Using a range of technologies from
old camcorders to iPhones, Prodger's films build a complex narrative exploring relationships between queer bodies, landscape, language, technology and time.
One of our brilliant teachers MacGyver - ed his own document camera out of
an old camcorder, plastic pipe, and duct tape.
Not exact matches
Rahaman is to Ali's right, holding a clear plastic cup of punch and sporting a grin as big and goofy as the guy's with the
camcorder — Rahaman's face intrinsically different in that it harbors none of that cracker's gleaming,
old / new Southern «Can - you - believe - what - these - crazy - niggers - are - doin?»
Set during a long, hot summer in 1982, the film — opening in New York and Los Angeles on May 2, from Paramount Vantage — revolves around two 11 - year
old scamps who, after seeing First Blood for the first time, decide to film their own sequel with nothing more than a
camcorder and, natch, some imagination.
After accepting a secondhand VHS
camcorder from a perverted neighbor (NewsRadio «s Dave Foley, who bares a lot for the film) in order to settle an outstanding debt, Gordon cedes control of the (then - newfangled) device to his youngest son Teddy (Dylan Everett), who in good kind proceeds to torture his curiously stunted 17 - year -
old brother, Marcus (Nick McKinlay).
Documenting the evil growing inside two ten - year
old twins, writer - director Christopher Denham's Home Movie creates a completely believable film in the much - maligned found footage genre, using mostly faux -
Camcorder footage shot during holidays or special celebrations — those times when people do actually film things they want to keep as memories.
To recap, the 22 - year -
old was arrested after theater employees told police they caught her taping the movie with a handheld
camcorder, which carries stiff penalties intended to thwart piracy.