips whose eerie still lifes are created from over 1,000 separate photographs; and American painter Lucy Beecher Nelson who reinvents 15th century Italian marriage portraits.

They're the creation of Willy Verginer, a 60 - year - old Italian artist who lives and works in Ortisei BZ, South Tyrol, and whose works are located in numerous private and public collections, both Italian and international.

Gilliam's formalist dialogue with the politics of the times has always resonated with the 35 - year old artist Rashid Johnson, whose work often deals directly with issues of black identity.

From the Studio brings together the work of four artists (Steven Crawford, Don Porcaro, Gorazd Poposki and Leslie Wayne) whose studios are in one of the oldest cultural buildings in Hell's Kitchen, NY, with invited artist Simone Douglas and the artist - team Lin + Lan (Lana Lin and H. Lan Thao Lam).

The best known is 41 - year - old Dublin - born artist Duncan Campbell, whose previous work has included fact - meets - fiction biopics.

«Confections,» a recent group show at New York's Allan Stone Projects (whose proprietor, Allan Stone, is an old friend of the artist and has shown his works at the gallery since the»60s), gathered a handful of artists — Emily Eveleth, Derrick Guild, Richard Hickam, Don Nice, and Lorraine Shemesh — who have done just this.

She represents the 84 - year - old German artist Guenther Uecker, whose work L&M showed in 2011, and the estate of Yves Klein, whose career survey was at L&M in 2005.

The language, poetry and action of these artists whose work we display in Behind The Sun is determinedly dynamic, breaking free from old models, warning of possible ecological directions, pointing towards formulas for the future and confident in the strength of aesthetics.

This mini-site will have video interviews with artists, many of them from the older generation whose work you will see in today's program.

VENICE — The top prize of the Venice Biennale, the world's oldest and grandest international exhibition of contemporary art, was awarded on Saturday to Anne Imhof, an artist and choreographer whose grim and threatening occupation of the German pavilion, complete with anti-riot wire fences and barking Doberman pinschers, was the talk of the art world last week.

For the first time, the quinquennial survey presented work made by breakout bright young things alongside their predecessors, older and under - known artists whose practices are being rediscovered.

There was also increased recognition for significant artists whose importance might have been overshadowed previously, such as 84 - year - old Sam Gilliam, whose abstract «color field» painting at New York's Mnuchin gallery sported a red dot sticker — meaning it was sold — early on.

Puryear, whose exhibition is currently showing at the Art Institute of Chicago, joked that as the older artist, he was pulling rank over Gates and initiating the conversation.

Additionally, New York — based artist Jaime Isenstein (b. 1975)-- whose video work was recently brought into the Hessel Collection — will present a durational performance in the Museum (April 13, 1:00 — 4:00 p.m.) where she transforms herself into the arms and legs of a wingback chair, further exploring her interests in magic acts and other old - time entertainments.

This month, Phillips — whose googleability went way down after Tom Hanks portrayed a certain real - life hero, Captain Phillips, first name Richard — will have his first solo museum show in the United States, a survey of old and new work at Dallas Contemporary called «Negation of the Universe,» which will be joined by his headline - grabbing public sculpture Playboy Marfa, the neon - lit, 40 - foot - tall roadside sign commissioned by the magazine and broadcasting the artist's queasy fusion of commercialism and art.

The show will be focusing on new works by the 78 - year old American artist Susan Weil, a respected figure in modern art history whose life story is truly extraordinary.

Yet, at barely 9 x 8 inches, this simple cotton - thread composition exemplifies the genius of the seventy - seven - year - old fiber artist, whose first major career retrospective opened at the ICA Philadelphia this past spring.

But it was more enlightening to talk to resident artists like Eliza Zeitlin, whose assemblage of salvage and puppets exploding from an old hearse had previously served as a barge sailing Lake Pontchartrain in her brother Benh's recent film, Glory at Sea.

In «Paintings From the Old World,» Gianni Politi's gallery debut in the United States, the Italian artist is showing six striking painting - related works whose presence and meanings expand as you look at them.

Thus is, of course, an old modernist recipe, used to great effect by abstract artists such as Paul Klee, Antoni Tàpies and Cy Twombly (on whose influence Rosa is outspoken).

Bringing together Old Masters and contemporary artists whose work spans more than 350 years, Creating the Countryside provokes reflection on the artistic, social and political forces that have played an important role in forming successive generations» perceptions of this «green and pleasant land».

So how will an artist whose works appear similarly unrestrained and unstructured fare in his «conversation» with just one formidable Old Master?

Wandering ominously through the tent were the Siamese Hair Twins, a pair of 11 - year - old girls whose long wigs were tied together — the «creation» of Brazilian sculptor and performance artist Tunga.

Johnson arrived as student in 1945, and Asawa subsequently in 1946 — both quickly availing themselves of the Alberses's guidance, which was particularly unexpected in the case of Johnson, whose nontraditional approach contrasted with the older artists» formal rigor.

Cindy Sherman is one of those artists whose story has been told over and over due to its importance and beauty, but which never gets old all the same.

One of the artists whose became internationally known as an op art pioneer, and whose works are on display in the exhibition, is 82 - year - old Julian Stanczak.

In the Spotlight section for neglected contemporary artists, Hubert Winter turned it out for eighty - seven - year - old Minimalist Marcia Hafif, whose 1970s star was eclipsed by her relationship with Robert Morris.

«It is not clear when the essentially formalist notion of inner light became a commonplace in the criticism of Venetian painting of the sixteenth century, but it was certainly a major concern of the Bavarian painter Max Doerner, whose handbook The Materials of the Artist and Their use in Painting, with notes on the Techniques of the Old Masters (1921), had been published in an English translation in New York in 1934 and came to be much used in the circle of the abstract expressionists.

For New York - based artist Will Cotton, the pop muse appears to be Katy Perry, the 26 - year - old singer - songwriter (and wife of Russell Brand) whose albums include «Teenage Dream» and «One of the Boys.»

Then 35 years old, the artist was described in the magazine's introductory note as «a young American painter whose two one - man shows at the Kootz Gallery last season were well received.»

Some of the works in The Therapist Office are made in the context of therapy including KB Jones» drawings while in - session; Ken Griffen's stacked works on paper forecasts what therapy will be like for a 29 year - old New Zealander artist newly - arrived into Manhattan; and a work by Sophie Calle whose tricky grandparents booked an appointment with a psychoanalyst and brought the 14 - year old Sophie instead to a plastic surgeon.

This was a breakthrough period for the twenty - two - year - old African American artist, whose extraordinary succession of six solo shows that year propelled him to unprecedented global stardom in a predominantly white - dominated industry.

As 17 - year - old Tabarak (whose creation is pictured) shared in an artist statement, «All the negative stereotypes that have been placed on the hijab, as well as Muslim women, are truly sad, but the hijab has made me nothing but stronger.»

She also runs a not - for - profit initiative called Young Masters, which provides a platform for artists whose work pays homage to the Old Masters or art from the past.

Mr. Newsome, 31, a multimedia artist whose work blends contemporary hip - hop culture with the rules and designs of centuries - old heraldry, created a series of music videos — his contemporary coats of arms come to life.

Other notable junk artists included the Indiana - born sculptor John Chamberlain (b. 1927), whose works included Untitled (1964, painted steel with chrome, Nice Museum of Modern Art), Untitled (1968, sheet metal, National Gallery of Modern Art, Rome) and Koko - Nor II (1967, Tate Collection London); the English photographer and sculptor Joseph Goto (1916 - 94); the American Richard Stankiewicz (1923 - 83), noted for his witty Middle Aged Couple (1954, Museum of Contemporary Art, Chicago); and the sculptor and film - maker Bruce Conner (1933 - 2008), noted for his spooky constructions made from broken dolls and old stockings.

Now 78 years old, the artist — whose classic works, like Mirror Check (1970) and Vertical Roll (1972), present the body as a staging ground for feminist explorations of self — has largely absented herself from the proceedings, instead filling all four rooms of the pavilion with video projections of children and animals.

Ashkan Baghestani, head of Arab and Iranian sales at Sothebys Middle East department says of this most recent show: «I first discovered one of their artists in 2014 — Richard Mosse, an Irish war photographer whose fascinating show had been set up inside an old Soho underground parking lot.

Saw some artists whose work I've been following for the first time in person (@amybennettstudio and @patrickphiliplee) and an old favorite (@rodpenner).

Nostalgia is also a boon for older (or dead) artists whose work look remarkably fresh.

Today, the gallery prides itself upon the support of artists whose work warrants more widespread attention — 89 - year - old painter Rosalyn Drexler, 72 - year - old artist Howardena Pindell, and the late Paul Feeley among them.